Japan: Its History, Arts, and Literature/Volume 7/Index

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Index

INDEX

  • À jour, early use of chiselling, 74; bronze castings, 140; development of chiselling, 277–282.
  • Akao family, sword-decorators, 281.
  • Aki, Miyōchin, armourer, 263.
  • Alcove recess, decorative purpose of picture in, 3.
  • Alloys used in Japanese art, 232–236, 317; antimony ware, 318. See also Bronze.
  • Amida, seventh-century bronze statue of, 79.
  • Anami Kwōyetsu, lacquerer, 346, 360.
  • Anatomy, Japanese art attitude, 8, 33, 57, 200.
  • Anderson, William, on Chinese pictorial art, 24–26; on the Japanese Classical school, 39; on an ancient mural painting, 152.
  • Aoki family, sword-decorators, 269.
  • Applied art, Shōsō-in collection, 20, 87–89; first evidence, 72; shrines, 115; religious monopoly, 135; rise of secular, 135. See also Bronze, Enamel, Interior decoration. Iron, Lacquer, Metal-work, Sculpture, Sword-furniture.
  • Arakawa Reiun, wood-carver, 202.
  • Araki Kwampo, painter, 63.
  • Architecture, character of early Buddhist temples, 148. See also Interior decoration.
  • Ariyoshi Nagato-nō-Sho, mask-carver, 168.
  • Armour, beginning of decoration, 74, 205; Yoshitsune's, 205.
  • Bells, ancient, 72, 99; tone, 99, 101; dimensions, 100; metal, 101; proportions, 102; form, 103; decoration, 103; method of hanging, 103.
  • Bowes, J. L., mistake on Japanese enamels, 331, 375.
  • Boya Magojiuro, mask-carver, 166.
  • Bronze, Japanese, introduction of casting, 70; use in weapons, 71; stone moulds, 71; early mirrors and bells, 72, 96; method of constructing early statues, 75; early temple ornaments and decorations, 78; statues of the seventh century, 79; introduction of the cire-perdue process of casting, 80; Nara Daibutsu, 85, 132–134; objects in the Shōsō-in collection, 88, 89; temple bells, 99–104; gongs, 104; Kamakura Daibutsu, 111, 114, 120; composition, 125; quality, 127; yellow, 128; process of casting, 129–134; Nagoshi family of art founders, 136–138; development of casting in Tokugawa epoch, 139–141; tōrō, 140; manufacture of parlour bronzes, 141–144; modern castings, 144–147; Occidental influence, 147; relation of the sculptor and founder, 148. See also Fine Arts, Sculpture.
  • Bronze age in Japan, 70.
  • Brush, Japanese painting, 11.
  • Buddhism, influence on Japanese art, 17–19, 29, 75, 82, 106, 119–125; influence on Chinese art, 21; character of religious paintings, 30; religious zeal of emperors, 108; temples monopolise sculptures, 117; character of early temples, 148–150; ceremonial splendour, 149.
  • Buncho, chromo-xylographer, 50.
  • Bunrin, painter, 62.
  • Bunzo, mask-carver, 165.
  • Buto Gempachi, sword-decorator, 303.
  • Button for girdle-pendants. See Netsuke.
  • Caricatures, character of Japanese, 36.
  • Castings. See Bronze, Iron.
  • Chamberlain, B. H., on Japanese pictorial art, 15.
  • Champlevé, variety of enamel decoration, 327. See also Enamel.
  • Chiaroscuro. See Light and shade.
  • Chigusa, mask-carver, 166.
  • Chikanobu. See Izeki Jirozaemon.
  • Chikudo Ganki. See Ganki.
  • China, relation to Japanese art, 16–24, 37–40, 78, 367; prehistoric contact with Japan, 98; character of sculpture, 119.
  • Chiselling, varieties of chisels, 229; methods, 241–243, 247, 274. See also Metal-work, Sculpture, Sword-furniture.
  • Chiyo family, sword-decorators, 286.
  • Chō Dense. See Meichō.
  • Choan, Kōami, lacquerer, 360.
  • Chobunsai, chromo-xylographer, 50
  • Chōen, sculptor, 110.
  • Chōhei, lacquerer, 363.
  • Chōho, Kōami, lacquerer, 361.
  • Chōkyu, Kōami, lacquerer, 361.
  • Chosei, sculptor, 110.
  • Chōshiu province, school of sword-decorators, 279.
  • Chōshun, sculptor, 110.
  • Choun Yasuyoshi, Deme, mask-carver, 167.
  • Chromo-xylography. See Wood.
  • Chuen, sculptor, 1 10.
  • Civilisation, Japanese, European attitude toward, 1; gradual influence of the Occident before the Revolution of 1867, 65; ancient, industrial rather than agricultural, 69; prehistoric contact with China and Korea, 98; art instinct, 177; attitude toward art and nature, 225–227.
  • Classical school of pictorial art, characteristics, 38–40; branches, 40. See also Kose school, Pictorial art.
  • Clay statues, technique, 84; famous, 86. See also Sculpture.
  • Cloisonné, variety of enamel decoration, 327. See also Enamel.
  • Colour in art, Chinese use, 22, 24; in religious pictures, 30; in decorations of the Kano school, 42; hand-coloured prints, 47; development of chromo-xylographs, 48–50; Japanese knowledge and use, 56, 160; in interior decorations, 159.
  • Conder, J., on character of Japanese decorative designs, 158.
  • Copper, use in sword-decorating, 236.
  • Costumes. See Sage-mono.
  • Daibutsu, Nara, 85, 132–134; Kamakura, 111, 114, 120.
  • Dansho, mask-carver, 166.
  • Deme family, mask-carvers, 166, 167.
  • Dengyō Daishi, artist-priest, 29, 109.
  • Deva Kings (Shi-Tennō), eighth-century clay statues of, 86; (Ni-ō) temple Kofuku-ji statues, 112; temple Todai-ji statues, 113.
  • Distemper, use in Japanese decoration, 152.
  • Dōchō, Kōami, lacquerer, 345.
  • Door, panel paintings, 3.
  • Dōsei, Kōami, lacquerer, 345, 361.
  • Dragon in Japanese art, 253.
  • Drama, popularity of the No, 162; use of masks, 163; influence on the theatre, 164.
  • Drawing. See Line.
  • Echi Yoshifune, mask-carver, 165.
  • Economic condition, ancient, 69.
  • Eishin, Hidari, decorative-sculptor, 161.
  • Eitoku, painter, 42.
  • Eiyen, sculptor, 116.
  • Enamel, as sword-decoration, 285; composition, 327; varieties, 327; introduction, 328, 329, 332; technique, 328, 376; former uses, 330–333, 375; modern development, 333–340; Japanese and Chinese, compared, 340.
  • Engraving. See Metal, Wood.
  • Ensei, sculptor, 110.
