queer pieces. It was impossible to Hyacinth not to perceive that the old man's interest was kindly; and to-day, at any rate, our hero would have declared that nothing could have made up to him for not knowing the truth, horrible as the truth might be. His miserable mother's embrace seemed to furnish him with an inexhaustible fund of motive, and under the circumstances that was a benefit. What he chiefly objected to in Mr. Vetch was a certain air of still regarding him as extremely juvenile; he would have got on with him much better if the fiddler had consented to recognise the degree in which he was already a man of the world. Vetch knew an immense deal about society, and he seemed to know the more because he never swaggered—it was only little by little you discovered it; but that was no reason for his looking as if his chief entertainment resided in a private, diverting commentary on the conversation of his young friend. Hyacinth felt that he himself gave considerable evidence of liking his fellow-resident in Lomax Place when he asked him to lend him half-a-crown. Somehow, circumstances, of old, had tied them together, and though this partly vexed the little bookbinder it also touched him; he had more than once solved the problem of deciding how to behave (when the fiddler exasperated him) by simply asking him some service. The old man had never refused. It was satisfactory to Hyacinth to remember this, as he knocked at his door, very late, after he had allowed him time to come home from the theatre. He knew his habits: Mr. Vetch never went straight to bed, but sat by his fire an hour, smoking his pipe, mixing a grog, and reading some old book. Hyacinth knew when to go up by the
