A Song of the English (1909)
ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
COPYRIGHT, 1896, BY RUDYARD KIPLING
COPYRIGHT, 1905, BY D. APPLETON AND COMPANY
COPYRIGHT, 1909, BY RUDYARD KIPLING
PUBLISHED, NOVEMBER, 1909
CONTENTS
- Fair is our lot—O goodly is our heritage!
- Our brows are bound with spindrift and the weed is on our knees.
III. THE SONG OF THE DEAD
- Hear now the Song of the Dead—in the North by the torn berg-edges.
- The wrecks dissolve above us; their dust drops down from afar.
- One from the ends of the earth gifts at an open door.
VI. THE SONGS OF THE CITIES:―
- BOMBAY
- Royal and Dower-royal, I the Queen.
- CALCUTTA
- Me the Sea captain loved, the River built.
- MADRAS
- Clive kissed me on the mouth and eyes and brow.
- RANGOON
- Hail, Mother! Do they call me rich in trade?
- SINGAPORE
- Hail, Mother! East and West must seek my aid.
- HONG KONG
- Hail, Mother! Hold me fast: my Praya sleeps.
- HALIFAX
- Into the mist my guardian prows put forth.
- QUEBEC AND MONTREAL
- Peace is our portion. Yet a whisper rose.
- VICTORIA
- From East to West the circling word has passed.
- CAPETOWN
- Hail! Snatched and bartered oft from hand to hand.
- MELBOURNE
- Greeting! Nor fear nor favour won us place.
- SYDNEY
- Greeting! My birth-stain have I turned to good.
- BRISBANE
- The northern stirp beneath the southern skies.
- HOBART
- Man's love first found me; man's hate made me Hell.
- AUCKLAND
- Last, loneliest, loveliest, exquisite, apart.
VII. ENGLAND'S ANSWER
- Truly ye come of The Blood; slower to bless than to ban.
ILLUSTRATIONS IN COLOUR
1. Frontispiece. |
Follow after—we are waiting by the trails that we lost, |
2. |
Fair is our lot—goodly is our heritage! |
3. |
Our brows are bound with spindrift and the weed is on our knees; |
4. |
Through the endless summer evenings, on the lineless, level floors. |
5. |
Come up, come in from Eastward, from the guardports of the Morn! |
6. |
Came the Whisper, came the Vision, came the Power with the Need, |
7. |
Then the wood failed—then the food failed—then the last water dried— |
8. |
On the sand-drift—on the veldt-side—in the fern-scrub we lay. |
9. |
Follow after—follow after—for the harvest is sown: |
10. |
When Drake went down to the Horn, |
11. |
We have fed our sea for a thousand years, |
12. |
If blood be the price of admiralty, |
13. |
There's never a flood goes shoreward now |
14. |
The wrecks dissolve, above us; their dust drops down from afar— |
15. |
Here in the womb of the world—here on the tie-ribs of earth |
16. |
Those that have stayed at thy knees, Mother, go call them in— |
17. | Bombay. |
18. | Calcutta. |
19. | Madras. |
20. | Rangoon. |
21. | Singapore. |
22. | Hong-Kong. |
23. | Halifax. |
24. | Quebec and Montreal. |
25. | Capetown. |
26. | Melbourne. |
27. | Sydney. |
28. | Hobart. |
29. | Auckland. |
30. | Deeper than speech our love, stronger than life our tether, But we do not fall on the neck nor kiss when we come together. My arm is nothing weak, my strength is not gone by; Sons, I have borne many sons, but my dugs are not dry. |
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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