An acquaintance soon afterwards commenced with Mr. William Gifford, the sharpest critic of his day, who from satire and censure in the Anti-Jacobin, had tamed down his hand to the calmer employment of editing Massinger. He was well fitted for the work, as his edition sufficiently evinces. But he saw in Malone a superior in research, added to the possession of materials conducive to his own success. They were previously unacquainted; but both being strongly tinctured by similar political sentiments, a letter of inquiry answered the purpose of more formal introduction. The immediate subject was an imperfect drama of Massinger in manuscript, to which the possessor replied in February, 1803:—
“Mr. Malone presents his compliments to Mr. Gifford. He has sent the Parliament of Love by his servant for Mr. Gifford’s inspection and transcription, if he should think it worth that trouble. This piece is however in such a mutilated state, wanting the whole of the first act and part of the second—to say nothing of other defects from damp and time—that it is feared it can be of little use.”
Gifford put his ingenuity to work, and in six weeks returned a fair copy to the owner with the following:—
