1911 Encyclopædia Britannica/Hebbel, Christian Friedrich
HEBBEL, CHRISTIAN FRIEDRICH (1813-1863), German poet and dramatist, was born at Wesselburen in Ditmarschen, Holstein, on the 18th of March 1813. Though only the son of a poor bricklayer, he early showed a talent for poetry, which was and Berlin and made his name known throughout Germany. In 1840 he wrote the tragedy Genoveva, and the following year finished a comedy, Der Diamant, which he had begun at Munich, In 1842 he visited Copenhagen, where he obtained from the king of Denmark a small travelling studentship, which enabled him to spend some time in Paris and two years (1844-1846) in Italy. In Paris he wrote his fine “ tragedy of common life, ” Maria Magdalene (1844). On his return from Italy Hebbel met at Vienna two Polish noblemen, the brothers Zerboni di Sposetti, who in their enthusiasm for his genius urged him to remain, and supplied him with the means to mingle in the best intellectual society of the Austrian capital. The unwonted life of ease had its effect. The old precarious existence became a horror to him, he made a deliberate breach with it by marrying (in 1846) the beautiful and wealthy actress Christine Enghaus, ruthlessly sacrificing the girl who had given up all for him and who remained faithful till her death, on the ground that “ a man's first duty is to the most powerful force within him, that which alone can give him happiness and be of service to the world ”: in his case the poetical faculty, which would have perished “in the miserable struggle for existence.” This “ deadly sin, ” which, “ if peace of conscience be the test of action, ” was, he considered, the best act of his life, established his fortunes. Elise, however, still provided useful inspiration for his art. As late as 1855, shortly after her death, he wrote the little epic Matter und Kind, intended to show that the relation of parent and child is the essential factor which makes the quality of happiness among all classes and under all conditions equal. Long before this Hebbel had become famous. German sovereigns bestowed decorations upon him; and in foreign capitals he was féted as the greatest of living German dramatists. From the grand-duke of Saxe-Weimar he received a flattering invitation to take up his residence at Weimar, where several of his plays were first performed. He remained, however, at Vienna until his death on the 13th qi December 1863.
Besides the works already mentioned, Hebbel's principal tragedies are Herodes und Mafiamne (1850); Julia (1851); Michel Angelo (1851); Agnes Bernaner (1855); Gyges and sein Ring (1856), and the magnificently conceived trilogy Die Nibetungen (1862), his last work (consisting of a prologue, Der geltornte Siegfried, and the tragedies, Siegfrieds Tod and Kriemhilds Racke), which won for the author the Schiller prize. Of his comedies Der Diamant (1847), Der Rabin (1850), and the tragi-comedy Fin Tranerspiel in Sizihen (1845), are the more important, but they are heavy and hardly rise above mediocrity. All his dramatic productions, however, exhibit skill in characterization, great glow of passion, and a true feeling for dramatic situation; but their poetic effect is frequently marred by extravagances which border on the grotesque, and by the introduction of incidents the unpleasant character of which is not sufficiently relieved. In many of his lyric poems, and especially in Matter and Kind, published in 18 50, Hebbel showed that his poetic gifts were not restricted to the drama. His collected works were first published by E. Kuh (I2 vols., Hamburg, 1866-1868); revised by H Krumm (12 vols., Hamburg, 1892) The best critical edition IS that by R. M. Werner (12 vols., I9OI~1QO3), to which have been addcd Hebbel's D1ar1es (4 vols.) and Correspondence (6 vols). Hebbel's Brzefwechsel met Ffeunden und beruhmten Zeztgenossen was issued by F. Bamberg (X89O'I8Q2). be chief b1ograph1es of Hebbel are those by E. Kuh (1877) and R M. Werner (1905) See also L. A. Frankl, Zur Bzographte F. Hebbels (1884), T Poppe, F Hebbel und sem Drama (1900); A. Schcunert, Der Pantragtsmus als System der Weltanschauun und Asthettk Hebbels (1903), E A. Georgy, Dze Tragodze F. Iibbels nach zhrern Ideengehalt (1904)