the machine. Needless to say, the voice of the inventor, however imperfectly reproduced, was hailed with great enthusiasm, which those who witnessed will long remember. In this machine, the barrel was fitted with a crank, and rotated by handle. A heavy flywheel was attached to give it uniformity of motion. A sheet of tinfoil formed the record, and the delivery could be heard by a roomful of people. But articulation was sacrificed at the expense of loudness. It was as though a parrot or a punchinello spoke, and sentences which were unexpected could not be understood. Clearly, if the phonograph were to become a practical instrument, it required to be much improved. Nevertheless this apparatus sufficiently demonstrated the feasibility of storing up and reproducing speech, music, and other sounds. Numbers of them were made, and exhibited to admiring audiences, by license, and never failed to elicit both amusement and applause. To show how striking were its effects, and how surprising, even to scientific men, it may be mentioned that a certain learned savant, on hearing it at a séance of the Académie des Sciences, Paris, protested that it was a fraud, a piece of trickery or ventriloquism, and would not be convinced.
After 1878 Edison became too much engaged with the development of the electric light to give much attention to the phonograph, which, however, was not entirely overlooked. His laboratory at Menlo Park, New Jersey, where the original experiments were made, was turned into a factory for making electric light machinery, and Edison removed to New York until his new laboratory at Orange, New Jersey, was completed. Of late he has occupied the latter premises, and improved the phonograph so far that it is now a serviceable instrument. In one of his 1878 patents, the use of wax to take the records in place of
