song by the women of the school of Memphis resounds; joy is in every heart. All are as one to celebrate the praises of this god—even of King Rameses Meri-amen, the war-god of the world.'
In the early part of his reign, Rameses was engaged in more than one warlike enterprise, but none ever created so much excitement, or so fascinated the popular imagination as that of the first campaign by the Orontes at Kadesh, which was celebrated with such true poetic licence in Pentaur's epic song. Never, indeed, were the records of any sovereign's life and victories so blazoned abroad as those of King Rameses; the walls of the temples in Egypt and in Nubia are covered with inscriptions, paintings, and sculptures belonging to this reign. One while we see him in what appears most inglorious warfare—trampling down a crowd of negroes, who are represented as pigmies, and over whom he is driving his chariot of war. Some have escaped, and are flying in hot haste towards their homes, represented by the little huts like bee-hives, such as are still common in Africa. A little child rushes forward to greet them, but