  • Enso, sculptor, 109.
  • Eshin, sculptor-priest, 109.
  • Fenollosa, E. F., on Japanese pictorial art, 15.
  • Feudalism, influence on Japanese art, 38, 111.
  • Fine arts, Japanese, genesis, 17–19, 193; influence of Buddhism, 29, 82, 106, 119–125; continuity of development, 70; character of artists, 156, 161, 318; instinct, 177; attitude toward the nude, 180; canons, 191, 203; conscientiousness, 208; Japanese attitude toward, 225–227, 229; effect of the Revolution of 1867 and a foreign market, 322–325. See also Bronze, Enamel, Interior decoration, Lacquer, Metal-work, Pictorial art, Sculpture, Sword-furniture.
  • Forgery in Japanese fine arts, 324.
  • Fresco painting not employed by Japanese, 152.
  • Fujii family, sword-decorators, 280.
  • Fukurai Masatomo, mask-carver, 166.
  • Fukushima Kagan, figure-sculptor, 200.
  • Fusayoshi, Miyōchin, armourer, 267.
  • Ganki, painter, 62.
  • Ganku, painter, 60.
  • Ganku, sculptor-priest, 110.
  • Gekkei, painter, 62.
  • Genjiro. See Jirozaemon Yoshimitsu.
  • Genkiu Mitsufusa, Deme, mask-carver, 167.
  • Genkiu Mitsunaga, Deme, mask-carver, 167.
  • Genkiu Mitsushige, Deme, mask-carver, 167.
  • Genkiu Mitsuzane, Deme, mask-carver, 167.
  • Genre painting, development, 44.
  • Genri Toshimitsu, Deme, mask-carver, 167.
  • Genri Yoshimitsu, Deme, mask-carver, 167.
  • Gensuke Hidemitsu, Deme, mask-carver, 167.
  • Gensuke Mitsukira, Deme, mask-carver, 167.
  • Gilding, method, 370.
  • Girdle pendants. See Sage-mono.
  • Girls' fête, dolls, 194.
  • Gold, use in Japanese art, 74, 229–231; surfacing debased, 231, 371; method of gilding with, 370; process of refining, 371.
  • Golden Pavilion, decoration, 153, 369.
  • Gongs, origin, 104; varieties, 104; tone, 105.
  • Gonse, Louis, on Japanese pipe cases, 190; on motives in sword-decoration, 227; on Japanese lacquer, 360; on the Goto family, 373; misapprehensions on sword-decorators, 373.
  • Gorobei, sword-decorator, 287.
  • Goto family, sword-decorators, 212, 219–225, 298; skill and motives of early masters, 252–260, 373; art influence, 260, 261, 272; branches, 299.
  • Gowland, W., on quality of Japanese bronze, 127; on method of casting bronze, 129–132; on Japanese alloys, 232, 235; on method of gilding, 370; on refining processes, 371; on "surfacing" metals, 371.
  • Graining of metals for art use, 245–247; origin, 262.
  • Greek art and Japanese art, 17–19, 78, 80, 119–122, 124, 368; and Chinese art, 21.
  • Guard, sword, 219; development of decoration, 250, 261–265, 277; materials, 265.
  • Gunkei, mask-carver, 166.
  • Guri-bori, variety of metal decoration, 247.
  • Gyogi, sculptor-priest, 81.
  • Hadagoro, lacquerer, 345, 360.
  • Hamano family, sword-decorators, 291, 303, 306, 375.
  • Hammering of metal, 312.
  • Han Kan, Chinese artist, 22.
  • Hanzan, lacquerer, 363.
  • Hanzo. See Hokan Mitsunao.
  • Hanzo Yasukore, Deme, mask-carver, 167.
  • Hara Yōyusai, lacquerer, 362.
  • Haruaki, Ishiguro, sword-decorator, 302.
  • Harukuni, Okamoto, sword-decorator, 294.
  • Harunari, Hirata, sword-decorator, 285, 308.
  • Harunobu, Suzuki, chromo-xylographer, 49, 50.
  • Haruwaka Tadatsugu, mask-carver, 166.
  • Haruyori. See Shunzui.
  • Hasegawa Kumazo, art-founder, 145, 147.
  • Hashi-ichi, sculptor, 191.
  • Hashimoto Gaho, painter, 63; western influence upon, 68.
  • Heian epoch, and the beginning of secular pictorial art, 27–29; character of sculpture in, 106–109.
  • Hibi Munetada, mask-carver, 165.
  • Hidekiyo, Omori, sword-decorator, 303.
  • Hidenori, Omori, sword-decorator, 303.
  • Hidetomo, Omori, sword-decorator, 303.
  • Hidetsugu, lacquerer, 345, 360.
  • Hideyori. See Shuzui.
  • Hideyori, Omori, sword-decorator, 303.
  • Hideyoshi, Omori, sword-decorator, 303.
  • Hideyoski, the Taikō, as an art patron, 135, 150, 162; Palace of Pleasure, 270.
  • Hien Wantsz, sculptor, 81.
  • Hikoshiro, Hirata, sword-decorator, 285.
  • Hirata family, sword-decorators and enamellers, 285, 300, 312, 332.
  • Hiroshige, chromo-xylographer, 50.
  • Hirotaka, painter, 31, 35.
  • Hiroyoshi, Kuwamura, sword-decorator, 272.
  • Hisayori. See Juzui, Kiuzui.
  • Hishigawa Moronobu, xylographer, 46.
  • Hōgen, art title, 117.
  • Hōin, art title, 110.
  • Hokan Mitsunao, Deme, mask-carver, 167.
  • Hokke-do Trinity, famous group of dry lacquer statues, 86.
  • Hokkei, chromo-xylographer, 50.
  • Hokusai, art characteristics, 9, 10; chromo-xylographer, 50; traces of Western influence upon, 67.
  • Hōkyō, art title, 110.
  • Honjo Yoshitane, swordsmith and decorator, 309.
  • Horai Ujitoki, mask-carver, 166.
  • Horu-ji, temple, ancient distemper painting in, 152.
  • Hōshō family, No dancers, 162.
  • Hosono Masamori, inlayer, 273.
  • Hotokusai, art-founder, 144.
  • Hoyen, painter, 62.
  • Hozan, mask-carver, 166.
  • Humour in Japanese sculpture, 85. See also Caricatures.
  • Ichibei, Nara, sword-decorator, 288.
  • Ichijo, Goto, sword-decorator, 298–301; specimens of his work, 307.
  • Ichikawa Hirosuke, alleged sword-decorator, 218.
  • Ideographa, influence on pictorial art, 8, 11, 31; helmet characters, 262.
  • Igarashi Dōho, lacquerer, 361.
  • Igarashi Shinsai, lacquerer, 345, 361.
