Against the Grain/Chapter IX
THESE nightmares recurred again and again, till he was afraid to go to sleep. He would lie stretched on his bed, sometimes the victim of obstinate fits of insomnia and feverish restlessness, at others of abominable dreams only interrupted by the spasmodic awakening of a man losing foothold, pitching from top to bottom of a staircase, plunging into the depths of an abyss, without power to stop himself.
For several days, the exhausting nervous disturbance gained the upper hand again, showing itself more violent and more obstinate than ever, though under new forms.
Now the bedclothes were a weight not to be borne; he felt stifled under the sheets, while his whole body was tormented with tinglings; his thighs burned, his legs itched. To these symptoms were soon added a dull aching of the jaws and a sensation as if his temples were confined within a vice.
His distress of mind grew more and more acute, but unfortunately the proper means of mastering the merciless complaint were lacking. He had tried without success to fit up an installation of hydropathic appliances in his dressing room; but the impossibility of bringing water to the top of the hill on which his house was perched, the preliminary difficulty indeed of getting water at all in sufficient quantity in a village supplied by public fountains which only trickled sparingly at fixed hours, made his attempt abortive. Finding it impracticable to get himself douched with jets of water, which, shot freely and forcible against the bony rings of the vertebral columns, formed the only method powerful enough to subdue the insomnia and bring back peace of mind, he was reduced to the employment of short aspersions in his bath-room or his tub; mere cold aspersions followed by an energetic rubbing down with a horsehair glove at the hands of his valet.
But these half measures were very far from scotching the disease; the most he felt was a temporary relief of a few hours, dearly bought, moreover, by a fresh access of the paroxysms returning to the charge with increased violence.
He was consumed with infinite ennui. The pleasure he had felt in the possession of his amazing flowers was exhausted; he was tired already of looking at the texture of their leaves and the shades of their blossoms. Besides, for all the care he lavished upon them, most of his plants had died; these he had removed from the rooms, and then, to such a pitch of nervous irritability had he come, that the sight of the places left vacant for want of them wounded his eye and reduced him to a condition of further exasperation.
To distract his attention and kill the interminable hours, he had recourse to his portfolios of prints and sorted his Goyas. The early states of certain plates of the Caprices, proofs distinguishable by their reddish tone, which he had bought in former days at sales, at extravagant prices, struck his fancy, and he lost himself in their contemplation, as he followed the weird fancies of the artist with an unfailing delight in his bewildering imaginations,—witches riding black cats, women extracting a dead man's teeth at the foot of the gallows, bandits, succubi, devils and dwarfs.
After this, he went through all the other series of the artist's etchings and aquatints, his Proverbs, so grotesque in their gloomy horror, his battle subjects, so ferocious in their bloodthirstiness, his plate of the Garotte, of which he possessed a superb proof before letters, printed on heavy paper, unsized, with visible watermark-lines showing in its substance.
The savage vigour, the uncompromising, reckless talent of this artist captivated him. Yet, at the same time, the universal admiration his works had won put him off somewhat, and for years he had always refused to frame them, fearing, if he exhibited them, that the first noodle who might happen to see them would feel himself bound to talk inanities and fall into an ecstasy in stereotyped phrases as he stood in front of them.
It was the same with his Rembrandts, which he would examine now and again on the sly; and indeed it is very true that, just as the finest air in the world is vulgarized beyond all bearing once the public has taken to hum it and the street organs to play it, so the work of art that has appealed to the sham connoisseurs, that is admired by the uncritical, that is not content to rouse the enthusiasm of only a chosen few, becomes for this very reason, in the eyes of the elect, a thing polluted, commonplace, almost repulsive.
This diffusion of appreciation among the common herd was in fact one of the sorest trials of his life; unaccountable triumphs had for ever spoilt his enjoyment in pictures and books he had once held dear; the approbation of the general voice always ended by making him discover some hitherto imperceptible blemish, and he would repudiate them, asking himself if his taste was not getting blunted and untrustworthy.
