Author:Henry St. Clair Whitehead
Appearance
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Works
[edit]- Not to the Swift (1905)
- "Christabel" (1923)
- "The Intarsia Box" (1923)
- The Wonder-Phone (1923)
- A letter to Weird Tales (December 1923 - January 1924 , vol. 3, no. 1)
- "Tea Leaves" in Weird Tales, 4 (2) (May-June-July 1924)
- "The Door" in Weird Tales, 4 (3) (November 1924)
- "The Fireplace" in Weird Tales, 5 (1) (January 1925)
- "Sea Change" in Weird Tales, 5 (2) (February 1925)
- "The Thin Match" in Weird Tales, 5 (4) (April 1925)
- "The Wonderful Thing" in Weird Tales, 6 (1) (July 1925)
- "Across the Gulf" in Weird Tales, 7 (5) (May 1926)
- "Jumbee" (1926) (reprinted as "Jumbee" in Weird Tales, 31 (2) (February 1938))
- "Obi in the Caribbean" (1927)
- "West India Lights" (1927)
- A letter to Weird Tales (May 1927, vol. 9, no. 5)
- "The Left Eye" in Weird Tales, 9 (6) (June 1927)
- "The Shadows" in Weird Tales, 10 (5) (November 1927)
- "The Cult of the Skull" in Weird Tales, 12 (6) (December 1928)
- "Sweet Grass" in Weird Tales, 14 (1) (July 1929)
- "The Lips" in Weird Tales, 14 (3) (September 1929)
- "The Tabernacle" in Weird Tales, 15 (1) (January 1930)
- A letter to Weird Tales (February 1930, vol. 15, no. 2)
- "The Shut Room" in Weird Tales, 15 (4) (April 1930)
- "Passing of a God" (1931)
- The Trap with H. P. Lovecraft (1932)
- "Cassius" in Strange Tales of Mystery and Terror, 1 (2) (November 1931)
- "The Moon-Dial" in Strange Tales of Mystery and Terror, 1 (3) (January 1932)
- "Sea-Tiger" in Strange Tales of Mystery and Terror, 2 (2) (October 1932)
- Bothon with H. P. Lovecraft (1946)
- "The Great Circle" in Strange Tales of Mystery and Terror, 2 (2) (June 1932)
- "The Napier Limousine" in Strange Tales of Mystery and Terror, 3 (1) (January 1933)
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Some or all works by this author are in the public domain in the United States because they were published before January 1, 1931.
This author died in 1932, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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