better in its own way. But, as Bentley said, 'You must not call it Homer'. One feels that Homer's thought has passed through a literary and rhetorical crucible, and come out highly intellectualised; come out in a form which strongly impresses us, indeed, but which no longer impresses us in the same way as when it was uttered by Homer. The antithesis of the last two lines—
The life which others pay, let us bestow,
And give to fame what we to nature owe
is excellent, and is just suited to Pope's heroic couplet; but neither the antithesis itself, nor the couplet which conveys it, is suited to the feeling or to the movement of the Homeric ἴομεν.
A literary and intellectualised language is, however, in its own way well suited to grand matters; and Pope, with a language of this kind and his own admirable talent, comes off well enough as long as he has passion, or oratory, or a great crisis to deal with. Even here, as I have been pointing out, he does not render Homer; but he and his style are in themselves strong. It is when he comes to level passages, passages of narrative or description, that he and his style are sorely tried, and prove themselves weak. A perfectly plain direct style can of course convey the simplest matter as naturally as the grandest; indeed, it must be harder for it, one would say, to convey
