Author:Dorothy Canfield Fisher

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Dorothy Canfield
American educational reformer, social activist, and best-selling author in the early decades of the twentieth century. She strongly supported women's rights, racial equality, and lifelong education. In addition to bringing the Montessori method of child-rearing to the U.S., she presided over the country's first adult education program and shaped literary tastes by serving as a member of the Book of the Month Club selection committee from 1925 to 1951. — Excerpted from Dorothy Canfield Fisher on Wikipedia, the free encyclopedia.
Dorothy Canfield



  • Gunhild (1907)
  • The Squirrel-Cage (1912)
  • The Bent Twig (1915)
  • The Real Motive (1916).
  • Fellow Captains (1916) (with Sarah N. Cleghorn).
  • Home Fires in France (1918)
  • The Day of Glory (1919)
  • The Brimming Cup (1921)
  • Rough-Hewn (1922) (Commons file)
  • The Home-Maker (1924) (reprinted by Persephone Books in 1999)
  • Her Son's Wife (1926)
  • The Deepening Stream (1930)
  • Bonfire (1933)
  • Seasoned Timber (1939)

Short story collections[edit]

  • Hillsboro People (1915)
  • The Real Motive (1916)
  • Raw Material (1923)
  • Made-to-Order Stories (1925)
  • Four Square (1949)
  • The Bedquilt and Other Stories (1997)


  • Corneille and Racine in England (1904) (dissertation)
  • English Rhetoric and Composition (1906) – with G. R. Carpenter
  • What Shall We Do Now? (with others) (1906)
  • A Montessori Mother (1912)
  • A Montessori Manual (1913)
  • Mothers and Children 1914.
  • Self-Reliance 1916.
  • Life of Christ 1923 (by Giovanni Papini, freely trans. from the Italian by Dorothy Canfield Fisher)

Some or all works by this author are in the public domain in the United States because they were published before January 1, 1923.

The author died in 1958, so works by this author are also in the public domain in countries and areas where the copyright term is the author's life plus 50 years or less. Works by this author may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.