| Specimen Carbon Print,
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Vignette
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|
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page
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| Preface,
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3
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| Introduction,
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9
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| Swan's Carbon Process,
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15
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| Crosman's Carbon Tissue,
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25
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| Details of Manipulation,
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28
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| Preparing the Non-Sensitive Tissue,
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28
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| Sensitizing the Tissue,
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32
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| Exposure Under the Negative,
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35
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| Mounting and Preparation for Development of the Image,
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36
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| Development and Washing,
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39
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| Transferring the Prints,
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43
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| The Sensitive Collodio-Gelatine Tissue,
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48
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| Carbon Printing in the Solar Camera,
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52
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| Swan's Actinometer,
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54
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| Vogel's New Photometer,
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56
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| The Chromic Salts,
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60
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| Physiological Effects of Chromic Salts,
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61
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| The Pigments Employed,
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63
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| The Gelatine,
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65
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| A Hint on the Preparation of Solution of India-rubber in Benzole,
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66
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| Coloring Carbon Prints,
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67
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| Practical Notes on the Carbon Process,
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68
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| Transferring Without a Press,
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68
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| Transferring Without Gelatine
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69
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| Carbon Prints on Porcelain Glass,
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70
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| Carbon Negatives,
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71
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| Failures, Faults, and Remedies,
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71
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| Spontaneous Insolubility of the Tissue,
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71
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| Tardy Solution of the Superfluous Gelatine in Development,
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72
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| Bichromate of Potash Crystallizing on the Tissue in Drying,
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72
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| Uneven Development,
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72
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| Blisters During Development,
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73
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| Over Exposure,
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73
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| Under Exposure,
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74
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| Weak and Flat Prints,
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74
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| Hardness and Excessive Contrast,
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74
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| An Uneven Texture in the Finished Print,
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75
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| Portions of the Image Tearing Off in Transferring,
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75
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| A Green Tint Pervading the Blacks,
|
75
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| Unequal Sensitiveness,
|
75
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| The Gelatinous Coating Runs in Sensitizing,
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76
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| Dark Spots,
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76
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| A Sparkling Appearance in the Prints after Transfer,
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76
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| Cracking of the Film,
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76
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| Many Mites from Many Minds,
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76
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| Historical Notes on Carbon Printing, 1814 to 1868,
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83
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