He shut his portfolios and once more fell into a state of indifference and ill humour. To change the current of his ideas, he tried a course of emollient reading; essayed, with a view to cooling his brain, some of the solanaceae of art; read those books so charming for convalescents and invalids whom sensational stories or works richer in phosphates would only fatigue: Charles Dickens' novels.
But the volumes produced an effect just the opposite of what he looked for; his chaste lovers, his Protestant heroines, modestly draped to the chin, whose passions were so seraphic, who never went beyond a coy dropping of the eyes, a blush, a tear of happiness, a squeezing of hands, exasperated him. This exaggerated virtue drove him into the opposite extreme; in virtue of the law of contrasts, he rushed into the contrary excess; thought of passionate, full-bodied loves; pictured the doings of frail, human couples; of ardent embraces mouth to mouth; of pigeon kisses, as ecclesiastical prudery calls them when tongue meets tongue in naughty wantonness.
He threw away his book, and banishing the mock-modesty of Albion far from his thoughts, dreamed of the licentious practices, the salacious little sins the Church condemns. A commotion shook him; the insensibility of brain and body that he had supposed final and irrevocable was no more. Solitude has its influence, too, on broken nerves; he was filled with a craving, not now for religious conviction, but for the pleasant sins religion condemns. The habitual object of its threats and curses was the one thing that tempted him; the carnal side of his nature, that had lain dormant for months, roused, first of all, by the feebleness of the pious stuff he had been reading, then stirred to full wakefulness in a spasm of the nerves by the hateful English cant, now asserted itself, and the stimulated senses harking back to the past, he found himself wallowing in the memories of his old dissipations.
He got up and gloomily opened a little box of silver-gilt, its lid set here and there with aventurines.
It was full of bonbons of a violet colour; one of these he took and turned it about in his fingers, thinking over the strange properties of these sweetmeats, sprinkled over with a powdering of sugar, like hoar-frost; formerly, in the days when his impotency was an established fact and he could dream of women without bitterness, regret or longing, he would place one of these sweetmeats on his tongue and let it melt in his mouth; then, in a moment, would recur with an infinite tenderness recollections, almost effaced, altogether soft and languishing, of the lascivious doings of other days.
These bonbons, an invention of Siraudin's known under the ridiculous name of "Pearls of the Pyrenees," consisted of a drop of sarcanthus scent, a drop of essence of woman, crystallized in a piece of sugar; they entered by the papillae of the mouth, evoking reminiscences of water opalescent with rare vinegars; and deep, searching kisses, all fragrant with odours.
As usual, his face broke into a smile, as he drank in this amorous aroma; this shadowy semblance of caresses that revived in a corner of his brain a sense of female nudity and re-awakened for a second the savour, once so adorable, of certain women. But today, it was no longer a muffled peal that was ringing; the drug's effect was no longer limited to reviving the memory of far away, half forgotten escapades; rather was it to tear the veils from before his eyes and show him the bodily reality, in all its brutal force and urgency. Heading the procession of mistresses that the taste of the sweetmeat helped to define in clear outlines, one riveted his attention, a woman with long, white teeth, a satiny skin, rosy with health, a short nose, mouse-grey eyes, short-clipped, yellow hair.
It was Miss Urania, an American girl with a supple figure, sinewy legs, muscles of steel, arms of iron.
She had been one of the most famous of the acrobats at the Cirque.
Whole evenings, Des Esseintes had watched her performing. The first few times she had struck him as being just what she was, a powerfully made, handsome woman, but he had felt no desire to come into any closer contact with her; she had nothing about her to appeal to the tastes of a worn man of the world, yet for all this he returned again and again to the Circus, drawn by some mysterious attraction, urged by some sentiment difficult to define.
