But suddenly there appeared something quite different—something which could never have appeared, for example, in Ophelia—a love not only full of romance but showing a strange freedom and energy of spirit, and leading to a most unusual boldness of action; and this action was carried through with a confidence and decision worthy of Juliet or Cordelia. Desdemona does not shrink before the Senate; and her language to her father, though deeply respectful, is firm enough to stir in us some sympathy with the old man who could not survive his daughter’s loss. This then, we must understand, was the emergence in Desdemona, as she passed from girlhood to womanhood, of an individuality and strength which, if she had lived, would have been gradually fused with her more obvious qualities and have issued in a thousand actions, sweet and good, but surprising to her conventional or timid neighbours. And, indeed, we have already a slight example in her overflowing kindness, her boldness and her ill-fated persistence in pleading Cassio’s cause. But the full ripening of her lovely and noble nature was not to be. In her brief wedded life she appeared again chiefly as the sweet and submissive being of her girlhood; and the strength of her soul, first evoked by love, found scope to show itself only in a love which, when harshly repulsed, blamed only its own pain; when bruised, only gave forth a more exquisite fragrance; and, when rewarded with death, summoned its last labouring breath to save its murderer.
Many traits in Desdemona’s character have been described with sympathetic insight by Mrs. Jameson, and I will pass them by and add but a few words on the connection between this character and the catastrophe of Othello. Desdemona, as Mrs. Jameson remarks, shows less quickness of intellect and less tendency to reflection than most
