Tournay Cathedral; do., Dunkirk Museum; do., Church of the Saviour, Ghent; Crucifixion, St. Nicholas, ib.; Last Supper, Mechlin Cathedral; Healing of St. Roch (1660), St. Jacob's, Antwerp; Guardian Angel (1667), St. Andrew's, ib.; Two Miracles of St. Hugh, Molenaer saved by St. Catharine, Portrait of Bishop Nemius (1649), Portrait of himself, Antwerp Museum; Assumption, Woman with Kitchen Utensils, Rotterdam Museum; Cavalry Combat, Suermondt Museum, Aix-la-Chapelle; Three Children with Parrot, Aschaffenburg Gallery; Venus with Tritons and Cupids, Schleissheim Gallery; Marriage of St. Catharine, Schwerin Gallery; Coronation of Charles V., Museum, Vienna; Queen of Sheba, Ulysses finding Achilles among the Women (1643), Male Portrait, Liechtenstein Gallery, ib.; Betrothal of Mary and Joseph, Coronation of St. Catharine, Dresden Gallery.—Ch. Blanc, École flamande; Cat. du Mus. d'Anvers, 272; Génard, Revue d'Histoire, ii. 310; Immerzeel, ii. 332; Kramm, v. 1330; Michiels, viii. 53; Rooses (Reber), 321; Van den Branden, 786.
QUELLINUS (Quellin), JAN ERASMUS,
born in Antwerp, baptized Dec. 1, 1634,
died at Mechlin, March 11, 1715. Flemish
school; history painter, son and pupil of
Erasmus Quellinus, the younger; visited
Italy and studied especially after Paolo Veronese;
master of Antwerp Guild in 1660;
painter to Emperors Leopold I. and Joseph
I.; treated large compositions with skill, but
heads unattractive, colouring cold and heavy.
Works: Pool of Bethesda, Martyrs of Gorcum,
Miracle of St. Hugh (1685), Christ in
House of Simon (1692), Martyrdom of St.
Agatha, and others, Museum, Antwerp;
Walk to Emmaus (1674), St. Andrew's, ib.;
Adoration of Shepherds, St. Jacob's, ib.;
Finding of the Cross (1692), Dunkerque
Museum; St. Charles Borromeo (1694),
Église du Béguinage, Mechlin; St. Francis
Xavier, St. Peter's, Ghent; Circumcision,
Rouen Museum; Alexander the Great with
Diogenes, Darmstadt Museum; Dead Game,
Germanic Museum, Nuremberg; Holy Family
(2), St. Dominick adoring Madonna, Hermitage,
St. Petersburg; Martyrdom of St.
Andrew, Museum, Vienna; Esther before
Ahasuerus, Liechtenstein Gallery, ib.; Madonna
among Flowers (by Van Thielen),
Uffizi, Florence.—Cat. du Mus. d'Anvers
(1874), 277; Descamps (Marseilles, 1842),
ii. 162; Immerzeel, ii. 335; Kramm, v.
1331; Michiels, x. 373; Rooses (Reber),
334; Van den Branden, 940.
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QUERENA, LACTANZ, born at Clusone, Venetia, in 1768, died in Venice, July 10, 1853. History painter, pupil of Verona Academy under Saverio della Rosa, then studied in Venice after the old masters. Member of Venice Academy. Works: St. Marina at Gate of her Convent, S. M. Formosa, Venice; Repose in Egypt, S. M. del Pianto, ib.; Descent from the Cross, SS. Giovanni e Paolo, ib.; do., and Mater Dolorosa, S. M. del Carmine, ib.; several others in churches, ib.—Wurzbach, xxiv. 141.
QUERENA, LUIGI, born in Italy; contemporary.
Landscape, architecture, and
battle painter, son of preceding; imitates
Canaletto. Works: Old Sacristy of the
Certosa at Pavia; Interior of S. Niccolò
dei Mendicoli; Bacchanal on Lago Maggiore;
Battle of S. Martino, Regatta on
Canale Grande in 1782; Bull-Fight in
Court-Yard of Palazzo Ducale in 1696;
Pope Pius VI. returning from Vienna;
Fight of the Castellani and Nicolotti in
Venice (1855); Sunset on the Lagoons, Entrance
into Canale Reggio (1860); Two
Views in S. Marco in Venice (1861); View
of Venice Academy; Departure of Francesco
Morosini for Morea in 1692.—Wurzbach,
xxiv. 143.
QUERFURTH, AUGUST, born at Wolfenbüttel
in 1697, died in Vienna in 1761;