Little by little, as he watched her, his mind filled with strange notions. The more he admired her strength and suppleness, the more he seemed to see an artificial change of sex operating in her; her pretty allurements, her feminine affectations fell more and more into the background, while in their stead were developed the charms attaching to the agility and vigour of a male. In a word, after being a woman to begin with, then something very like an androgyne, she now seemed to become definitely and decisively and entirely a man.
"This being so, just as a robust athlete falls in love with a thin slip of a girl, thiswoman of the trapeze should by natural tendency love a feeble, backboneless weakling like myself," Des Esseintes told himself; by dint of considering his own qualities and giving the rein to his faculties of comparison, he presently arrived at the conclusion that, on his side, he was himself getting nearer and nearer the female type. This point reached, he was seized with a definite desire to possess this woman, craving for her as an anaemic young girl will for some great, rough Hercules whose arms can crush her to a jelly in their embrace.
This change of sex between Urania and himself had stirred him deeply; we are made for each other, he would declare, while, added to this sudden admiration of brute force, a thing he had hitherto detested, was the spice of the self-degradation involved in such a union,—the same base delight a common prostitute enjoys in paying dear for the clumsy caresses of a bully.
Meantime, as his determination to seduce the acrobat, to make his dreams a reality, if the thing could be done, was maturing, he confined his cherished illusion by attributing the same series of inverted thoughts as his own to the unconscious brain of the woman, reading his own desires repeated in the fixed smile that hovered on the lips of the performer turning on her trapeze.
One fine evening, he made up his mind to open the campaign. Miss Urania deemed it necessary not to yield without some preliminary courting. Still she showed herself not very exacting, knowing from common report that Des Esseintes was wealthy and that his name was a help towards starting woman on a successful career.
But no sooner were his wishes granted than his disappointment passed all bounds. He had pictured the pretty American athlete to be as stolid and brutal as the strong man at a fair, but her stupidity, alas! was purely feminine in its nature. No doubt she lacked education and refinement, possessed neither good sense nor good wit, while at table she gave tokens of a brutish greediness but all the childish weaknesses of a woman were there in full force; she had all the love of chatter and finery that marks the sex specially given up to trivialities; any such thing as a transmutation of masculine ideas into her feminine person was a pure figment of the imagination.
Besides, she was quite a little Puritan and was altogether innocent of those rude, athletic caresses Des Esseintes at once desired and dreaded; she was not subject, as he had for a moment hoped she might be, to any morbid perversities of sex. Possibly, on searching the depths of her temperament, he might yet have discovered a penchant for a dainty, delicate, slimly-built paramour, for a nature precisely the opposite of her own; but in that case, it would have been a preference not for a young girl at all, but for some merryhearted little shrimp of a man; for some skinny, queer-faced clown.
Inevitably Des Esseintes resumed his part, momentarily forgotten, as a man; his impressions of femininity, of feebleness, of a sort of protection bought and paid for, of fear even, disappeared entirely. He could deceive himself no longer; Miss Urania was just a mistress like any other, not justifying in any way the cerebral curiosity she had excited.
Though, just at first, the freshness and splendour of her beauty had surprised Des Esseintes and kept him captivated, it was not long before he sought to sever the connexion and bring about a speedy rupture, for his premature impotency grew yet more marked when confronted with the icy woman's caresses and prudish passivity.
Nevertheless, she was the first to halt before him in the unbroken procession of these wanton memories; but, at bottom, if she had made a deeper impression on his mind than a host of other women whose allurements had been less fallacious and the pleasures they gave less limited, this came of the smell she exhaled as of a sound and wholesome animal. Her redundant health was the very antipodes of the anaemic, perfumed savour, whose delicate fragrance breathed from Siraudin's dainty sweetmeats.
By sheer contrast of fragrance, Miss Urania was bound to hold a foremost place in his memory, but almost immediately, Des Esseintes, startled for a moment by the unexpectedness of a natural, unsophisticated aroma, came back to more civilized scents and began inevitably to think of his other mistresses. They trooped across the field of memory in crowds; but, above them all, stood out the woman whose monstrous gift had for months given him such contentment.
