A General History for Colleges and High Schools (Myers)/Chapter 31
CHAPTER XXXI.
ARCHITECTURE, LITERATURE, LAW, AND SOCIAL LIFE AMONG THE ROMANS.
i . Architecture.
Greek Origin of Roman Architecture: the Arch.—The architecture of the Romans was, in the main, an imitation of Greek models. But the Romans were not mere servile imitators. They not only modified the architectural forms they borrowed, but they gave their structures a distinct character by the prominent use of the arch, which the Greek and Oriental builders seldom employed, though they were acquainted with its properties. By means of it the Roman builders vaulted the roofs of the largest buildings, carried stupendous aqueducts across the deepest valleys, and spanned the broadest streams with bridges that have resisted all the assaults of time and flood to the present day.
Sacred Edifices.—The temples of the Romans were in general so like those of the Greeks that we need not here take time and space to enter into a particular description of them. Mention, however, should be made of their circular vaulted temples, as this was a style of building almost exclusively Italian. The best representative of this style of sacred edifices is the Pantheon at Rome, which has come down to our own times in a state of wonderful preservation. This structure is about 140 feet in diameter. The immense stone dome which vaults the building, is one of the boldest pieces of masonry executed by the master-builders of the world.
Circuses, Theatres, and Amphitheatres.—The circuses of the Romans were what we should call race- courses. There were several at Rome, the most celebrated being the Circus Maximus, 
which was first laid out in the time of the Tarquins, and afterwards enlarged as the population of the capital increased, until it was capable of holding two or three hundred thousand spectators.
The Romans borrowed the plan of their theatres from the Greeks; their amphitheatres, however, were original with them. The Flavian Amphitheatre, known as the Colosseum, has already come under our notice (see p. 316). The edifice was 574 feet in its greatest diameter, and was capable of seating eighty-seven thousand spectators. The ruins of this immense structure stand to-day as "the embodiment of the power and splendor of the Roman Empire."
Aqueducts.—The aqueducts of ancient Rome were among the most important of the utilitarian works of the Romans. The water-system of the capital was commenced by Appius Claudius (about 313 B.C.), who secured the building of an aqueduct which led water into the city from the Sabine hills. During the republic four aqueducts in all were completed; under the emperors the number was increased to nineteen.[1] The longest of these was about fifty-five miles in length. The aqueducts usually ran beneath the surface, but when a depression was to be crossed, they were lifted on arches, which sometimes were over one hundred feet high. These lofty arches running in long broken lines over the plains beyond the walls of Rome, are the most striking feature of the Campagna at the present time.
Thermæ, or Baths.—The greatest demand upon the streams of water poured into Rome by the aqueducts was made by the Thermæ, or baths. Among the ancients Romans, bathing, regarded at first simply as a troublesome necessity, became in time a luxurious art. Under the republic, bathing-houses were erected in considerable numbers. But it was during the imperial period that those magnificent structures to which the name of Thermae properly attaches, were erected. These edifices were among the most elaborate and expensive of the imperial works. They contained chambers for cold, hot, tepid, sudatory, and swimming baths; dressing-rooms and gymnasia; museums and libraries; covered colonnades for lounging and conversation, extensive grounds filled with statues and traversed by pleasant walks; and every other adjunct that could add to the sense of luxury and relaxation. Being intended to exhibit the liberality of their builders, they were thrown open to the public free of charge.
Memorial Architecture.—Among the memorial structures of the Romans, their triumphal arches are especially characteristic.
These were modelled after the city gates, being constructed with single and with triple archways. Two of the most noted monuments of this character, and the most interesting because of their historic connections, are the Arch of Titus (see p. 315) and the Arch of Constantine, both of which are still standing. The Arch of Constantine was intended to commemorate the victory of that emperor over his rival Maxentius, which event established Christianity as the imperial and favored religion of the empire.
2. Literature, Philosophy, and Law.
Relation of Roman to Greek Literature: the Poets of the Republican Era.—Latin literature was almost wholly imitative or borrowed, being a reproduction of Greek models; still it performed a most important service for civilization: it was the medium for the dissemination throughout the world of the rich literary treasures of Greece.
It was the dramatic productions of the Greeks which were first studied and copied at Rome. Livius Andronicus, Naevius, Ennius, Plautus, and Terence, all of whom wrote under the republic, are the most noted of the Roman dramatists. Most of their plays were simply adaptations or translations of Greek master-pieces.
