Academies. Works: View of Ghent in Winter (1838), Church and Abbey of St. Peter at Ghent, Ghent Museum; St. Michael's Church, ib. (1825), De Poort van Sas of Ghent, ib. (1827), Amsterdam Museum; Architecture, Cologne Museum; Sunset, Two Winter Landscapes, Chapel in St. Bavon, Ghent. His brother, Jan Baptist, has acquired reputation as a painter of city views: City Hall at Louvain (1820); Subterranean Corridor in Old Castle at Ghent (1822); View at St. Rambout's Gate (1823); City Hall at Ghent (1823); Gothic House in Mechlin (1826); Old Entrance to Citadel of Ghent; Old Courtray Gate at Ghent (1832).—Biog. nat. de Belgique, v. 596; Immerzeel, ii. 267; Kramm, iv. 1213.
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NOTERMAN, EMANUEL, born at Oudenaerde in April, 1808, died in 1863. Genre painter, pupil of Ghent Academy, in 1827-30 of Maes-Canini, and in 1835 at Antwerp of Peter Kremer. Works: Fortune-Teller (1835); Young Girls preparing to celebrate Shrovetide (1836); Kirmess (1837); Old-Clothes Dealer (1840); Man shearing Dog (1841); St. Nicholas Festival; Children gathering Wood; Poachers.—Immerzeel, ii. 269; Nagler, Mon., ii. 637.
NOTTE, LA (The Night), Correggio,
Dresden Gallery; wood, H. 8 ft. 7 in. × 6
ft. 2 in. Adoration of the Shepherds: The
newly born Child, from whom all the light
proceeds, lies in the manger, held in the
arms of Mary, who bends over him, while an
old and a young shepherd and a young woman
regard him with wonder; above, winged
angels flying downward; in background,
Joseph, the ass, and shepherds sleeping.
Formerly called Madonna di Reggio. Ordered
in 1522 by Alberto Pratonero for his
family chapel in S. Prospero, Reggio, but
not placed there until 1530; taken secretly
from the church about 1640 and delivered
to Francesco I., Duke of Modena; sold by
Francesco III. to Augustus III., Elector of
Saxony and King of Poland; carried to
Dresden in 1745-46. Cleaned and restored
by Palmaroli in 1827 and by Schirmer in
1858. Engraved by Boetius, Mitelli, Eschini,
Vincent, Piali, and P. L. Surugue.—Vasari,
ed. Mil., iv. 117, 127; Pungileoni,
Mem., i. 36; ii. 180; Isacchi, Relationi, etc.,
della Madonna di Reggio (Reggio, 1619);
Meyer, Correggio, 307, 475; Künst. Lex.,
i.; Gal. roy. de Dresde, ii. Pl. 1; Landon,
Œuvres, viii. Pl. 1; Klas. der Malerei, i. Pl.
51; F. Kugler, Kunstblatt (1838), 231.
NOTTI, GHERARDO DALLE. See
Honthorst.
NOVOPACKY, JAN, born at Nechanitz,
Bohemia, in 1821. Landscape painter, pupil
of Vienna Academy under Thomas Ender
and Steinfeld; spent several years in Rome,
whence he returned in 1854 and became one
of the favourite landscape painters in Vienna.
Works: Arena and Porta d'Ercole at
Pola, Old Harbour at Spalato (1853); View
in Pontine Swamps, In the Campagna
(1854); Frascati near Rome; Baden near Vienna;
Villa d'Este; Well near Albano, Ariccia
near Rome (1855); Castle Liechtenstein,
Baiæ near Naples (1858); Adige Valley near
Botzen (1859); Return Home (1860); View
in Styrian Alps (1862); Spring Morning;
Palermo; Amalfi; Noon near Terracina;
Rape of Hylas (1864); Marina grande da
Sorrento (1865); Monks chanting Psalms;
Amphitheatre at Pola; Lago di Garda;
Landscape with Cemetery, Vienna Museum;
National Costumes; View at Terracina (Jubilee
Exhibition, Berlin, 1886).—D. Kunstbl.
(1854), 15, 276; (1855), 51; (1857), 343;
Müller, 397; Wurzbach, xx. 412.
NOZAL, ALEXANDRE, born in Paris;
contemporary. Landscape painter, pupil of
Luminais. Medals: 3d class, 1882; 2d
class, 1883. Works: Pond of Brenne (1876);
Storm Clouds (1877); Autumn in Berry
(1878); Avenue in Park of Saint-Cloud in
