The Poetical Works of William Cowper (Benham)/The Task/Book 1

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THE TASK.

BOOK I.

THE SOFA.

Argument—Historical deduction of seats, from the stool to the sofa—A schoolboy's ramble—A walk in the country—The scene described—Rural sounds as well as sights delightful—Another walk—Mistake concerning the charms of solitude corrected—Colonnades commenced—Alcove, and the view from it—The wilderness—The grove—The thresher—The necessity and the benefits of exercise—The works of nature superior to, and in some instances inimitable by, art—The wearisomeness of what is commonly called a life of pleasure—Change of scene some times expedient—A common described, and the character of crazy Kate introduced—Gipsies—The blessings of civilized life—That state most favourable to virtue—The South Sea islanders compassionated, but chiefly Omai—His present state of mind supposed—Civilized life friendly to virtue, but not great cities—Great cities, and London in particular, allowed their due praise, but censured—Fête champêtre—The book concludes with a reflection on the effects of dissipation and effeminacy upon our public measures.

I sing the Sofa. I who lately sang
Truth, Hope, and Charity, and touched with awe
The solemn chords, and with a trembling hand
Escaped with pain from that adventurous flight,
Now seek repose upon an humbler theme;
The theme though humble, yet august and proud
The occasion─for the Fair commands the song.
Time was, when clothing sumptuous or for use,
Save their own painted skins, our sires had none.
As yet black breeches were not; satin smooth, 10
Or velvet soft, or plush with shaggy pile:
The hardy chief, upon the rugged rock
Washed by the sea, or on the gravelly bank
Thrown up by wintry torrents roaring loud,
Fearless of wrong, reposed his weary strength.
Those barbarous ages past, succeeded next
The birthday of invention; weak at first,
Dull in design, and clumsy to perform.
Joint-stools were then created; on three legs
Upborne they stood:—three legs upholding firm 20
A massy slab, in fashion square or round.
On such a Stool immortal Alfred sat,
And swayed the sceptre of his infant realms;
And such in ancient halls and mansions drear
May still be seen, but perforated sore
And drilled in holes, the solid oak is found,
By worms voracious eating through and through.
At length a generation more refined
Improved the simple plan; made three legs four,
Gave them a twisted form vermicular, 30
And o'er the seat, with plenteous wadding stuffed,
Induced a splendid cover, green and blue,
Yellow and red, of tapestry richly wrought
And woven close, or needlework sublime.
There might ye see the peony spread wide,
The full-blown rose, the shepherd and his lass,
Lap-dog and lambkin with black staring eyes,
And parrots with twin cherries in their beak.
Now came the cane from India, smooth and bright
With Nature's varnish, severed into stripes 40
That interlaced each other, these supplied
Of texture firm a lattice-work, that braced
The new machine, and it became a Chair.
But restless was the chair; the back erect
Distressed the weary loins, that felt no ease;
The slippery seat betrayed the sliding part
That pressed it, and the feet hung dangling down,
Anxious in vain to find the distant floor.
These for the rich: the rest, whom fate had placed
In modest mediocrity, content 50
With base materials, sat on well-tanned hides
Obdurate and unyielding, glassy smooth,
With here and there a tuft of crimson yarn,
Or scarlet crewel in the cushion fixed:
If cushion might be called what harder seemed
Than the firm oak of which the frame was formed.
No want of timber then was felt or feared
In Albion's happy isle. The lumber stood
Ponderous and fixed by its own massy weight.
But elbows still were wanting; these, some say, 60
An alderman of Cripplegate contrived,
And some ascribe the invention to a priest
Burly and big, and studious of his ease.
But rude at first, and not with easy slope
Receding wide, they pressed against the ribs,
And bruised the side, and elevated high
Taught the raised shoulders to invade the ears.
Long time elaps'd or e'er our rugged sires
Complained, though incommodiously pent in,
And ill at ease behind. The ladies first 70
'Gan murmur, as became the softer sex.
Ingenious Fancy, never better pleased
Than when employed to accommodate the fair,
Heard the sweet moan with pity, and devised
The soft Settee; one elbow at each end,
And in the midst an elbow, it received,
United yet divided, twain at once.
So sit two kings of Brentford on one throne;
And so two citizens who take the air
Close packed and smiling, in a chaise and one. 80