Lucilius (born 148 B.C.) was one of the greatest of Roman satirists. The later satirists of the corrupt imperial era were his imitators. Besides Lucilius, there appeared during the later republican era only two other poets of distinguished merit, Lucretius and Catullus. Lucretius (95–51 B.C.) was an evolutionist, and in his great poem, On the Nature of Things, we find anticipated many of the conclusions of modern scientists.
Poets of the Augustan Age.—We have in another place (see p. 307) spoken of the effects of the fall of the republic upon the development of Latin literature. Many, who if the republican institutions had continued would have been absorbed in the affairs of state, were led, by the change of government, to seek solace for their disappointed hopes, and employment for their enforced leisure, in the graceful labors of elegant composition. Four names have cast an unfading lustre over the period covered by the reign of Augustus,—Virgil, Horace, Ovid, and Livy. So distinguished have these writers rendered the age in which they lived, that any period in a people's literature marked by unusual literary taste and refinement is called, in allusion to the Roman era, an Augustan Age. Of the three poets, Virgil, Horace, and Ovid, a word has already been said; of Livy we shall find place to say something a little later, under the head of the Roman historians.
Satire and Satirists.—Satire thrives best in the reeking soil and tainted atmosphere of an age of selfishness, immorality, and vice. Such an age was that which followed the Augustan era at Rome. The throne was held by such imperial monsters as Caligula, Nero, and Domitian. The profligacy of fashionable life at the capital and the various watering-places of the empire, and the degradation of the court gave venom and point to the shafts of those who were goaded by the spectacle into attacking the immoralities and vices which were silently yet rapidly sapping the foundations of both society and state. Hence arose a succession of writers whose mastery of sharp and stinging satire has caused their productions to become the models of all subsequent attempts in the same species of literature. Two names stand out in special prominence—Persius and Juvenal, who lived and wrote during the last half of the first and the beginning of the second century of our era.
Oratory among the Romans.—"Public oratory," as has been truly said, "is the child of political freedom, and cannot exist without it." We have seen this illustrated in the history of republican Athens. Equally well is the same truth exemplified by the records of the Roman state. All the great orators of Rome arose under the republic.
Roman oratory was senatorial, popular, or judicial. These different styles of eloquence were represented by the grave and dignified debates of the Senate, the impassioned and often noisy and inelegant harangues of the Forum, and the learned pleadings or ingenious appeals of the courts. Among the orators of ancient Rome, Hortensius, (114–50 B.C.), an eloquent, advocate, and Cicero (106–43 B.C.) are easily first.
Historians.—Ancient Rome produced four writers of history whose works have won for them a permanent fame—Cæsar, Sallust, Livy, and Tacitus. Of Cæsar and his Commentaries on the Gallic War, we have learned in a previous chapter. His Commentaries will always be mentioned with the Anabasis of Xenophon, as a model of the narrative style of writing. Sallust (86–34 B.C.) was the contemporary and friend of Caesar. The two works upon which his fame rests are the Conspiracy of Catiline and the Jugurthine War.
Livy (59 B.C.–A.D. 17) was one of the brightest ornaments of the Augustan age. Herodotus among the ancient, and Macaulay among the modern, writers of historical narrative, are the names with which his is most frequently compared. His greatest work is his Annals, a history of Rome from the earliest times to the year 9 B.C. Unfortunately, all save thirty-five of the books[2]—the work filled one hundred and forty-two volumes—perished during the disturbed period that followed the overthrow of the empire. Many have been the laments over "the lost books of Livy." As a chronicle of actual events, Livy's history, particularly in its earlier parts, is very unreliable; however, it is invaluable as an account of what the Romans themselves believed respecting the origin of their race, the founding of their city, and the deeds and virtues of their forefathers.
The most highly prized work of Tacitus is his Germania, a treatise on the manners and customs of the Germans. Tacitus dwells with delight upon the simple life of the uncivilized Germans, and sets their virtues in strong contrast with the immoralities of the refined and cultured Romans.
Ethics, Science, and Philosophy.—Under this head may be grouped the names of Seneca, Pliny the Elder, Marcus Aurelius, and Epictetus. Seneca (about A.D. 1–65), moralist and philosopher, has already come to our notice as the tutor of Nero (see p. 312). He was a disbeliever in the popular religion of his countrymen, and entertained conceptions of God and his moral government not very different from the doctrines of Socrates. Pliny the Elder (A.D. 23–79) is almost the only Roman who won renown as a naturalist. The only work of his that has been spared to us is his Natural History, a sort of "Roman Encyclopædia," embracing thirty-seven books.