She was a brunette, a little lean woman, with black eyes and black hair worn in tight bandeaux, that looked as if they had been plastered on her head with a brush, and parted on one side near the temple like a boy's. He had made her acquaintance at a café-concert, where she was giving performances as a ventriloquist.
To the amazement of a crowded audience who were half frightened at what they heard, she would give voices, turn and turn about, to half a dozen dolls of graduated sizes seated on chairs like a row of Pandean pipes; she would hold conversations with the little figures that seemed all but alive, while, in the auditorium itself, flies could be heard buzzing about the chandeliers and the spectators whispering on the benches though they had never opened their mouths. Then a string of imaginary carriages would roll up the room from the door to the stage, seeming almost to graze the elbows of the seated audience, who started back, instinctively surprised to find themselves there at all.
Des Esseintes had been fascinated; a crowd of new thoughts coursed through his brain. To open the campaign, he made all haste to reduce the fortress by the battery of bank notes, the ventriloquist catching his fancy by the very fact of the utter contrast she presented to the fair American. This brown beauty reeked of artfully prepared perfumes, heady and unhealthy scents, and she burned like the crater of a volcano. In spite of all his subterfuges, Des Esseintes' vigour was exhausted in a few hours; none the less he persisted in allowing himself to be drained dry by her, for more than the woman as a woman, her phenomenal endowments attracted him.
In fact, the plans he had proposed to himself to carry out were ripe for execution. He resolved to accomplish a project hitherto impossible of realization.
One night, he had a miniature sphinx brought in, carved in black marble, couched in the classic pose with outstretched paws and the head held rigid and upright together with a chimaera, in coloured earthenware, flourishing a bristlingmane, darting savage glances from ferocious eyes, lashing into furrows with its tail its flanks swollen like the bellows of a forge. He placed these monsters, one at each end of the room, put out the lamps, leaving only the red embers glowing on the hearth, to throw a vague and uncertain illumination about the chamber that exaggerated the apparent size of objects half lost in the semi-darkness.
This done, he stretched himself on the bed beside his mistress, whose unsmiling face was visible by the faint glow from the fireplace, and awaited developments. With weird intonations which he had made her long and patiently rehearse beforehand, she gave life and voice to the two monsters, without so much as moving her lips, without even a glance in their direction.
Then, in the silence of the night, began the wondrous dialogue of the Chimaera and the Sphinx, spoken in deep, guttural tones, now hoarse, now shrill, like voices of another world.
"Here, Chimaera, stop, I say."
"No, never."
Under the spell of Flaubert's marvellous prose, he listened trembling to the dreadful pair and a shudder shook his body from head to foot, when the Chimaera uttered the solemn and magic sentence:
"I seek new perfumes, ampler blossoms, untried pleasures."
Ah! it was to himself this voice, mysterious as an incantation, spoke; it was to him she told of her feverish desire for the unknown, her unsatisfied longing for the ideal, her craving to escape the horrible reality of existence, to overpass the confines of thought, to grope, without ever reaching it, after a certainty, in the mists of the regions beyond the bounds of art! All the pitifulness of his own efforts filled his heart with sick disgust. Softly he. pressed to his breast the silent woman by his side, clung to her for comfort like a frightened child, never even seeing the sulky looks of the actress forced to play a part, to exercise her craft, at home, in her hours of rest, far away from the footlights.
Their liaison went on, but before long Des Esseintes' feebleness grew more pronounced; the effervescence of his mental activities could no longer melt the icy fetters that held his bodily powers; the nerves refused to obey the mandates of the will; the lecherous caprices that appeal to old men dominated him. Feeling himself growing more and more inefficient as a lover, he had recourse to the most powerful stimulus of aged voluptuaries uncertain of their powers—fear.
