Castes and Tribes of Southern India/Valaiyan
Valaiyan. — The Valaiyans are described, in the Manual of Madura district (1868), as "a low and debased class. Their name is supposed to be derived from valai a net, and to have been given to them from their being constantly employed in netting game in the jungles. Many of them still live by the net; some catch fish; some smelt iron. Many are engaged in cultivation, as bearers of burdens, and in ordinary cooly work. The tradition that a Valaiya woman was the mother of the Vallambans seems to show that the Valiyans must be
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(rice), and cutting and selling fire-wood. They are a poor and degraded class." The Valaiyans are expert at making cunningly devised traps for catching rats and jungle fowl. They have "a comical fairy-tale of the origin of the war, which still goes on between them and the rat tribe. It relates how the chiefs of the rats met in conclave, and devised the various means for arranging and harassing the enemy, which they still practice with such effect." *[1] The Valaiyans say that they were once the friends of Siva, but were degraded for the sin of eating rats and frogs.
In the Census Report, 1901, the Valaiyans are described as "a shikāri (hunting) caste in Madura and Tanjore. In the latter the names Ambalakāran, Sērvaikāran, Vēdan, Siviyān, and Kuruvikkāran are indiscriminately applied to the caste." There is some connection between Ambalakārans, Muttiriyans, Mutrāchas, Urālis, Vēdans, Valaiyans, and Vēttuvans, but in what it exactly consists remains to be ascertained. It seems likely that all of them are descended from one common parent stock. Ambalakārans claim to be descended from Kannappa Nāyanar, one of the sixty-three Saivite saints, who was a Vēdan or hunter by caste. In Tanjore the Valaiyans declare themselves to have a similar origin, and in that district Ambalakāran and Muttiriyan seem to be synonymous with Valaiyan. Moreover, the statistics of the distribution of the Valaiyans show that they are numerous in the districts where Ambalakārans are few, and vice versâ, which looks as though certain sections had taken to calling themselves Ambalakārans. The upper sections of the Ambalakarans style themselves Pillai, which is a title properly belonging to Vellālas, but the others are usually called Mūppan in Tanjore, and Ambalakāran, Muttiriyan, and Sērvaikāran in Trichinopoly. The usual title of the Valaiyans, so far as I can gather, is Mūppan, but some style themselves Sērvai and Ambalakāran."
The Madura Valaiyans are said *[2] to be " less brāhmanised than those in Tanjore, the latter employing Brāhmans as priests, forbidding the marriage of widows, occasionally burning their dead, and being particular what they eat. But they still cling to the worship of all the usual village gods and goddesses." In some places, it is said, †[3] the Valaiyans will eat almost anything, including rats, cats, frogs and squirrels.
Like the Pallans and Paraiyans, the Valaiyans, in some places, live in streets of their own, or in settlements outside the villages. At times of census, they have returned a large number of sub-divisions, of which the following may be cited as examples: —
- Monathinni. Those who eat the vermin of the soil.
- Pāsikatti (pāsi, glass bead).
- Saragu, withered leaves.
- Vanniyan. Synonym of the Palli caste.
- Vellāmputtu, white-ant hill.
In some places the Saruku or Saragu Valaiyans have exogamous kīlais or septs, which, as among the Maravans and Kallans, run in the female line. Brothers and sisters belong to the same kīlai as that of their mother and maternal uncle, and not of their father. It is stated, In the Gazetteer of the Madura district, that " the Valaiyans are grouped into four endogamous sub-divisions, namely, Vahni, Valattu, Karadi, and Kangu. The last of these is again divided into Pāsikatti, those who use a bead necklet instead of a tāli (as a marriage badge), and Kāraikatti, those whose women wear horsehair necklaces like the Kallans. The caste title is Mūppan. Caste matters are settled by a headman called the Kambliyan (blanket man), who lives at Aruppukōttai, and comes round in state to any village which requires his services, seated on a horse, and accompanied by servants who hold an umbrella over his head and fan him. He holds his court seated on a blanket. The fines imposed go in equal shares to the aramanai (literally palace, i.e., to the headman himself), and to the oramanai, that is, the caste people.
