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beauty remains, even without the colour, in the wealth of lovely ever-varying lines, and plentiful overgrowth from the very heart of the painter, springing and clinging all round the beautiful verses. No littleness here because the scale of work is a small one. Almost any one of these pages might be painted, writing and all, on a space twenty feet high, and leave nothing to be desired as a grand decorative work.
On comparing these Plates with the fac-similies of designs belonging to the same class of Blake's works which are contained in the first volume, it will be at once apparent that the latter are generally extremely successful as reproductions of his style. His work of other kinds, more dependent on engraving in lines, was far more difficult to deal with by the process adopted; but everywhere the aim has been towards the utmost fidelity, whether the fac-simile was on the exact scale of the original or not.
In concluding the last of the brief prefatory notes to the various sections of this second volume, the writer of them believes he may trust not only to have expressed his own views on the matters to which they relate, but that these are also in harmony with the intentions and fully-matured plans of his friend the author of the Life. He had had many conversations with Mr. Gilchrist regarding the completion of this cherished work; and must have undertaken this slight supplementary task with a still heavier heart, had he not been sure that he agreed with the author of the work in all points concerning its subject, and that there was no danger of any opinion being expressed in the few closing passages, which he would unwillingly have endorsed. It may be said on this last page that, at least, neither love of Blake in its author, nor love of its author in those on whom the issuing of his work devolved, has been wanting to make it a true memorial of both.
