in the structure of its sentences and in the words of which it is composed, which prevent his translation, in spite of the hexameters, in spite of the fidelity, from creating in us the impression created by the Greek. Mr Newman's prescription, if followed, would just strip the English translator of the advantage which he has over Voss.
The frame of mind in which we approach an author influences our correctness of appreciation of him; and Homer should be approached by a translator in the simplest frame of mind possible. Modern sentiment tries to make the ancient not less than the modern world its own; but against modern sentiment in its applications to Homer the translator, if he would feel Homer truly—and unless he feels him truly, how can he render him truly?—cannot be too much on his guard. For example: the writer of an interesting article on English translations of Homer, in the last number of the National Review, quotes, I see, with admiration, a criticism of Mr Ruskin on the use of the epithet φυσίζοος, 'life-giving', in that beautiful passage in the third book of the Iliad, which follows Helen's mention of her brothers Castor and Pollux as alive, though they were in truth dead:
ὣς φάτο· τοὺς δ' ἤδη κατέχεν φυσίζοος αἶα
ἐν Λακεδαίμονι αὖθι, φίλῃ ἐν πατρίδι γαιῃ.[1]
- ↑ Iliad, iii. 243.