  • Illustrations, freaks, 33; of the Tosa school, 34; development of wood engraving, 45–47; hand-coloured prints, 47; development of coloured prints, 48–51; technique of coloured prints, 51–55. See also Pictorial art.
  • Imao Keinen, painter, 63.
  • Inaba-no-suke, title used by Yoshioka family, 283, 284.
  • Inchō, sculptor, 110.
  • Inchu, sculptor, 116.
  • Industry in ancient Japan, 69.
  • Injin, sculptor, 116.
  • Injo, sculptor, 110, 116.
  • Inkaku, sculptor, 110.
  • Inken, sculptor, 116.
  • Inkō, sculptor, 116.
  • Inku, sculptor, 116.
  • Inlaying, in sword-decoration, 220, 272; varieties, 243–245; inserted, 313; sepia, 315; ground-out, 315.
  • Inouye family, sword-decorators, 286.
  • Inro, girdle pendant, original and acquired use and fashion, 173; its cord-clutch, 173; decoration, 186.
  • Insertion in metal work, 313.
  • Inshu, sculptor, 116.
  • Inso, sculptor, 116.
  • Inson, sculptor, 110.
  • Interior decoration, decorative purpose of Japanese pictures, 3, 34, 42; growth of demand, 32, 42, 43; seventh-century temple, 78; early use of pictorial, 149, 151–153; development of sculptured, 150; pictorial, of the Golden and Silver Pavilions, 153; pictorial and sculptured, of Nishi Hongwan-ji, 154; pictorial and sculptured, of the Nikkō mausoleum, 155–157; general and particular aspects, 157; character of designs, 158; use of colours, 159; use of metal-carvings, 326.
  • Inyu, sculptor, 116.
  • Ippitsusai, chromo-xylographer, 50.
  • Iron, displaces bronze in swords, 71; ancient bell-shaped castings of unknown use, 73; first manufacture of vessels of, 136; tea-ceremonial urn and its influence, 136–138; in sword-decoration, 236; patina, 237. See also Bronze, Metal-work.
  • Iron age in Japan, 70.
  • Ishiguro family, sword-decorators, 301, 306.
  • Ishikawa Riuyemon Shigemasa, mask-carver, 165.
  • Isono family, metal-carvers and inlayers, 284.
  • Ito family, sword-decorators, 282, 296.
  • Ittan. See Sanehisa.
  • Ittosai, mask-carver, 165.
  • Iwamoto family, sword-decorators, 286, 293, 303, 306.
  • Iwasa Matahei, painter, 44.
  • Iyefusa, Miyōchin, armourer, 267.
  • Iyemasa, Nagoshi, art-founder, 138.
  • Iyetsugu, Jiyemon, art-founder, 141.
  • Iyeyasu, Shōgun, mausoleum, 154.
  • Izeki Jirozaemon, mask-carver, 168.
  • Izeki Kawachi Iyeshige, mask-carver, 168.
  • Izuka Tōyō, lacquerer, 362.
  • Jakushi. See Kizayemon.
  • Jikan Yoshimitsu, Deme, mask-carver, 166.
  • Jimpo, Nomura, sword-decorator, 287.
  • Jingo, Aoki, sword-decorator, 269.
  • Jingoro, Hidari, decorative-sculptor, 151, 156, 157.
  • Jirozaemon Mitzuteru, Deme, mask-carver, 167.
  • Jirozaemon Norimitsu, Deme, mask-carver, 167.
  • Jirozaemon Yoshimitsu, Deme, mask-carver, 167.
  • Jitsuye, artist-priest, 29.
  • Jiunin, mask-carver, 166.
  • Jiyemon family, art-founders, 141.
  • Jōchiku, Isono, metal-carver, 284.
  • Jōchō, sculptor, 107, 110; record of his work, 168; titles, 109, 110.
  • Jōhō, art-founder, 138.
  • Joi, Nara, sword-decorator, 289; specimen of his work, 375.
  • Jokaku, sculptor, 111; his Deva Kings, 113.
  • Jōkasai, lacquerer, 363.
  • Jokei. See Gensuke Hidemitsu.
  • Jomi. See Sanshō.
  • Jōsei, art-founder, 138.
  • Josetsu, artist-priest, 37, 40.
  • Joshin. See Gensuke Hidemitsu.
  • Jōshin, Goto, sword-decorator, 220, 259.
  • Jotetsu, Isono, metal-carver, 285.
  • Jōun. See Oshima Katsujiro.
  • Jōyen, sculptor, 116.
  • Jōyu, Nagoshi, art-founder, 138.
  • Jubei, Aoki, sword-decorator, 269.
  • Jujō, Goto, sword-decorator, 223.
  • Juzui, Hamano, sword-decorator, 303.
  • Kacho, metal-carver, 326.
  • Kaga province as an art centre, 270.
  • Kaikei, sculptor, 116.
  • Kaji Tsunekichi, enameler, 333.
  • Kajikawa Kaijiro, lacquerer, 362.
  • Kakino Moto-no-Otoma, sculptor, 81.
  • Kakōsai, lacquerer, 363.
  • Kaku-no-bo, mask-carver, 166.
  • Kakujo, sculptor, 110.
  • Kakuyu, Minamoto no, caricaturist, 36.
  • Kamakura epoch. See Military epoch.
  • Kambayashi Rakkiken, figure-sculptor, 200.
  • Kame, art-founder, 142.
  • Kameyama Yasutomo, art-founder, 141.
  • Kamparu family, No dancers, 162.
  • Kan-Kan. See Han Kan.
  • Kanaoka, Kose no, painter, Chinese influence on, 16, 22; position, 28; style, 28; no surviving pictures, 28; and the Kose school, 34.
  • Kanashi, sculptor, 80.
  • Kanaya, metal-carver, 270.
  • Kanaya Gorosaburo, art-founder, 145.
  • Kanazawa as an art centre, 271.
  • Kaneiye, sword-decorator, 250, 266.
  • Kaneko family, sword-decorators, 286.
  • Kano Natsuo, sword-decorator, 309.
  • Kano school of pictorial art, branch of the Classical school, 40; development of the decorative method, 42. See also Pictorial art.
  • Kansai, chromo-xylographer, 51.
  • Kansai, Koma, lacquerer, 362.
  • Kansei, sculptor, 109.
  • Kanyen, sculptor, 116.
  • Kashiwaya Nagatsune, metal-carver, 295.
  • Kasuga Motomitsu, painter, alleged founder of the Yamato school, 32, 33.
  • Kasuga Tori, mask-carver, 166.
  • Kasuga school of pictorial art, 33. See also Pictorial art, Yamato school.
  • Kata-kiri style of incised chiselling, 274.
  • Katsugi Uji-iye, sword-decorator, 272.
  • Katsukawa Shunsho, chromo-xylographer, 50.
  • Katsukawa Shunyei, chromo-xylographer, 50.