Marcus Aurelius the emperor and Epictetus the slave hold prominent places among the ethical teachers of Rome. Of the emperor as a philosopher we have already spoken (see p. 321).
Epictetus (b. about 60 A.D.) was for many years a slave at the capital; but, securing in some way his freedom, he became a teacher of philosophy. Epictetus and Aurelius were the last eminent representatives and expositors of the philosophy of Zeno. Christianity, giving a larger place to the affections than did Stoicism, was already fast winning the hearts of men.
Writers of the Early Latin Church.—The Christian authors of the first three centuries, like the writers of the New Testament, employed the Greek, that being the language of learning and culture. As the Latin tongue, however, came into more general use throughout the extended provinces of the Roman empire, the Christian authors naturally began to use the same in the composition of their works. Hence, almost all the writings of the Fathers of the Church, produced during the last two centuries of the empire, were composed in Latin. Among the many names that adorn the Church literature of this period may be mentioned Saint Jerome and Saint Augustine,—the former celebrated for his translation of the Scriptures into Latin,[3] and the latter for his "City of God." This was truly a wonderful work. It was written just when Rome was becoming the spoil of the barbarians, and was designed to answer the charge of the pagans that Christianity, turning the hearts of the people away from the worship of the ancient gods, was the cause of the calamities that were befalling the Roman state.
Roman Law and Law Literature.—Although the Latin writers in all the departments of literary effort which we have so far reviewed did much valuable work, yet the Roman intellect in all these directions was under Greek guidance. Its work was largely imitative. But in another department it was different. We mean, of course, the field of legal and political science. Here the Romans ceased to be pupils, and became teachers. Nations, like men, have their mission. Rome's mission was to give laws to the world.
In the year 527 A.D. Justinian became emperor of the Roman empire in the East. He almost immediately appointed a commission, headed by the great lawyer Tribonian, to collect and arrange in a systematic manner the immense mass of Roman laws, and the writings of the jurists. The undertaking was like that of the Decemvirs in connection with the Twelve Tables (see p. 236), only far greater. The result of the work of the commission was what is known as the Corpus Juris Civilis, or "Body of the Civil Law." This consisted of three parts: the Code, the Pandects and the Institutes[4] The Code was a revised and compressed collection of all the laws, instructions to judicial officers, and opinions on legal subjects, promulgated by the different emperors since the time of Hadrian; the Pandects (all-containing) were a digest or abridgment of the writings, opinions, and decisions of the most eminent of the old Roman jurists and lawyers. The Institutes were a condensed edition of the Pandects, and were intended to form an elementary text-book for the use of students in the great law-schools of the empire.
The Body of the Roman Law thus preserved and transmitted was the great contribution of the Latin intellect to civilization. It has exerted a profound influence upon all the law-systems of Europe. Thus does the once little Palatine city of the Tiber still rule the world. The religion of Judea, the arts of Greece, and the laws of Rome are three very real and potent elements in modern civilization.
3. Social Life.
Education.—Roman children were subject in an extraordinary manner to their father (paterfamilias). They were regarded as his property, and their life and liberty were in general at his absolute disposal. This power he exercised by usually drowning at birth the deformed or sickly child. Even the married son remained legally subject to his father, who could banish him, sell him as a slave, or even put him to death. It should be said, however, that the right of putting to death was seldom exercised, and that in the time of the empire the law put some limitations upon it.
The education of the Roman boy differed from that of the Greek youth in being more practical. The Laws of the Twelve Tables were committed to memory; and rhetoric and oratory were given special attention, as a mastery of the art of public speaking was an almost indispensable acquirement for the Roman citizen who aspired to take a prominent part in the affairs of state.
After the conquest of Magna Graecia and of Greece, the Romans were brought into closer relations than had hitherto existed with Greek culture. The Roman youth were taught the language of Athens, often to the neglect, it appears, of their native tongue. Young men belonging to families of means, not unusually went to Greece, just as the graduates of our schools go to Europe, to finish their education. Many of the most prominent statesmen of Rome, as for instance Cicero and Julius Caesar, received the advantages of this higher training in the schools of Greece.
Somewhere between the age of fourteen and eighteen the boy exchanged his purple-hemmed toga, or gown, for one of white wool, which was in all places and at all times the significant badge of Roman citizenship.
