are concise, and delight to express much in a few words. Moral apothegms and pithy sayings, are frequently indulged in; and so sententious are their books, that whole chapters may be met with, in which the sentences do not exceed four words each. It will be seen from this, that Chinese grammar is of a truly primitive character, just as we might expect to find it in the infancy of language, when men expressed themselves in short sentences and few words. The student of Chinese will not have to burthen his mind with many rules; but framing his speech according to the native model, will gradually acquire a mode of communicating his ideas at once perspicuous and acceptable.
It must not be thought, however, that the Chinese language is destitute of ornament. They employ various figures of speech, and in some they excel. Metaphor is frequently to be met with in their writings, and similes are abundant. They are fond of alliteration, and attention to rhythm is with them an essential part of composition. Gradation and climax are sometimes well sustained, while in description and dialogue they seem quite at home. But the most remarkable feature of Chinese composition, is the antithesis. Most of the principal words are classed in pairs, such as heaven and earth, beginning and end, day and night, hot and cold, &c. From antithetical words, they proceed to contrast phrases and sentences, and draw up whole paragraphs upon the same principle. In these antithetical sentences, the number of words, the class of expressions, the meaning and intonation, together with the whole sentiment, are nicely and exactly balanced, so that the one contributes to the perspicuity and effect of the other. Such a counting of words, and
