Author:Marie Corelli
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English novelist and mystic, who enjoyed a period of great literary success from the publication of her first novel in 1886 until World War I, although critics often derided her work as "the favourite of the common multitude"
Works[edit]
- The Romance of Two Worlds - (1886)
- Vendetta, A Story of One Forgotten - (1886)
- Thelma - (1887)
- A Romance of Two Worlds - (1888)
- Ardath - (1889)
- Wormwood: A Drama of Paris (novel)- (1890)
- The Soul of Lilith - (1892)
- Barabbas - (1893)
- The Sorrows of Satan: or, the Strange Experience of One Geoffrey Tempest, Millionaire - (1895) (external scan)
- Cameos - (1896)
- The Distant Voice: A Fact or Fancy - (1896)
- The Mighty Atom - (1896)
- The Murder of Delicia - (1896)
- Ziska: The Problem of a Wicked Soul - (1897)
- The Modern Marriage Market - (1897)
- The Song of Miriam and Other Stories - (1898)
- Boy - (1900)
- Jane, A Social Incident - (1900)
- The Master Christian - (1900)
- Temporal Power: a Study in Supremacy - (1902)
- Angel's Wickedness: A True Story - (1902)
- God's Good Man - (1904)
- The Strange Visitation of Josiah McNasson: A Ghost Story - (1904)
- Free Opinions Freely Expressed - (1905) (transcription project)
- Treasure of Heaven - (1906)
- Holy Orders - (1908)
- The Devil's Motor: A Fantasy - (1910)
- Life Everlasting - (1911)
- Innocent, Her Fancy and His Fact - (1914)
- The Young Diana - (1918)
- The Love of Long Ago, and Other Stories - (1918)
- The Secret Power - (1921)
- Love and the Philosopher - (1923)
Works about Corelli[edit]
- "Corelli, Marie," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
Parodies[edit]
Some or all works by this author are in the public domain in the United States because they were published before January 1, 1927.
The author died in 1924, so works by this author are also in the public domain in countries and areas where the copyright term is the author's life plus 95 years or less. Works by this author may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.