Social Position of Woman.—Until after her marriage, the daughter of the family was kept in almost Oriental seclusion. Marriage gave her a certain freedom. She might now be present at the races of the circus and the various shows of the theatre and the arena, a privilege rarely accorded to her before marriage. In the early virtuous period of the Roman state, divorce was unusual, but in later and more degenerate times, it became very common. The husband had the right to divorce his wife for the slightest cause, or for no cause at all. In this disregard of the sanctity of the family relation, may doubtless be found one cause of the degeneracy and failure of the Roman stock.
Public Amusements.—The entertainments of the theatre, the games of the circus, and the combats of the amphitheatre were the three principal public amusements of the Romans. These entertainments in general increased in popularity as liberty declined, the great festive gatherings at the various places of amusement taking the place of the political assemblies of the republic. The public exhibitions under the empire were, in a certain sense, the compensation which the emperors offered the people for their surrender of the right of participation in public affairs,—and the people were content to accept the exchange.
Tragedy was never held in high esteem at Rome: the people saw too much real tragedy in the exhibitions of the amphitheatre to care much for the make-believe tragedies of the stage. The entertainments of the theatres usually took the form of comedies, farces, and pantomimes. The last were particularly popular, both because the vast size of the theatres made it quite impossible for the actor to make his voice heard throughout the structure, and for the reason that the language of signs was the only language that could be readily understood by an audience made up of so many different nationalities as composed a Roman assemblage.
More important and more popular than the entertainments of the theatre were the various games, especially the chariot races, of the circus. But surpassing in their terrible fascination all other public amusements were the animal-baitings and the gladiatorial combats of the arena.
The beasts required for the baitings were secured in different parts of the world, and transported to Rome and the other cities of the empire at an enormous expense. The wildernesses of Northern Europe furnished bears and wolves; Africa contributed lions, crocodiles, and leopards; Asia elephants and tigers. These creatures were pitted against one another in every conceivable way. Often a promiscuous multitude would be turned loose in the arena at once. But even the terrific scene that then ensued, became at last too tame to stir the blood of the Roman populace. Hence a new species of show was introduced, and grew rapidly into favor with the spectators of the amphitheatre. This was the gladiatorial combat.
The Gladiatorial Combats.—Gladiatorial games seem to have had their origin in Etruria, whence they were brought to Rome. It was a custom among the early Etruscans to slay prisoners upon the warrior's grave, it being thought that the spirit of the dead delighted in the blood of such victims. In time the. condemned prisoners were allowed to fight and kill one another, this being deemed more humane than their cold-blooded slaughter. Thus it happened that sentiments of humanity gave rise to an institution which, afterwards perverted, became the most inhuman of any that ever existed among a civilized people.
The first gladiatorial spectacle at Rome was presented by two sons at the funeral of their father, in the year 264 B.C. This exhibition was arranged in one of the forums, as there were at that time no amphitheatres in existence. From this time the public taste for this species of entertainment grew rapidly, and by the beginning of the imperial period had mounted into a perfect passion. It was now no longer the manes of the dead, but the spirits of the living, that they were intended to appease. At first the combatants were slaves, captives, or condemned criminals; but at last knights, senators, and even women descended into the arena. Training-schools were established at Rome, Capua, Ravenna, and other cities. Free citizens often sold themselves to the keepers of these seminaries; and to them flocked desperate men of all classes, and ruined spendthrifts of the noblest patrician houses. Slaves and criminals were encouraged to become proficient in this art by the promise of freedom if they survived the combats beyond a certain number of years.
Sometimes the gladiators fought in pairs; again great companies engaged at once in the deadly fray. They fought in chariots, on horseback, on foot—in all the ways that soldiers were accustomed to fight in actual battle. The contestants were armed with lances, swords, daggers, tridents, and every manner of weapon. Some were provided with nets and lassos, with which they entangled their adversaries, and then slew them.
The life of a wounded gladiator was in the hands of the audience. If in response to his appeal for mercy, which was made by outstretching the forefinger, the spectators reached out their hands with thumbs turned down, that indicated that his prayer had been heard and that the sword was to be sheathed; but if they extended their hands with thumbs turned up, that was the signal for the victor to complete his work upon his wounded foe. Sometimes the dying were aroused and forced on to the fight by burning with a hot iron. The dead bodies were dragged from the arena with hooks, like the carcasses of animals, and the pools of blood soaked up with dry sand.
