Page:The Golden verses of Pythagoras (IA cu31924026681076).pdf/37

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The Essence and Form of Poetry
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earth-mother[1]; and that of the Greeks, properly speaking, consecrated to the sun and the moon, adored under the names of Apollo and Diana. It is to this schism that one should ascribe the famous dispute which was raised, it is said, between Bacchus and Apollo concerning the possession of the tripod of Delphi.[2] The poetic fable woven from this subject was made to preserve the remembrance of the moral incident and not of the physical event; for at this remote epoch, when verse only was written, history, ever allegorical, treated only of moral and providential matters, disdaining all physical details deemed little worthy of occupying the memory of men.

However that may be, it appears certain, notwithstanding this schism, that the cult of the Thracians dominated Greece for a long time. The new source of poetry opened at Delphi and on Mount Parnassus, destined in time to become so celebrated, remained at first somewhat unknown. It is worthy of observation that Hesiod, born in the village of Ascra, a short distance from Delphi, makes no mention either of the oracle or of the temple of Apollo. All that he said of this city, which he named Pytho, has reference to the stone which Saturn had swallowed, believing to devour his son.[3] Homer does not mention this Pytho in the Iliad;

  1. Dionysus, in Greek Διονύσος, comes from the word Διός, irregular genitive of Ζεύς, the living God, and of Νόος, mind or understanding. The Phœnician roots of these words are אש, יש, or איש (ash, ish, or aïsh), Unique Being, and נו () the motive principle, the movement. These two roots, contracted, form the word Nôos, which signifies literally the principle of being, and figuratively, the understanding. Demeter, in Greek Δημήτερ, comes from the ancient Greek Δημ, the earth, united to the word μήτερ, mother. The Phœnician roots are דמ (dam) and מוט (môt), the former expressing all that which is formed by aggregation of similar parts; and the latter, all that which varies the form and gives it generative movement.
  2. Bailly, Essai sur les Fables, ch. 15. Court de Gébelin expressly says, that the sacred mountain of Thrace was consecrated to Bacchus. Monde prim., t. ix., p. 49. Now, it is generally known that Parnassus of the Greeks was consecrated to Apollo.
  3. Theog., v. 500.