But relaxation of the languid frame,
By soft recumbency of outstretched limbs,
Was bliss reserved for happier days:—so slow
The growth of what is excellent, so hard
To attain perfection in this nether world.
Thus first Necessity invented Stools,
Convenience next suggested Elbow-chairs,
And luxury the accomplished Sofa last.
The nurse sleeps sweetly, hired to watch the sick,
Whom snoring she disturbs. As sweetly he 90
Who quits the coach-box at the midnight hour
To sleep within the carriage more secure,
His legs depending at the open door.
Sweet sleep enjoys the curate in his desk,
The tedious rector drawling o'er his head,
And sweet the clerk below: but neither sleep
Of lazy nurse, who snores the sick man dead,
Nor his who quits the box at midnight hour
To slumber in the carriage more secure,
Nor sleep enjoyed by curate in his desk, 100
Nor yet the dozings of the clerk, are sweet,
Compared with the repose the Sofa yields.
Oh! may I live exempted (while I live
Guiltless of pamper'd appetite obscene)
From pangs arthritic that infest the toe
Of libertine excess. The Sofa suits
The gouty limb, 'tis true; but gouty limb,
Though on a Sofa, may I never feel:
For I have loved the rural walk through lanes
Of grassy swarth, close cropped by nibbling sheep 110
And skirted thick with intertexture firm
Of thorny boughs; have loved the rural walk
O'er hills, through valleys, and by rivers' brink,
E'er since a truant boy I passed my bounds
To enjoy a ramble on the banks of Thames;
And still remember, nor without regret,
Of hours that sorrow since has much endeared,
How oft, my slice of pocket store consumed,
Still hungering, penniless and far from home,
I fed on scarlet hips and stony haws, 120
Or blushing crabs, or berries that emboss
The bramble, black as jet, or sloes austere.
Hard fare! but such as boyish appetite
Disdains not, nor the palate undepraved
By culinary arts, unsavoury deems.
No Sofa then awaited my return,
Nor Sofa then I needed. Youth repairs
His wasted spirits quickly, by long toil
Incurring short fatigue; and though our years,
As life declines, speed rapidly away, 130
And not a year but pilfers as he goes
Some youthful grace that age would gladly keep,
A tooth or auburn lock, and by degrees
Their length and colour from the locks they spare,
The elastic spring of an unwearied foot
That mounts the stile with ease, or leaps the fence,
That play of lungs, inhaling and again
Respiring freely the fresh air, that makes
Swift pace or steep ascent no toil to me,
Mine have not pilfered yet; nor yet impaired 140
My relish of fair prospect: scenes that soothed
Or charmed me young, no longer young, I find
Still soothing and of power to charm me still.
And witness, dear companion of my walks,
Whose arm this twentieth winter I perceive
Fast locked in mine, with pleasure such as love,
Confirmed by long experience of thy worth
And well-tried virtues, could alone inspire,
Witness a joy that thou hast doubled long.
Thou knowest my praise of nature most sincere, 150
And that my raptures are not conjured up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slackened to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discerned
The distant plough slow moving, and beside 160
His labouring team, that swerved not from the track,
The sturdy swain diminished to a boy.
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along his sinuous course
Delighted. There, fast rooted in their bank,
Stand, never overlooked, our favourite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream,
That, as with molten glass, inlays the vale, 170
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tower,
Tall spire, from which the sound of cheerful bells
Just undulates upon the listening ear;
Groves, heaths, and smoking villages remote.
Scenes must be beautiful which, daily viewed,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years:
Praise justly due to those that I describe. 180
Nor rural sights alone, but rural sounds
Exhilarate the spirit, and restore
The tone of languid nature. Mighty winds,
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of ocean on his winding shore,
And lull the spirit while they fill the mind;
Unnumbered branches waving in the blast,
And all their leaves fast fluttering, all at once.
Nor less composure waits upon the roar 190
Of distant floods, or on the softer voice
Of neighbouring fountain, or of rills that slip
Through the cleft rock, and chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green
Betrays the secret of their silent course.
Nature inanimate employs sweet sounds,
But animated nature sweeter still,