It is noted by Mr. F. R. Hemingway that "the Valaiyans of the Trichinopoly district say that they have eight endogamous sub-divisions, namely, Sarahu (or Saragu), Ettarai Kōppu, Tānambanādu or Valuvādi, Nadunāttu or Asal, Kurumba, Vanniya, Ambunādu, and Punal. Some of these are similar to those of the Kalians and Ambalakārans."
In the Gazetteer of the Tanjore district, it is recorded that the Valaiyans are said to possess "endogamous sub-divisions called Vēdan, Sulundukkāran and Ambalakkāran. The members of the first are said to be hunters, those of the second torch-bearers, and those of the last cultivators. They are a low caste, are refused admittance into the temples, and pollute a Vellālan by touch. Their occupations are chiefly cultivation of a low order, cooly work, and hunting. They are also said to be addicted to crime, being employed by Kallans as their tools." Adult marriage is the rule, and the consent of the maternal uncle is necessary. Remarriage of widows is freely permitted. At the marriage ceremony, the bridegroom's sister takes up the tāli (marriage badge), and, after showing it to those assembled, ties it tightly round the neck of the bride. To tie it loosely so that the tāli string touches the collar-bone would be considered a breach of custom, and the woman who tied it would be fined. The tāli- tying ceremony always takes place at night, and the bridegroom's sister performs it, as, if it was tied by the bridegroom, it could not be removed on his death, and replaced if his widow wished to marry again. Marriages generally take place from January to May, and consummation should not be effected till the end of the month Ādi, lest the first child should be born in the month of Chithre, which would be very inauspicious. There are two Tamil proverbs to the effect that "the girl should remain in her mother's house during Ādi," and "if a child is born in Chithre, it is ruinous to the house of the mother-in-law."
In the Gazetteer of the Madura district, it is stated that "at weddings, the bridegroom's sister ties the tāli, and then hurries the bride off to her brother's house, where he is waiting. When a girl attains maturity, she is made to live for a fortnight in a temporary hut, which she afterwards burns down. While she is there, the little girls of the caste meet outside it, and sing a song illustrative of the charms of womanhood, and its power of alleviating the unhappy lot of the bachelor. Two of the verses say: —
- What of the hair of a man?
- It is twisted, and matted, and a burden.
- What of the tresses of a woman?
- They are as flowers in a garland, and a glory.
- What of the life of a man?
- It is that of the dog at the palace gate.
- What of the days of a woman?
- They are like the gently waving leaves in a festoon.
"Divorce is readily permitted on the usual payments, and divorcées and widows may remarry. A married woman who goes astray is brought before the Kambliyan, who delivers a homily, and then orders the man's waist-string to be tied round her neck. This legitimatises any children they may have." The Valaiyans of Pattukkōttai in the Tanjore district say that intimacy between a man and woman before marriage is tolerated, and that the children of such a union are regarded as members of the caste, and permitted to intermarry with others, provided the parents pay a nominal penalty imposed by the caste council.
In connection with the Valaiyans of the Trichinopoly district, Mr. Hemingway writes that "they recognise three forms of marriage, the most usual of which consists in the bridegroom's party going to the girl's house with three marakkāls of rice and a cock on an auspicious day, and in both parties having a feast there. Sometimes the young man's sister goes to the girl's house, ties a tāli round her neck, and takes her away. The ordinary form of marriage, called big marriage, is sometimes used with variations, but the Valaiyans do not like it, and say that the two other forms result in more prolific unions. They tolerate unchastity before marriage, and allow parties to marry even after several children have been born, the marriage legitimatising them. They permit remarriage of widows and divorced women. Women convicted of immorality are garlanded with erukku (Calotropis gigantea) flowers, and made to carry a basket of mud round the village. Men who too frequently offend in this respect are made to sit with their toes tied to the neck by a creeper. When a woman is divorced, her male children go to the husband, and she is allowed to keep the girls."
