extraordinary decency of life and a worship of proper work. The Frenchman spoke, habitually, as if the great swindle practised upon the people were too impudent to be endured a moment longer, and yet he found patience for the most exquisite 'tooling,' and took a book in hand with the deliberation of one who should believe that everything was immutably constituted. Hyacinth knew what he thought of priests and theologies, but he had the religion of conscientious craftsmanship, and he reduced the boy, on his side, to a kind of prostration before his delicate, wonder-working fingers. 'What will you have? J'ai la main parisienne,' M. Poupin would reply modestly, when Hyacinth's admiration broke out; and he was good enough, after he had seen a few specimens of what our hero could do, to inform him that he had the same happy conformation. 'There is no reason why you shouldn't be a good workman, il n'y a que ça;' and his own life was practically governed by this conviction. He delighted in the use of his hands and his tools and the exercise of his taste, which was faultless, and Hyacinth could easily imagine how it must torment him to spend a day on his back. He ended by perceiving, however, that consolation was, on this occasion, in some degree conveyed by the presence of the young man who sat at the foot of the bed, and with whom M. Poupin exhibited such signs of acquaintance as to make our hero wonder why he had not seen him before, nor even heard of him.
'What do you mean by an irresistible force?' the young man inquired, leaning back in his chair, with raised arms and his interlocked hands behind him, supporting his head. M. Poupin had spoken French, which he always preferred