  • Katsumasa, Hidan, decorative-sculptor, 161.
  • Kawabata Gyokusho, painrer, 63.
  • Kawanari, painter, traditional skill and originality, 27.
  • Kawanobe Itcho, lacquerer, 363.
  • Kawarabayashi Hidekuni, sword-decorator, 310.
  • Kazutomo, Omori, sword-decorator, 303.
  • Keibun, painter, 62.
  • Keibunkai, sculptor, 81.
  • Keibunkomi, sculptor, 81.
  • Keijo, sword-decorator, 224.
  • Keisai, art-founder, 143.
  • Kenjō, Goto, sword-decorator, 221, 222.
  • Kenyen, sculptor, 110.
  • Kichijo-in, mask-carver, 166.
  • Kijima Ippu, inlayer, 315.
  • Kikuchi Yosai, painter, 62.
  • Kikugawa Utamaro, chromo-xylographer, 50.
  • Kimara, sculptor, 80.
  • Kimimaro, sculptor, founder of the Nara Daibutsu, 81.
  • Kimmochi, painter, 35.
  • Kinai family, sword-decorators, 280, 374.
  • Kinchaku, different uses, 169; method of wearing, 169. See also Sage-mono.
  • Kinonaga, Torii, chromo-xylographer, 50.
  • Kintada, painter, 35.
  • Kishiu, Miyōchin, armourer, 263.
  • Kitagawa Sōden, sword-decorator, 283.
  • Kitao Shigemasa, chromo-xylographer, 50.
  • Kiuhaku, Koma, lacquerer, 361.
  • Kiui, Koma, lacquerer, 361.
  • Kiushiu. See Izeki Jirozaemon.
  • Kiuzui, Hamano, sword-decorator, 303.
  • Kiyohiro, Torii, chromo-xylographer, 48.
  • Kiyōji-tate, shape, use, and decoration, 192.
  • Kiyomasu, Torii, chromo-xylographer, 48.
  • Kiyomitsu, mask-carver, 165.
  • Kiyomitsu, Torii, chromo-xylographer, 48.
  • Kiyonaga, Torii, chromo-xylographer, 50.
  • Kiyonari, Ishiguro, sword-decorator, 302.
  • Kiyonobu, Torii, chromo-xylographer, 48.
  • Kiyōsai, chromo-xylographer, 51; on motion in art, 57; as a genre painter, 62.
  • Kiyoshige, Torii, chromo-xylographer, 48.
  • Kizan. See Jikan.
  • Kizayemon, sword -decorator, 290.
  • Kōami family, lacquerers, 345, 360, 361.
  • Kōben, sculptor, 113, 116; his Demon-lantern-bearers, 113.
  • Kōbo Daishi, artist-priest, 29, 109; no surviving pictures, 30; brings pictures from China, 367.
  • Kōchō, sculptor, 110.
  • Kodama Choyemon Yoshimitsu, mask-carver, 168.
  • Kodama Omi Mitsumasa, mask-carver, 168.
  • Kōgai, origin, 218; origin of decoration, 251. See also Sword-furniture.
  • Kogitsune, metal-carver, 282.
  • Kōgō, use and decoration, 192.
  • Koji, Yamagawa, sword-decorator, 309.
  • Kōjo, sculptor, 110.
  • Kōkei, sculptor, 113, 116.
  • Kōkitsu, sculptor, 116.
  • Kokō. See Hiroyoshi.
  • Koma family, lacquerers, 361, 362.
  • Ko-maro, sculptor, 109.
  • Kongō family, No dancers, 162.
  • Konju, Iwamoto, sword-decorator, 303.
  • Konkwan, Iwamoto, sword-dccorator, 293.
  • Korea, influence on Japanese art, 16–19, 76; prehistoric contact with Japan, 98.
  • Koreo, Ishiguro, sword-decorator, 302.
  • Koreshige, painter, 35.
  • Koreshige, Ishiguro, sword-decorator, 302.
  • Koretsune, Ishiguro, sword-decorator, 302.
  • Koreyoshi, Ishiguro, sword-decorator, 302; specimen of his work, 306.
  • Kōrin, painter, 62.
  • Kōrin, sculptor, 116.
  • Koriu-ji, temple, bronze statues of seventh century in, 79.
  • Koriusai, chromo-xylographer, 50.
  • Kose no Kanaoka. See Kanaoka.
  • Kose school of pictorial art, Chinese style, 34; object of its work, 36. See also Pictorial Art.
  • Kōsei, sculptor, 116.
  • Kōshin, sculptor, 116.
  • Kōsho, Heian-epoch sculptor, 107, 110; titles, 109.
  • Kōshō, Military-epoch sculptor, 116.
  • Kōshu, sculptor, 116.
  • Kōshun, sculptor, 116.
  • Kōson, sculptor, 116.
  • Kōtan, sculptor, 116.
  • Kōun, Heian-epoch sculptor-priest, 109.
  • Kōun, Military-epoch sculptor-priest, 116.
  • Kōun, Takamura, sculptor, 201; school, 201.
  • Koushi, mask-carver, 165.
  • Kōyei, sculptor, 116.
  • Kōyō, sculptor, 116.
  • Kōyu, sculptor, 116.
  • Kozuka, origin of wearing, 218; origin of decoration, 251. See also Sword-furniture.
  • Kubo Shunman, chromo-xylographer, 50.
  • Kukai. See Kōbō Daishi.
  • Kumagaye Naohiko, painter, 63.
  • Kuninaga, sword-dccorator, 272, 374.
  • Kusakari Kiyosada, inlayer, 296.
  • Kuwamura family, sword-decorators, 271.
  • Kwaikei, sculptor, 111; his Deva Kings, 113.
  • Kwanjo, Iwamoto, sword-decorator, 203.
  • Kwannon, goddess of mercy, Shotoku's statue, 77; wooden statue in temple Hokke-ji, 87.
  • Kwanri, Iwamoto, sword-decorator, 303.
  • Kwanze family, No dancers, 162.
  • Kwōjō, Goto, sword-decorator, 221, 222; style, 259.
  • Kyōtō, capital of Japan, influence on art development, 32.
  • Lacquer, statues, 84, 86; qualities, 341; introduction, 342; development and use, 343–345, 346, 349; early master lacquerers, 345; modern conditions, 349; technique, 349–354, 377; decoration, 354–358; special varieties, 358–360.
  • Lapidary work, ancient Japanese, 92.
  • Leather used in girdle-pendants, 170.
  • Light and shade, in Japanese pictures, 5, 15, 30, 59; in Chinese pictures, 22, 25.
  • Line, in Japanese art, influence of ideographs, 8; styles of touch, 9; influence of artist's position while painting, 12; precedence, 12, 57, 58, 229; in Chinese art, 22; in religious pictures, 30; in caricatures, 36; development in incised chiselling, 274.