To soothe and satisfy the human ear.
Ten thousand warblers cheer the day, and one 200
The livelong night: nor these alone, whose notes
Nice-fingered art must emulate in vain,
But cawing rooks, and kites that swim sublime
In still repeated circles, screaming loud;
The jay, the pie, and even the boding owl
That hails the rising moon, have charms for me.
Sounds inharmonious in themselves and harsh,
Yet heard in scenes where peace for ever reigns,
And only there, please highly for their sake.
Peace to the artist, whose ingenious thought 210
Devised the weather-house, that useful toy!
Fearless of humid air and gathering rains
Forth steps the man,─an emblem of myself,—
More delicate, his timorous mate retires.
When Winter soaks the fields, and female feet,
Too weak to struggle with tenacious clay,
Or ford the the rivulets, are best at home,
The task of new discoveries falls on me.
At such a season, and with such a charge,
Once went I forth; and found, till then unknown, 220
A cottage, whither oft we since repair:
'Tis perch'd upon the green hill-top, but close
Environ'd with a ring of branching elms
That overhang the thatch, itself unseen
Peeps at the vale below; so thick beset
With foliage of such dark redundant growth,
I called the low-roofed lodge the Peasant's Nest.
And, hidden as it is, and far remote
From such unpleasing sounds as haunt the ear
In village or in town, the bay of curs 230
Incessant, clinking hammers, grinding wheels,
And infants clamorous whether pleased or pained,
Oft have I wished the peaceful covert mine.
Here, I have said, at least I should possess
The poet's treasure, silence, and indulge
The dreams of fancy, tranquil and secure.
Vain thought! the dweller in that still retreat
Dearly obtains the refuge it affords.
Its elevated site forbids the wretch
To drink sweet waters of the crystal well; 240
He dips his bowl into the weedy ditch,
And, heavy-laden, brings his beverage home,
Far-fetched and little worth; nor seldom waits,
Dependent on the baker's punctual call,
To hear his creaking panniers at the door,
Angry and sad, and his last crust consumed.
So farewell envy of the Peasant's Nest.
If solitude make scant the means of life,
Society for me!─thou seeming sweet,
Be still a pleasing object in my view, 250
My visit still, but never mine abode.
Not distant far, a length of colonnade
Invites us: Monument of ancient taste,
Now scorned, but worthy of a better fate.
Our fathers knew the value of a screen
From sultry suns; and, in their shaded walks
And long protracted bowers, enjoyed at noon
The gloom and coolness of declining day.
We bear our shades about us; self-deprived
Of other screen, the thin umbrella spread, 260
And range an Indian waste without a tree.
Thanks to Benevolus[1]─he spares me yet
These chestnuts ranged in corresponding lines,
And, though himself so polished, still reprieves
The obsolete prolixity of shade.
Descending now (but cautious, lest too fast)
A sudden steep, upon a rustic bridge,
We pass a gulf, in which the willows dip
Their pendent boughs, stooping as if to drink.
Hence, ankle-deep in moss and flowery thyme, 270
We mount again, and feel at every step
Our foot half sunk in hillocks green and soft,
Raised by the mole, the miner of the soil.
He, not unlike the great ones of mankind,
Disfigures earth; and, plotting in the dark,
Toils much to earn a monumental pile,
That may record the mischiefs he has done.
The summit gained, behold the proud alcove
That crowns it! yet not all its pride secures
The grand retreat from injuries impressed 280
By rural carvers, who with knives deface
The panels, leaving an obscure, rude name,
In characters uncouth, and spelt amiss.
So strong the zeal to immortalize himself
Beats in the breast of man, that even a few,
Few transient years, won from the abyss abhorred
Of blank oblivion, seem a glorious prize,
And even to a clown. Now roves the eye,
And posted on this speculative height
Exults in its command. The sheep-fold here 290
Pours out its fleecy tenants o'er the glebe.
At first, progressive as a stream, they seek
The middle field; but scattered by degrees,
Each to his choice, soon whiten all the land.
There from the sunburnt hayfield, homeward creeps
The loaded wain, while, lightened of its charge,
The wain that meets it passes swiftly by,
The boorish driver leaning o'er his team
Vociferous, and impatient of delay.
Nor less attractive is the woodland scene, 300
Diversified with trees of every growth,
Alike yet various. Here the grey smooth trunks
Of ash, or lime, or beech, distinctly shine,
Within the twilight of their distant shades;
There lost behind a rising ground, the wood
