File:MANCHU LADIES AND A MANCHU MARRIAGE 1.jpg
![File:MANCHU LADIES AND A MANCHU MARRIAGE 1.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/a/a7/MANCHU_LADIES_AND_A_MANCHU_MARRIAGE_1.jpg/620px-MANCHU_LADIES_AND_A_MANCHU_MARRIAGE_1.jpg)
Original file (2,742 × 2,652 pixels, file size: 1.47 MB, MIME type: image/jpeg)
![]() | This is a file from the Wikimedia Commons. Information from its description page there is shown below. Commons is a freely licensed media file repository. You can help. |
Summary
DescriptionMANCHU LADIES AND A MANCHU MARRIAGE 1.jpg |
English: John Thomson: THE Manchu or Tartar lady may, on the whole, be said to approach more nearly than her Chinese
sister to our Western notions of female beauty and grace. The former enjoys greater freedom, and her feet, which are never compressed, appear to be naturally small and well-formed. Their rich dresses, too, are always elegant, but their faces, alas ! they paint to imitate the natural peach bloom ol health which heightens the beauty of our English belles. Although these Tartar ladies are probably less secluded than the Chinese, yet these coatings of paint serve like veils to conceal their true complexion from the outer world, and we may, perhaps, say of them in the language of Moore : — Is beauty, curtain 'd from the sight In Manchu families, when a son has reached the age of fourteen or sixteen years, his mother selects him a partner, and the latter will be brought into the family, and entirely subjected to her new parent's rule; so that should the young bride have a hard-hearted mother-in-law, she may look forward to spending the first years of married life in a state of abject slavery, and is even liable to be beaten by her mother-in-law, and husband too, if she neglect to discharge her duties as general domestic drudge. It is therefore always deemed fortunate by the girl's friends if the mother of the bridegroom be already dead. The sons of the rich are married at an earlier age than are those of the poor, but no Manchu maiden can be betrothed until she is fourteen years of age. Usually some elderly woman is employed as a go-between to arrange a marriage, and four primary rules exist (though they arc by no means regularly followed) to guide the matron. First, the lady must be amiable. Secondly, she must be a woman of few words. Thirdly, she must be of industrious habits, and lastly, she must neither want a limb nor an eye, and, indeed, she ought to be moderately good-looking. The matter is discussed by the aged go-between and her employer over a cup of tea, and the former then describes in detail the accomplishments and prospects of her son. When an eligible girl has at length been found, a geomancer is called in to fix a lucky day for an interview with the young lady, and an examination of her work. On this occasion she is trotted out before her future mother-in-law and carefully inspected. If found suitable, the geomancer is again consulted, and he settles a lucky day for receiving the presents and the betrothed. He is guided in his reckonings by the na*nes of the contracting parties, and by the dates of their births. He also determines whether they are suited to eac^ other. On the morning of betrothal the young lady is informed of her fate, and is dressed in a simple red cotton or silk robe borrowed or bought, according to her station in life. She is then placed sitting upon the Kang, or bed, there to await the bestowal of gifts from her future lord. The suitor's mother next places a bracelet upon the left wrist of the bride elect, and a lady friend binds another bracelet on the right wrist, and they, as they bestow the presents, wish her long life and happiness. After this formal betrothal, the lucky day is fixed for the marriage, and until the consummation of that joyous event the lady is supposed to seclude herself from public gaze. Her trousseau begins with the making of shoes, for of these she must possess from seven to thirty pairs, many of them richly embroidered. Her father or brothers look after furniture, which probably consists of three tables, four wardrobes, four trunks, four boxes, two looking-glasses, two brass wash-basins and stand, cloths, rails, chairs, and footstools. Teapots, cups, kettles, dressing-case, and an imposing array of boxes for odds and ends, flower-vases and trays, and a glass globe for gold fish, are also essential to complete the collection. The dress varies according to rank. A month before marriage another set of presents is despatched by the bridegroom to his bride. These commonly are four pigs, four sheep, four geese, and four jars of wine, besides twenty loaves of bread; also a number of changes of dress, with ornaments for the hair made from the feathers of the kingfisher, together with about one pound of silver called « pin-money." Materials for bedding, two mattresses and two coverlets, are included in the list. These commodities are carried in procession through the streets by hired bearers, headed by one or two domestics. A woman who has had sons and daughters is always selected to make up the material for bedding — a duty which widows or childless women are never permitted to fulfil. Ten days before the marriage invitations are issued. These are printed on sheets of red paper about a foot long and half a foot broad, and enclosed in envelopes of the same gigantic proportions. On the day before marriage the bride's plenishing is carried through the streets in procession to the house of the bridegroom's father, the escort being composed of bearers to the number of eight, or some multiple of eight up to 120, which figure denotes the highest rank. Ten official gentlemen are invited to accompany these goods, and to add to the pomp and display. When the bride enters her sedan, she must turn her face in a certain direction, and when she quits it she must look in a certain other direction. The bride's sedan is covered with crimson cloth. Her veil is also crimson, and richly embroidered. Midnight marriages are most fashionable among the Manchus. Many other tedious details too numerous to mention follow, and are the essential accompaniments of the dreary monotony of a Manchu marriage, in this respect more irksome and painful than the prolonged ceremonial of a Manchu funeral, and fully as uncertain to terminate in peace. The most sensible thing the assembled guests do is when they take leave of the married couple by drinking to their united happiness in a parting glass of wine. The newly-married pair sit down to a repast, but the lady quits the table, and her lord is supposed to breakfast alone, a form very soon over. On the ninth day after marriage the wife wakes up to industry, and makes a pair of nether garments for her husband; and this practice she adopts because the character for " treasury " in Chinese has the same sound as that which denotes " trousers." |
||||||||||||||||||||
Date |
before 1898 date QS:P,+1898-00-00T00:00:00Z/7,P1326,+1898-00-00T00:00:00Z/9 |
||||||||||||||||||||
Source | Beinecke Rare Book & Manuscript Library | ||||||||||||||||||||
Author |
creator QS:P170,Q736862 |
Licensing
Public domainPublic domainfalsefalse |
![]() |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. ![]() Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
|
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 14:05, 25 January 2014 | ![]() | 2,742 × 2,652 (1.47 MB) | 維基小霸王 | User created page with UploadWizard |
File usage
The following 2 pages use this file:
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
Width | 11,256 px |
---|---|
Height | 8,604 px |
Bits per component |
|
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CS6 (Windows) |
File change date and time | 20:22, 23 January 2014 |
Exif version | 2.21 |
Color space | Uncalibrated |
Unique ID of original document | BC7E1E4CC7AB2EDAF01958B1E67E3FD0 |
Date and time of digitizing | 19:14, 18 January 2014 |
Date metadata was last modified | 04:22, 24 January 2014 |
IIM version | 5,823 |