  • Makunosuke. See Choun.
  • Mambi. See Tosui.
  • Manku. See Tosui.
  • Mannerisms and copying in Japanese pictures, 13.
  • Mansho. See Kodama Omi.
  • Manual dexterity of Japanese artists, 9–11.
  • Manyei. See Genkiu Mitsunaga.
  • Maruyama Okio, painter, founder of the Shi-jo school, 59, 60.
  • Masachika, Nara, sword-decorator, 289.
  • Masaharu, Ishiguro, sword-decorator, 302.
  • Masahiro, Ishiguro, sword-decorator, 302.
  • Masakiyo, Ishiguro, sword-decorator, 302.
  • Masamine, Kōami, lacquerer, 361.
  • Masamitsu. See Yeijo.
  • Masamune no Busshi, sculptor, 109.
  • Masanaga, Nara, sword-decorator, 288, 289.
  • Masanobu, painter, founder of the Kano school, 40.
  • Masanobu, Nara, sword-decorator, 290.
  • Masatsugu. See Kenjō.
  • Masatsune, art-founder, 143.
  • Masatsune, Ishiguro, sword-decorator, 301.
  • Masatsune, Ito, sword-decorator, 282.
  • Masayori, Hamano, sword-decorator, 291.
  • Masayoshi, Ishiguro, sword-decorator, 302.
  • Masks, use in the No dance, 163; as works of art, 165; celebrated carvers, 165–168.
  • Masu-ya, artists called, 375.
  • Matabei, Muneta, sword-decorator, 268.
  • Mataemon, wood-carver, 150.
  • Matazayemon, Muneta, sword-decorator, 268.
  • Matsumoto Kisaburo, figure-sculptor, 200.
  • Mayeda Toshiiye, chief of Kaga, career, 270; art patron, 271.
  • Maze-gane, process in metal work, 314.
  • Medicine box. See Inro.
  • Meichō, painter, 31.
  • Meishin. See Shigeyoshi (Meishin).
  • Menesuke, Miyōchin, armourer, 262.
  • Menuki, sword-mount, origin of decoration, 217, 251. See also Sword-furniture.
  • Metal work, early development of decoration, 74, 78; in the Shōsō-in collection, 87–89; inlaying, 243–245; graining, 245–247; hammering, 312; insertion, 313; inserted inlaying, 313; maze-gane, 314; shibuichi-doshi, 314; sepia-inlaying, 315; ground-out inlaying, 315; in architectural decoration, 326. See also Alloys, Bronze, Gold, Iron, Sword-furniture.
  • Michitaka, Sok en Kishō on sword-decoration, 212–225.
  • Military epoch, virile character of sculpture, 110; specimens of religious sculpture, 111–114.
  • Ming dynasty, China, character of pictorial art, 43.
  • Minjo, sword-decorator, 310.
  • Minkoku, sword-decorator, 310.
  • Miroku, mask-carver, 165.
  • Mirrors, ancient, 72, 96, 368; magical, 98; antiquity, 368.
  • Mitsuiye. See Kwōjō.
  • Mitsumasa. See Jujō, Teijō.
  • Mitsumori. See Keijō.
  • Mitsune Nakai, sword-decorator, 279.
  • Mitsushige. See Sojukō.
  • Mitsutaka. See Yenjō.
  • Mitsutoshi. See Tsujō.
  • Mitsutsugu. See Tokujō.
  • Miyano, mask-carver, 166.
  • Miyata Chikugo, mask-carver, 168.
  • Miyochin family, armourers, 262, 267.
  • Miyoju. See Shigeyoshi (Miyoju).
  • Mizunō family, sword-decorators, 272.
  • Mogarashi. See Kitagawa.
  • Mokunosuke. See Tosui Mitsunori.
  • Money-pouch. See Kinchaku.
  • Monjushiri, thirteenth-century statue of, 113.
  • Mori Sosen, painter, 61.
  • Moriyoshi, Kuwamura, sword-decorator, 271.
  • Morotsugu. See Shigehiro.
  • Motochska, sword-decorator, 310.
  • Motomichi, sword-decorator, 310.
  • Motonari, sword-decorator, 310.
  • Motonobu, painter, founder of the Kano school, 40.
  • Muneta family, sword-decorators, 268.
  • Muneyuki, Umetada, sword-decorator, 282.
  • Myojun, sculptor-priest, 110.
  • Nagafusa, Kōami, lacquerer, 361.
  • Nagasaki as an art centre, 290.
  • Nagashige, Kōami, lacquerer, 361.

Nagata Tomoharu, lacquerer, 362.

  • Nagatsune, Yasui, metal-carver, 286.
  • Nagayoshi family, sword-decorators, 272.
  • Nagoshi family, art-founders, 136, 138.
  • Naka Mitsuyuki, Deme, mask-carver, 167.
  • Nakai family, sword-decorators, 279.
  • Nakayama, Kōmin, lacquerer, 362.
  • Nakayama Shōyeki, art-founder, 142.
  • Namikawa Sosuke, head of a school of enamelers, 336, 376.
  • Namikawa Yasuyuki, enameler, 336, 376.
  • Naomichi, Muneta, sword-decorator, 269.
  • Naomine, Muneta, sword-decorator, 269.
  • Naoshige, Muneta, sword-decorator, 269.
  • Naoshige, Okamoto, sword-decorator, 374.
  • Nara, capital of Japan, art objects, 19; condition of pictorial art in Nara epoch, 26; civilisation, 81; aspect of the city, 83.
  • Nara Busshi, 109.
  • Nara family, sword-decorators, 276, 289, 305.
  • Nara ningyo, and the netsuke, 175; form, 97, 199; history, 197–199, 369, 370.
  • Nature, Japanese attitude toward, 226.
  • Nen Kawo and the Chinese renaissance in Japanese art, 37.
  • Netsuke, origin, 174–176; decoration, 176; designs in decoration, 177–185, 191; material, 177; criterion of value, 181–183, 196; form, 185; uniqueness, 193; sculptors, 193, 195–197.
  • Nikkō, mask-carver, 165.
  • Nikkō mausoleum, interior decoration, 154, 159.
  • Ninomiya Tōtei, lacquerer, 362.
  • Nishi Hongwan-ji, temple, interior decoration, 154.
  • Nobuiye, Miyōchin, armourer, sword-guards, 263.
  • Nobunaga as an art patron, 150, 162.
  • Nobushige, painter, 35.
  • Nobutsune Nakai, sword-decorator, 279.
  • Nobuzane, painter, characteristics, 10.
  • Nogami Yataro, art-founder, 145.
  • Nomura Bunkyo, painter, 63.
  • Nomura family, sword-decorators, 286, 287.
  • Nude in art, Japanese attitude toward, 7, 125, 178, 180; Chinese attitude toward, 180.
