Hyacinth away from his simple but unfinished repast, packed him across the street to tell Mr. Vetch (if he had not yet started for the theatre) that she begged he would come in to see her when he came home that night, as she had something very particular she wished to say to him. It didn't matter if he should be very late, he could come in at any hour—he would see her light in the window—and he would do her a real mercy. Miss Pynsent knew it would be of no use for her to go to bed; she felt as if she should never close her eyes again. Mr. Vetch was her most distinguished friend; she had an immense appreciation of his cleverness and knowledge of the world, as well as of the purity of his taste in matters of conduct and opinion; and she had already consulted him about Hyacinth's education. The boy needed no urging to go on such an errand, for he, too, had his ideas about the little fiddler, the second violin in the orchestra of the Bloomsbury Theatre. Mr. Vetch had once obtained for the pair an order for two seats at a pantomime, and for Hyacinth the impression of that ecstatic evening had consecrated him, placed him for ever in the golden glow of the footlights. There were things in life of which, even at the age of ten, it was a conviction of the boy's that it would be his fate never to see enough, and one of them was the wonderworld illuminated by those playhouse lamps. But there would be chances, perhaps, if one didn't lose sight of Mr. Vetch; he might open the door again; he was a privileged, magical mortal, who went to the play every night.
He came in to see Miss Pynsent about midnight; as soon as she heard the lame tinkle of the bell she went to the door to let him in. He was an original, in the fullest