While he held the woman clasped in his arms, a hoarse, furious voice would burst out from behind the door: "Let me in, I say! I know you have a lover with you. Just wait a minute, and I'll let you know, you trollop."—Instantly, like the libertines whose passions are stimulated by terror of being caught in flagrante delicto in the open air, on the river banks, in the Tuileries Gardens, in a summer-house or on a bench, he would temporarily recover his powers, throw himself at the ventriloquist, whose voice went storming on outside the room, and he found an abnormal satisfaction in this rush and scurry, this alarm of a man running a risk, interrupted, hurried in his fornication.
Unhappily these sittings soon came to an end. In spite of the extravagant prices he paid, the ventriloquist sent him about his business, and the same night gave herself to a good fellow whose requirements were less complicated and his back stronger.
Des Esseintes had regretted the woman, and when he recollected her artifices, other women seemed devoid of flavour; the affected graces of depraved children even appeared insipid, and so profound became his contempt for their monotonous grimaces that he could not bring himself to put up with them any more.
Still chewing the bitter cud of his disillusionment, he was walking one day all alone in the Avenue de Latour-Maubourg when he was accosted near the Invalides by a young man, almost a boy, who begged him to tell him the shortest way to go to the Rue de Babylone. Des Esseintes indicated his road and, as he was crossing the Esplanade too, they set off together.
The lad's voice, insisting, it seemed to his companion quite needlessly, on fuller instructions as to the way;—"Then you think, do you? that by turning left, I should be taking the longer road; but I was told that if I cut obliquely across the Avenue, I should get there all the quicker,"—was timid and appealing at the same time, very low and very gentle.
Des Esseintes looked him up and down. He seemed to have just left school, was poorly dressed in a little cheviot jacket tight round the hips and barely coming below the break of the loins, a pair of close-fitting black breeches, a turn-down collar cut low to display a puffed cravat, deep blue with white lines, La Vallière shape. In his hand he carried a class book bound in boards, and on his head was a brown, flat-brimmed bowler hat.
The face was at once pathetic and strangely attractive; pale and drawn, with regular features shaded by long black locks, it was lit up by great liquid eyes, the lids circled with blue, set near the nose, which was splashed with a few golden freckles and under which lurked a little mouth, but with fleshy lips divided by a line in the middle like a ripe cherry.
They examined each other for a moment, eye to eye; then the young man dropped his and stepped nearer; soon his arm was rubbing against Des Esseintes',who slackened his pace, gazing with a thoughtful look at the lad's swaying walk.
And lo! from this chance meeting sprang a mistrustful friendship that nevertheless was prolonged for months. To this day, Des Esseintes could not think of it without a shudder; never had he experienced a more alluring liaison or one that laid a more imperious spell on his senses; never had he run such risks, nor had he ever been so well content with such a grievous sort of satisfaction.
Among all the memories that pressed upon him in his solitude, the recollection of this attachment dominated all the rest. All the leaven of insanity that can torment a brain over-stimulated by nervous excitation was fermenting within him; moreover, to complete the satisfaction he found in these reminiscences, in this morose pleasure, as Theology names this recurrence of old doings of shame, he combined with the physical visions, spiritual ardours roused by his former readings of the casuists, writers like Busenbaum and Diana, Liguori and Sanchez, treating of sins against the Sixth and Ninth Commandments of the Decalogue.
While giving birth to an extra-human ideal in this soul which it had impregnated and which a hereditary tendency dating from the reign of Henry III. perhaps predisposed in the same direction, Religion had at the same time roused an illegitimate ideal of licentious pleasures; libertine and mystic obsessions haunted, in an inextricable union, his brain that thirsted with an obstinate craving to escape the vulgarities of life; to plunge, utterly regardless of revered usages, into new and original ecstasies; into excesses celestial or accursed, but equally ruinous in the waste of phosphorus they involve.
As a matter of fact, he issued from these reveries utterly exhausted, half dying; then he would at once kindle the candles and lamps, flooding the room with light, thinking in this way to hear less distinctly than in the darkness the dull, persistent, intolerable beating of the arteries that throbbed and throbbed unceasingly under the skin of the neck.