  • Oda Noaki, sword-decorator, 310.
  • Ogata Gekko, chromo-xylographer, 51, 63.
  • Ogata Kwōrin, lacquerer, 346, 361.
  • Ogawa Ritsuō, lacquerer, 348, 362.
  • Ogawa Shōmin, lacquerer, 362.
  • Ohori Masatoshi, hammerer of metal, 312.
  • O-i. See Wong Wei.
  • Ojime, fashion, 173.
  • Okamoto family of Hagi, metal-carvers, 279, 374.
  • Okamoto family of Kyōtō, sword-decorators, 294, 374.
  • Okamura Masanobu, xylographer, 46, 48.
  • Okano Hohaku, figure-sculptor, 199.
  • Okano Kijiro, sword-decorator, 310.
  • Okazaki Sessei, art-founder, 145.
  • Omori family, sword-decorators, 292, 303, 306.
  • Omiva Yamato Bokunyu, mask-carver, 168.
  • Ono. See Jikan.
  • Ono Goroyemon, sculptor and founder of the Kamakura Daibutsu, 111.
  • Ooka Shunboku, xylographer, 46.
  • Oshima Katsujiro, art-founder, 144.
  • Oshima Yasutaro, art-founder, 144.
  • Ouishi, art-founder, 138.
  • Patina, of bronze, 126, 127, 372; of Japanese alloys, 233, 235; of copper, 236, 372; of iron, 237; of pewter, 317.
  • Perspective, in Japanese pictures, 4, 15, 58; in Chinese pictures, 22, 25.
  • Pewter, composition, 317; use, 317; patina, 317.
  • Pictorial art, Japanese, character, 2; decorative purpose, 3, 6; effect of purpose on characteristics, 4, 32; impressionistic, 5; motion, 6; exclusion of the nude, 7; ignorance of anatomy, 8; influence of ideographs, 8, 11, 31; styles of touch, 9; manual dexterity, 9–11; materials, 11; position of the artist while painting, 12; mannerisms, 13; multiplication of copies, 13; effect on criticism of inaccessibility of originals, 14; character of religious paintings, 15, 23, 30; relation to Chinese, 16, 21–24, 26, 37–40; influence of Buddhism, 17, 29; beginning of secular, 27–29; continued precedence of religious, 29, 30; technique of religious and secular, 31; first native school of secular, 31; Yamato school, 32, 33; Tosa school, 34; Kose or Classical school, 34; Takuma school, 35; objects of the work of these schools, 36; caricatures, 36; renaissance of Chinese influence, 37–41; periods in development, 41; development of the decorative mode, 42; reaction against the Classical school, 43; genre painting and the Popular school, 44; development of wood-cuts and coloured prints, 45–51; analysis of the work of the Popular school, 55–59; branches of the Popular school, 59–62; present conditions, 62–64; effect of Western ideas, 64–68; in architectural decoration, 151–155, 158; ancient distemper painting, 152; no frescos, 152; no portraits, 368. See also Fine arts.
  • Picture-galleries, why none in Japan, 4, 14.
  • Popular school of pictorial art, development of genre, 44; development of xylography, 45–51; Occidental popularity, 55; use of colour, 56; drawing, 57–59; absence of texture painting, 58. See also Pictorial art.
  • Portraits, statue, 115; no pictorial, 368.
  • Puppets of Nara. See Nara ningyo.
  • Raijo, sculptor, 110.
  • Refining metals, Japanese process, 371.
  • Rein, J. J., on patina, 372.
  • Relief, early designs in, 72; in bronze castings, 140; origin and development in metal-carving, 220, 249, 261; varieties in metal carving, 241; in lacquer, 344.
  • Religious paintings, Japanese, 15, 23, 29, 30; technique, 31. See also Buddhism.
  • Renjō, Goto, sword-decorator, 223.
  • Repoussé, process in early statutes, 75; in sword-decoration, 220. See also Relief.
  • Ri-fu-ho, traditional carver, 193.
  • Rihei, Yamamoto, lacquerer, 362.
  • Riuki. See Nogami.
  • Riumin, sword-decorator, 310.
  • Riyoyei, Iwamoto, sword-decorator, 303.
  • Rōben, artist-priest, 86.
  • Rwaiken, sculptor, 116.
  • Ryōkin, wood-carver, 46.
  • Sadahisa, sword-decorator, 310.
  • Sage-mono, money-pouch, 169–171; tobacco outfit, 171, 187–191; medicine-box, 173, 186; origin of the netsuke, 174–176; its decoration, 176–186; en suite designs, 191.
  • Saicho. See Dengyō Daishi.
  • Sairen, mask-carver, 166.
  • Sanehisa, Nagoshi, art-founder, 138.
  • Sanko, mask-carver, 165.
  • Sanraku, painter, 42.
  • Sansei-sha, firm of art-founders, 144.
  • Sanshō, Nagoshi, art-founder, 138.
  • Screen painting, 3.
  • Sculpture, Japanese, question of foreign influence, 19, 76, 78, 89, 193; superiority, 20; primitive conditions, 75; first sculptors, 76; wooden images by Tori and Shotoku, 77; bronze statues of seventh century, 79, 80; sculptors of the seventh century, 80; early culmination in Nara epoch, 80, 83, 85–89; influence of Buddhism, 82, 83, 106, 117–125; clay and dry-lacquer statues, 84; stone statues, 90–96; character of Heian epoch, 106–109; sculptors of the Heian epoch, 109; character of Military epoch, 110–115; portrait, 114, 115; sculptors of the Military epoch, 116; narrow range of motives, 123; the nude ignored, 125, 180; relation of the sculptor and bronze-caster, 148; development of wood-carving in interior decorations, 149–151, 154–161; mask carving and carvers, 164–168; of the netsuke, 176–186, 193; of the inro, 186; of the pipe-case, 190; origin of netsuke carving, 193–196; figure, 197–200; modern realism, 200; modern Kōun school of wood-carvers, 201–203; skill and demand in modern wood-carving, 203; Japanese knowledge of lights in, 315; training of sculptors, 319–321; source of designs, 321. See also Bronze, Fine arts, Sword-furniture.
  • Seiami, lacquerer, 345, 361.
  • Seichō, sculptor, 110.
  • Seigai Kanshichi, lacquerer, 362.
  • Seimin, art-founder, 142.
  • Senshiu Yoriyoshi, mask-carver, 168.
  • Senshu Yashamaru, mask-carver, 168.
  • Senyen, sculptor, 116.
  • Sesshiu, painter, 40.
  • Seventh Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
  • Shadows. See Light and shade.
  • Shakudo alloy, composition, 232, 233; antiquity, 232; properties, 233.
  • Shakuzuru, mask-carver, 165.
  • Shiba Tachito, sculptor, 76; builds temples, 76.
  • Shiba Tasu-na, sculptor, 76.
