Littell's Living Age/Volume 135/Issue 1741/"Mein Kind, wir waren Kinder"

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Littell's Living Age
by Heinrich Heine
translated by Theodore Martin

Volume 135, Issue 1741 : "Mein Kind, wir waren Kinder"



My bairn, we aince were bairnies,
     Wee gamesome bairnies twa;
We creepit into the hen-house,
     An' jookit under the straw.

We craw'd like the cock-a-doodles -
     An' to hear us the passing folk
At ilk "kickericoo" wad fancy,
     It-just was the bantam cock.

The kists-in the yaird we papered,
     And made them bonnie and crouse,
An' we dwalt there, we twa thegither -
     The laird had nae brawer house!

An' aften the neebor's auld baudrons
     Look'd in for a mornin' Ca',
We made her our bobs and curtsies,
     And snoovelin' speeches an' a'.

"An' how hae ye been? an' how are ye?"
     Was aye the o'erword when she came;
To mony a queer auld tabby
     Sin' syne hae we said the same. -

Whiles, like auld carles we sat, too,
     And oh! what gran' sense we talk'd then,
An' bemoan'd us, how things were a' better
     In times when oursels were young men.

How love, an' leal hearts, an' devout anes
     Had flown frae the wand clean awa';
How the price coffee stood at was awfu',
     An' gowd no to come by ava'.

They are gane, thae ploys o' my childhood,
     An' a' things are ganging, guid sooth!
The gowd, time itsel', and the warld,
     Love, faith, and leal-hearted truth.


This translation is hosted with different licensing information than from the original text. The translation status applies to this edition.
Original:
PD-icon.svg This work published before January 1, 1923 is in the public domain worldwide because the author died at least 100 years ago.
Translation:
PD-icon.svg This work is in the public domain in the United States because it was published before January 1, 1923.

The author died in 1909, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less.


This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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