the mother stands still, holding up her hands in an attitude of despair; a little farther off another negress is seen with a pot over the fire, which she is carefully watching that it may be ready for the returning soldier. She does not yet see the boy who is even at that moment running up to bring the fatal news. At another time the king is seen seated upon his throne in state receiving the negro tribute—giraffes, oxen, ostriches, and several monkeys appear in the drawing. Or he is receiving prisoners brought in by his generals, whilst Semem-kheftu-ef, the 'Tearer to pieces of his enemies,' is lying quietly at the foot of the throne.
On the walls of the colossal temple of Abu-*simbel in Nubia, is a whole series of tableaux pertaining to the life of Rameses II. There is one striking bas-relief representing three of his sons following him in a headlong charge upon the battle-field. The three princes speed on, each in his chariot, side by side, and each of them is attended by a charioteer, who carries a large shield for their defence. But Rameses himself is alone, in the fore-front. Not even a charioteer stands beside him. The reins are