  • Shiba Tori. See Tori Busshi.
  • Shibara Ichidayu, lacquerer, 361.
  • Shibata Zeshin, lacquerer, 349, 362.
  • Shibayama Doshō, lacquerer, 357, 363.
  • Shibuichi, composition, 234; properties, 235; antiquity, 235.
  • Shibuichi-doshi, process in metal-work, 314.
  • Shichirozayemon, founder, 136.
  • Shigehiro, Yoshioka, metal-carver, 283, 284.
  • Shigemitsu, Omori, sword-decorator, 292.
  • Shigetsugu, Yoshioka, metal-carver, 283, 284.
  • Shigeyoshi, Umetada, sword-decorator, 267.
  • Shigeyoshi (Meishin), Umetada, sword-decorator, 268.
  • Shigeyoshi (Miyōju), Umetada, sword-decorator, 267.
  • Shi-jo school of pictorial art, 59. See also Pictorial art.
  • Shikongō, clay statue of, in temple Todai-ji, 86.
  • Shimizu Rinkei, mask-carver, 166.
  • Shinkai Takejiro, wood-carver, 202.
  • Shirayama Shōya, lacquerer, 363.
  • Shishō Daishi, sculptor-priest, 109.
  • Shitan wood, properties and use, 369.
  • Shōami Masanari, lacquerer, 362.
  • Shōami Masanobu, inlayer, 273.
  • Shōami Nagatsugu, inlayer, 273.
  • Shōbei, Yamamoto, lacquerer, 361.
  • Shōga Shiubun, painter, 37, 40.
  • Shōkaku. See Oshima Katsujiro.
  • Shōko, Iwamoto, sword-decorator, 303.
  • Shōkwasai, lacquerer, 363.
  • Shōsō-in collection of objects of applied art, 19, 87–89.
  • Shotoku, Prince, character, 77; as a sculptor, 77.
  • Shōun, decorative-sculptor, 161.
  • Shōun, mask-carver, 166.
  • Shōyemon, Nomura, sword-decorator, 287.
  • Shōzui. See Masayori.
  • Shuncho, chromo-xylographer, 50.
  • Shunkei, sculptor-priest, 116.
  • Shunshō, Yamamoto, lacquerer, 361.
  • Shunzui, Hamano, sword-decorator, 303.
  • Shuraku, sword-decorator, 310.
  • Shuzan. See Tosa Mitsuoki.
  • Shuzui, Hamano, sword -decorator, 303.
  • Silver, use in Japanese art, 231; surfacing debased, 231, 372.
  • Silver Pavilion, decoration, 153.
  • Soami Hisatsugu, mask-carver, 166.
  • Soami family, sword-decorators, 269.
  • Sohaku, Kōami, lacquerer, 345, 361.
  • Sōjō, Goto, sword-decorator, 220, 222.
  • Sōju. See Shigetsugu.
  • Sojukō, Goto, sword-decorator, 222.
  • Sokei, Kōami, lacquerer, 345, 361.
  • Sōkō, Hirata, hammerer of metal, 312.
  • Somin, art-founder, 143.
  • Sōmin, Yokōya, sword-decorator, 274–276.
  • Sōtoku. See Shigehiro.
  • Sōyo, Yokoya, sword-decorator, 274.
  • Sozen, Kōami, lacquerer, 345, 361.
  • Statues. See Bronze, Sculpture.
  • Stone statues, mediocre, 90, 93; unsatisfactory material, 91, 96; Japanese skill, 92; ancient monument, 92; buried effigies, 93; images, 94–96.
  • Suggestion in Japanese pictures, 5; in Chinese pictures, 23.
  • Sukezaemon. See Jikan Yoshimitsu, Yukan Mitsuyasu.
  • Sumptuary laws on chromo-xylographs, 51.
  • Sung dynasty, China, character of its pictorial art, 22.
  • Surfacing debased metals, 231, 371.
  • Suwara Yasugoro, art-founder, 144.
  • Suzuki Harunobu. See Harunobu.
  • Suzuki Gcnsuke, hammerer of metals, 312; originates process of insertion, 313.
  • Suzuki Chōkichi, art-founder, 145.
  • Suzuki Kichigoro, invents antimony ware, 318.
  • Suzuki Kinyemon, sword-decorator, 303.
  • Sword-furniture, Japanese, early decoration, 74; skill in decorating, 207; character of decoration, 208; articles, 210, 211, 217–219, 250, 251; Japanese commentary on decoration, 212–225; Goto family of decorators, 212, 219–225, 252–261; identification of decorators, 212, 213, 219; styles of metal ground, 213, 238–241; grades of decorators, 214; high ideals of master carvers, 215, 216; antiquity of decoration, 217; technical skill and motives in decoration, 227–229, 252–260, 288; chisels used, 229; metals employed, 230, 232, 236; methods of chiselling, 241–243, 247, 274; inlaying, 243–245, 272; graining, 245–247; beginning of relief carving, 249; early field of decoration, 250–252; development of guard decoration, 261–265; decoration in the sixteenth century, 266–270; decoration in the seventeenth century, 270–286; enamel decoration, 285, 332; decoration in the eighteenth century, 286–296; decoration in the nineteenth century, 296–303, 308–311; termination of production, 297; social influence on decoration, 304–306; specimens of nineteenth-century work, 306–308; guild, 310. See also Metal-work.
  • Swords, bronze, 71; iron, 72; varieties, 209; disappearance of samurai, 297. See also Sword-furniture.
  • Symmetry, axiom of, in art, 20.
  • Tachibana no Morikumi, xylographer, 46.
  • Taiami, lacquerer, 345, 360.
  • Takaichi Makuni, sculptor, 81.
  • Takaichi Mamaro, sculptor, 81.
  • Takamura Kōun, sculptor, 201; school, 201.
  • Takao-maro, sculptor, 109.
  • Takashima Takakane, painter, 34.
  • Takatsune, Soami, sword-decorator, 269.
  • Takayoshi, Miyōchin, armourer, 263.
  • Taki Katei, painter, 63.
  • Takioka family, puppet-makers, 370.
  • Takuma Tamenari, painter, school, 35; religious pictures, 35.
  • Takuma school of pictorial art, 35. See also Pictorial art.
  • Takusai, art-founder, 144.
  • Tamakaji Zokoku, lacquerer, 362.
  • Tancho, decorative-sculptor, 161.
  • Tang dynasty, China, character of its pictorial art, 22.
  • Tankai Rishi, mask-carver, 166.
  • Tari-maro, sculptor, 109.
  • Taroyemon. See Naka.
  • Tatsuki Chōbei, lacquerer, 361.
  • Tea-ceremonial, Hideyoshi's influence, 136; urns, 136.
  • Teijō, art-founder, 143.
  • Teijō, Goto, sword-decorator, 222.