These shows increased to such an extent that they entirely overshadowed the entertainments of the circus and the theatre. Ambitious officials and commanders arranged such spectacles in order to curry favor with the masses; magistrates were expected to give them in connection with the public festivals; the heads of aspiring families exhibited them "in order to acquire social position"; wealthy citizens prepared them as an indispensable feature of a fashionable banquet; the children caught the spirit of their elders and imitated them in their plays. The demand for gladiators was met by the training-schools; the managers of these hired out bands of trained men, that travelled through the country like opera troupes among us, and gave exhibitions in private houses or in the provincial amphitheatres.
The rivalries between ambitious leaders during the later years of the republic tended greatly to increase the number of gladiatorial shows, as liberality in arranging these spectacles was a sure passport to popular favor. It was reserved for the emperors, however, to exhibit them on a truly imperial scale. Titus, upon the dedication of the Flavian Amphitheatre, provided games, mostly gladiatorial combats, that lasted one hundred days. Trajan celebrated his victories with shows that continued still longer, in the progress of which 10,000 gladiators fought upon the arena, and more than that number of wild beasts were slain. (For the suppression of the gladiatorial games, see p. 339.)
State Distribution of Corn.—The free distribution of corn at Rome has been characterized as the H leading fact of Roman life."
It will be recalled that this pernicious practice had its beginnings in the legislation of Caius Gracchus (see p. 276). Just before the establishment of the empire, over 300,000 Roman citizens were recipients of this state bounty. In the time of the Antonines the number is asserted to have been even larger. The corn for this enormous distribution was derived in large part from a grain tribute exacted of the African and other corn-producing provinces. The evils that resulted from this misdirected state charity can hardly be overstated. Idleness and all its accompanying vices were fostered to such a degree that we probably shall not be wrong in enumerating the practice as one of the most prominent causes of the demoralization of society at Rome under the emperors.
Slavery.—A still more demoralizing element in Roman life than that of the state largesses of corn, was the institution of slavery. The number of slaves in the Roman state under the later republic and the earlier empire was probably as great or even greater than the number of freemen. The love of ostentation led to the multiplication of offices in the households of the wealthy, and the employment of a special slave for every different kind of work. Thus there was the slave called the sandalio, whose sole duty it was to care for his master's sandals; and another, called the nomenclator, whose exclusive business it was to accompany his master when he went upon the street, and give him the names of such persons as he ought to recognize. The price of slaves varied from a few dollars to ten or twenty thousand dollars, —these last figures being of course exceptional. Greek slaves were the most valuable, as their lively intelligence rendered them serviceable in positions calling for special talent.
The slave class was chiefly recruited, as in Greece, by war, and by the practice of kidnapping. Some of the outlying provinces in Asia and Africa were almost depopulated by the slave hunters. Delinquent tax payers were often sold as slaves, and frequently poor persons sold themselves into servitude.
Slaves were treated better under the empire than under the later republic (see p. 273), a change to be attributed doubtless to the softening influence of the Stoical philosophy and of Christianity. The feeling entertained towards this unfortunate class in the later republican period is illustrated by Varro's classification of slaves as " vocal agricultural implements," and again by Cato the Elder's recommendation that old and worn-out slaves be sold, as a matter of economy. Sick and hopelessly infirm slaves were taken to an island in the Tiber and left there to die of starvation and exposure. In many cases, as a measure of precaution, the slaves were forced to work in chains, and to sleep in subterranean prisons. Their bitter hatred towards their masters, engendered by harsh treatment, is witnessed by the well-known proverb, "As many enemies as slaves," and by the servile revolts and wars of the republican period. But from the first century of the empire there is observable a growing sentiment of humanity towards the bondsman. Imperial edicts take away from the master the right to kill his slave, or to sell him to the trader in gladiators, or even to treat him with any undue severity. This marks the beginning of a slow reform which in the course of ten or twelve centuries resulted in the complete abolition of slavery in Christian Europe.
- ↑ Several of these are still in use.
- ↑ It should be borne in mind that a book in the ancient sense was simply a roll of manuscript or parchment, and contained nothing like the amount of matter held by an ordinary modern volume. Thus Cæsar's Gallic Wars, which makes a single volume of moderate size with us, made eight Roman books.
- ↑ The Vulgate, which is the version still used in the Roman Catholic Church.
- ↑ A later work called the Novels comprised the laws of Justinian subsequent to the completion of the Code.