1911 Encyclopædia Britannica/Frémiet, Emmanuel

FRÉMIET, EMMANUEL (1824–⁠), French sculptor, born in Paris, was a nephew and pupil of Rude; he chiefly devoted himself to animal sculpture and to equestrian statues in armour. His earliest work was in scientific lithography (osteology), and for a while he served in times of adversity in the gruesome office of “painter to the Morgue.” In 1843 he sent to the Salon a study of a “Gazelle,” and after that date was very prolific in his works. His “Wounded Bear” and “Wounded Dog” were produced in 1850, and the Luxembourg Museum at once secured this striking example of his work. From 1855 to 1859 Frémiet was engaged on a series of military statuettes for Napoleon III. He produced his equestrian statue of “Napoleon I.” in 1868, and of “Louis d’Orléans” in 1869 (at the Château de Pierrefonds) and in 1874 the first equestrian statue of “Joan of Arc,” erected in the Place des Pyramides, Paris; this he afterwards (1889) replaced with another and still finer version. In the meanwhile he had exhibited his masterly “Gorilla and Woman” which won him a medal of honour at the Salon of 1887. Of the same character, and even more remarkable, is his “Ourang-Outangs and Borneo Savage” of 1895, a commission from the Paris Museum of Natural History. Frémiet also executed the statue of “St Michael” for the summit of the spire of the Église St Michel, and the equestrian statue of Velasquez for the Jardin de l’Infante at the Louvre. He became a member of the Académie des Beaux-Arts in 1892, and succeeded Barye as professor of animal drawing at the Natural History Museum of Paris.