cells, and the heroes and heroines of classic literature, in costumes suggestive of rheumatism, diptheria, pneumonia, and early death.
The department devoted to painting is the largest and most complete. One of the four grand salons is surrounded by portraits of the old masters and classic authors in fresco, executed quite recently by Ramon Sagrado, an artist of Mexico, in excellent style. Among the art objects in all the public and private houses of Mexico, the portraits, statues, and busts of Humboldt invariably attest the regard for the memory of that great man, which prevails among all classes of society. The art galleries are now being renovated and put in good order once more. When I visited them it was during vacation and I did not have the pleasure of seeing the students at work. There are many empty frames in the salons, and we were told that the pictures which once filled them were borne away as spoils by the French, who appear to have laid their vandal hands on everything rich, beautiful, and desirable, in Mexico.
The department devoted to sculpture is also very extensive, and contains many objects of rare excellence in art; but the same lack of originality and nationality, and the same slavish devotion to European styles and models is visible everywhere. In the department devoted specially to engraving on copper and steel crayon, and pencil drawing etc., there are many specimens of work of rare excellence, and a great number of very fine and curious old English, French, German Spanish, and Italian engravings, such as cannot be found elsewhere on the continent.
In the department of coins and medals, there is a collection embracing many thousand specimens. All the