  • Temmin, sword-decorator, 310.
  • Tenaka Kiyohisa, sword-decorator, 310.
  • Teruhide, Omori, sword-decorator, 292.
  • Terumasa, Omori, sword-decorator, 292.
  • Terumoto, Omori, sword-decorator, 303.
  • Tetsugen. See Naoshige (Okamoto.)
  • Texture not shown in Japanese pictures, 59.
  • Theatre, influence of the No dance, 164.
  • Third Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
  • Toba Sojō. See Kakuyu.
  • Tobacco, introduction, 171; clubs, 171; early pipes, 172; modern fashion in outfit, 172, 187–191; en suite decoration of outfit, 191. See also Sage-mono.
  • Tohaku Mitsutaka, Dcme, mask-carver, 167.
  • Tokei, sculptor, 116.
  • Tokugawa epoch, influence on art, 43, 139, 270.
  • Tokujō, Goto, sword-decorator, 221.
  • Tokuwaka Tadamasa, mask-carver, 165.
  • Tomi Yeisuke, art-founder, 145.
  • Tomochika, Omori, sword-decorator, 303.
  • Tomoharu, Okamoto, sword-decorator, 279.
  • Tomotsugu, Okamoto, sword-decorator, 279.
  • Tomotsune, Nakai, sword-decorator, 279.
  • Tomotsune, Omori, sword-decorator, 303.
  • Tomoyuki, Nakai, sword-decorator, 279.
  • Tori Busshi, sculptor, skill, 76, 77; wooden statues, 77.
  • Torii family, chromo-xylographers, 48, 50.
  • Toriusai. See Okano Kijiro.
  • Tōrō, development of casting, 140.
  • Tosa Mitsuoki, netsuke carver, 195.
  • Tosa school of pictorial art, 34–36. See also Pictorial art.
  • Toshiharu, Nara, sword-decorator, 276.
  • Toshihisa, Nara, sword-decorator, 276, 374.
  • Toshinaga, Nara, sword-decorator, 277.
  • Toshiteru, Nara, sword-decorator, 276.
  • Tosui Mitsunori, Deme, mask-carver, 167.
  • Tōun, art-founder, 143.
  • Toun Yasutaka, Deme, mask-carver, 167.
  • Toyoda Kokō, metal-worker, achievements, 313, 314.
  • Toyoharu, Utagawa, chromo-xylographer, 50.
  • Toyokuni, Utagawa, chromo-xylographer, 50.
  • Toyonobu, Utagawa, chromo-xylographer, 50.
  • Tsuji family, sword-decorators, 285.
  • Tsujō, Goto, sword-decorator, 222, 223.
  • Tuke, S., on the chromo-xylograph process, 52–55.
  • Uchino Harutoshi, sword-decorator, 309.
  • Umetada family, swordsmiths and decorators, 267, 282.
  • Unga, sculptor, 116.
  • Unkei, sculptor, 111; his Deva Kings, 113; his Watch Dogs, 113.
  • Unshō, sculptor, 116.
  • Untaro. See Toun Yasutaka.
  • Utagawa family, chromo-xylographers, 50.
  • Uwo Hyoye, mask-carver, 166.
  • Uyematsu Hōmin, lacquerer, 363.
  • Uyemura family, sword-decorators, 286.
  • Wakabayashi family, sword-decorators, 286.
  • Watanabe Hisamitsu, sword-decorator, specimen of his work, 308.
  • Watanabe Kwazan, secretly studies Occidental methods, 66; ordered to commit suicide, 66; commemoration, 66; Western influence on his paintings, 67.
  • Watanabe Seitei, painter, 51, 63; influence of Western methods on, 68.
  • Weapons, bronze, 71. See also Sword.
  • Wong Wei, Chinese painter, 22.
  • Wood, development of wood-engraving, 45–47, 367; development of chromo-xylographs, 48–51; technique of chromo-xylographs, 51–55; early wooden statues, 76–78; Nara-epoch statue, 87; Heian-epoch statues, 108; the Deva Kings, 112; favourite material for statues, 117; carving in interior decoration, 150, 154–158; carved masks, 163, 165; netsuke carvings, 177; puppets, 194, 197–200; modern carving, 200–204.
  • Wu Tao-tsz, Chinese painter, 22.
  • Xylography. See Wood.
  • Yakushi, sculptor, 80.
  • Yakushi, seventh-century bronze statue of, 79.
  • Yamagawa Koji. See Koji.
  • Yamamoto Fukumatsu, figure-sculptor, 201.
  • Yamamoto family, lacquerers, 361, 362.
  • Yamato Mamori, mask-carver, 168.
  • Yamato school of pictorial art, 32, 34–36. See also Pictorial art.
  • Yasha, mask-carver, 165.
  • Yashichiro, Nagoshi, founder, invents tea-ceremonial urn, 136; honours, 137.
  • Yasuchicka, Nara, sword-decorator, 276.
  • Yasuchika Shinsuke, sword-decorator, 303.
  • Yasui family, sword-decorators, 286.
  • Yasuiye, Jiyemon, art-founder, 141.
  • Yasuteru, Jiyemon, art-founder, 141.
  • Yechizen. See Toshiharu.
  • Yeijiro. See Ichijo.
  • Yeijō, Goto, sword-decorator, 221.
  • Yeishi, chromo-xylographer, 50.
  • Yeishi, Iwamoto, sword-decorator, 303.
  • Yenchin, artist-priest, 29.
  • Yenjō, Goto, sword-decorator, 224.
  • Yoji Hidetsugu, lacquerer, 361.
  • Yōjuro. See Nakayama Shōyeki.
  • Yokoya family, sword-decorators, 274, 305.
  • Yoneharu Unkai, sculptor, 202.
  • Yosei, lacquerer, 363.
  • Yoshimichi, Miyōchin, armourer, 263.
  • Yoshinari, mask-carver, 165.
  • Yoshinori, Mizuno, sword-decorator, 272.
  • Yoshioka Tadatsuga, sword-decorator, 310.
  • Yoshisato, Ishiguro, sword-decorator, 302.
  • Yoshishige, sword-decorator, 272, 374.
  • Yoshitsugu, Akao, sword-decorator, 281.
  • Yoshitsune, Ishiguro, sword-decorator, 302.
  • Yoshitsune, Minamoto, his armour, 205.
  • Yujō, Goto, sword-decorator, 217, 218, 220, 222; and relief carving, 249; field, 250, 251; skill, 252; specimens of his work, 255, 256, 258.
  • Yukan Mitsuyasu, Deme, mask-carver, 167.
  • Yusai Yasuhisa, Deme, mask-carver, 167.
  • Yuzayemon, wood-carver, 150.
  • Zenriusai Gido. See Suwara.
  • Zenshō, Nagoshi, art-founder, 138.
  • Zuiyetsu. See Iyemasa.