Seems sunk, and shortened to its topmost boughs.
No tree in all the grove but has its charms,
Though each its hue peculiar: paler some,
And of a wannish grey; the willow such,
And poplar that with silver lines his leaf, 310
And ash far stretching his umbrageous arm;
Of deeper green the elm; and deeper still,
Lord of the woods, the long-surviving oak.
Some glossy-leav'd, and shining in the sun,
The maple, and the beech of oily nuts
Prolific, and the lime at dewy eve
Diffusing odours: nor unnoted pass
The sycamore, capricious in attire,
Now green, now tawny, and ere autumn yet
Have changed the woods, in scarlet honours bright. 320
O'er these, but far beyond (a spacious map
Of hill and valley interposed between),
The Ouse, dividing the well-water'd land,
Now glitters in the sun, and now retires,
As bashful, yet impatient to be seen.
Hence the declivity is sharp and short,
And such the re-ascent; between them weeps
A little naiad her impoverished urn
All summer long, which winter fills again.
The folded gates would bar my progress now, 330
But that the lord of this enclosed demesne,
Communicative of the good he owns,
Admits me to a share: the guiltless eye
Commits no wrong, nor wastes what it enjoys.
Refreshing change! where now the blazing sun?
By short transition we have lost his glare,
And stepped at once into a cooler clime.
Ye fallen avenues! once more I mourn
Your fate unmerited, once more rejoice
That yet a remnant of your race survives. 340
How airy and how light the graceful arch,
Yet awful as the consecrated roof
Re-echoing pious anthems! while beneath
The chequered earth seems restless as a flood
Brushed by the wind. So sportive is the light
Shot through the boughs, it dances as they dance,
Shadow and sunshine intermingling quick,
And darkening and enlightening, as the leaves
Play wanton, every moment, every spot.
And now, with nerves new-braced and spirits cheered, 350
We tread the Wilderness, whose well-rolled walks,
With curvature of slow and easy sweep─
Deception innocent─give ample space
To narrow bounds. The Grove receives us next;
Between the upright shafts of whose tall elms
We may discern the thresher at his task.
Thump after thump resounds the constant flail,
That seems to swing uncertain, and yet falls
Full on the destined ear. Wide flies the chaff;
The rustling straw sends up a frequent mist 360
Of atoms, sparkling in the noonday beam.
Come hither, ye that press your beds of down
And sleep not; see him sweating o'er his bread
Before he eats it.─'Tis the primal curse,
But softened into mercy; made the pledge
Of cheerful days, and nights without a groan.
By ceaseless action all that is subsists.
Constant rotation of the unwearied wheel
That Nature rides upon, maintains her health,
Her beauty, her fertility. She dreads 370
An instant's pause, and lives but while she moves.
Its own revolvency upholds the world.
Winds from all quarters agitate the air,
And fit the limpid elements for use,
Else noxious: oceans, rivers, lakes, and streams,
All feel the freshening impulse, and are cleansed
By restless undulation. Even the oak
Thrives by the rude concussion of the storm:
He seems indeed indignant, and to feel
The impression of the blast with proud disdain, 380
Frowning as if in his unconscious arm
He held the thunder. But the monarch owes
His firm stability to what he scorns,
More fixed below, the more disturbed above.
The law, by which all creatures else are bound,
Binds man, the lord of all. Himself derives
No mean advantage from a kindred cause,
From strenuous toil his hours of sweetest ease.
The sedentary stretch their lazy length
Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/275 Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/276 Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/277 Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/278 Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/279 Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/280 Page:The poetical works of William Cowper (IA poeticalworksof00cowp).pdf/281 That life holds out to all, should most abound
And least be threatened in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon 760
The pensive wanderer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and the offended nightingale is mute.
There is a public mischief in your mirth,
It plagues your country. Folly such as yours 770
Graced with a sword, and worthier of a fan,
Has made, what enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.

  1. John Courtenay Throckmorton, Esq,, of Weston Underwood.

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.

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