Museum; Madonna, Darmstadt Museum; Christ on the Cross, Old Pinakothek, Munich; Martyrdom of St. Sebastian, Germanic Museum, Nuremberg; Baptism of Christ, Repose in Egypt (2), Martyrdom of St. Catharine, St. Jerome, Battle of Pavia (?), Museum, Vienna; Christ on the Cross, St. Jerome, Liechtenstein Gallery, ib.; do., Wiesbaden Gallery.—Kramm, v. 1258; Kugler (Crowe), i. 122; Ch. Blanc, École flamande; Rooses (Reber), 115; Van den Branden, 112; Zeitschr. f. b. K., xxi. 93.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/425}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
PATON, Sir JOSEPH NOEL, born in
Dunfermline, Scotland,
Dec 13, 1821. History
painter, first instructed
in art by his father, who
had been a pupil of Andrew
Wilson; employed
in drawing designs for
damask fabrics until
twenty years old, when
he went to London and
became a pupil in Royal Academy schools.
In 1845 his Spirit of Religion gained one
of the three prizes at the Westminster Hall
competition, and in 1847 his Christ bearing
the Cross, and Reconciliation of Oberon and
Titania (National Gallery, Edinburgh) won
the prize of £300 at a similar competition.
He became a member of the R.S.A. in 1850,
and settled permanently in Edinburgh in
1857; in 1866 he was appointed Queen's
limner for Scotland, and in 1867 was
knighted. Works: Dead Lady (1854);
Pursuit of Pleasure (1855); Home (1856);
Hesperus, In Memoriam (1857); Sir Bertram's
Dirge (1859); Silenus Singing, Entombment,
Gethsemane (1860); Luther at
Erfurt (1861); Death Barge of King Arthur
(1865); Mors Janua Vitæ (1866); Fairy Raid
(1867); Faith and Reason (1871); Oskold
and the Ellé Maids (1873); Man of Sorrows
(1875); Spirit of Twilight, Christ the Great
Shepherd (1876); Man with the Muck Rake
(1877); Lux in Tenebris (1879); Faith arming
the Christian Warrior. Sir Noel made
the cartoons for the glass of the great window
of Dunfermline Abbey, restored by Andrew
Carnegie, of New York, in 1884. He
is also a learned archæologist, a sculptor,
and a writer of both prose and poetry.—Art
Journal (1881), 78; Meynell, 52.
PATROIS, ISIDORE, born at Noyers
(Yonne) in 1815. Genre and history painter,
pupil of Lenfant and Monvoisin. While
his early pictures of Russian life are characteristic
and vigorous, those of historical subjects
painted at a later date are better in the
details than in the ensemble. Medals: 3d
class, 1861, 1863, 1864; L. of Honour, 1872.
Works: Procession of the Holy Images in
St. Petersburg (1861), Luxembourg Museum;
Joan of Arc taken Prisoner (1864),
Orléans Museum; Joan of Arc led to the
Stake (1867), Rouen Museum; A Friend's
Troubles, The Bond (1868); Russian Girls
Reading, Russian Girls Talking; Russian
Girls with Fruit (1874); New Wine; The
Visit; Young Mother, Mrs. Maynard, Boston;
In the Garden, Friendly Judge (1876);
Visit, First Suspicion (1877); The Betrothed
in Russia (1880); The Ball of Wool (1881),
Two Children warming themselves, Fodor
Museum, Amsterdam.—Bellier, ii. 218; Claretie,
Peintres, (1874), 331; Müller, 408.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/425}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
PAUDITZ (Paudiss), CHRISTOFFER,
born in Lower Saxony about 1618, died
at Freising, Bavaria, in 1666. German
school; history, genre, and portrait painter
in manner of Rembrandt, perhaps his pupil;
court painter to the Bishop of Freising.
Works: Lady and Gentleman at a
Table in Consultation, Bust Portrait of Old
Man (1654), Male Portrait (1689)., do.,
Dresden Gallery; St. Jerome (1664), Marauder
(1665), Male Portrait (1660), Peasant
resting and Boy, Portrait of Young
Man, Vienna Museum; Still-Life (1660),
Hermitage, St. Petersburg; Wolf devouring