The tribal gods of the Valaiyans are Singa Pidāri (Aiyanar) and Padinettāmpadi Karuppan. Once a year, on the day after the new-moon in the month Māsi (February to March), the Valaiyans assemble to worship the deity. Early in the morning they proceed to, the Aiyanar temple, and, after doing homage to the god, go off to the forest to hunt hares and other small game. On their return they are met by the Valaiyan matrons carrying coloured water or rice (ālām), garlands of flowers, betel leaves and areca nuts. The ālām is waved over the men, some of whom become inspired and are garlanded. While they are under inspiration, the mothers appeal to them to name their babies. The products of the chase are taken to the house of the headman and distributed. At a festival, at which Mr. K. Rangachari was present, at about ten o'clock in the morning all the Valaiya men, women, and children, dressed up in holiday attire, swarmed out of their huts, and proceeded to a neighbouring grove. The men and boys each carried a throwing stick, or a digging stick tipped with iron. On arrival at the grove, they stood in a row, facing east, and, throwing down their sticks, saluted them, and prostrated themselves before them. Then all took up their sticks, and some played on reed pipes. Some of the women brought garlands of flowers, and placed them round the necks of four men, who for a time stood holding in their hands their sticks, of which the ends were stuck in the ground. After a time they began to shiver, move quickly about, and kick those around them. Under the influence of their inspiration, they exhibited remarkable physical strength, and five or six men could not hold them. Calling various people by name, they expressed a hope that they would respect the gods, worship them, and offer to them pongal (boiled rice) and animal sacrifices. The women brought their babies to them to be named. In some places, the naming of infants is performed at the Aiyanar temple by any one who is under the influence of inspiration. Failing such a one, several flowers, each with a name attached to it, are thrown in front of the idol. A boy, or the pūjāri (priest) picks up one of the flowers, and the infant receives the name which is connected with it.
The Valaiyans are devoted to devil worship, and, at Orattanādu in the Tanjore district, every Valaiyan backyard is said to contain an odiyan (Odina Wodier) tree, in which the devil is supposed to live.*[4] It is noted by Mr. W. Francis †[5] that "certain of the Valaiyans who live at Ammayanāyakkanūr are the hereditary pūjāris to the gods of the Sirumalai hills. Some of these deities are uncommon, and one of them, Pāppārayan, is said to be the spirit of a Brāhman astrologer whose monsoon forecast was falsified by events, and who, filled with a shame rare in unsuccessful weather prophets, threw himself off a high point on the range."
According to Mr. Hemingway, the Valaiyans have a special caste god, named Muttāl Rāvuttan, who is the spirit of a dead Muhammadan, about whom nothing seems to be known.
The dead are as a rule buried with rites similar to those of the Kallans and Agamudaiyans. The final death ceremonies (karmāndhiram) are performed on the sixteenth day. On the night of the previous day, a vessel filled with water is placed on the spot where the deceased breathed his last, and two cocoanuts, with the pores ('eyes') open, are deposited near it. On the following morning, all proceed to a grove or tank (pond). The eldest son, or other celebrant, after shaving and bathing, marks out a square space on the ground, and, placing a few dry twigs of Ficus religiosa and Ficus bengalensis therein, sets fire to them. Presents of rice and other food-stuffs are given to beggars and others. The ceremony closes with the son and sapindas, who have to observe pollution, placing new cloths on their heads. Mr. Francis records that, at the funeral ceremonies, "the relations go three times round a basket of grain placed under a pandal (booth), beating their breasts and singing:—
- For us the kanji (rice gruel): kailasam (the abode of Siva) for thee;
- Rice for us; for thee Svargalōkam,
and then wind turbans round the head of the deceased's heir, in recognition of his new position as chief of the family. When a woman loses her husband, she goes three times round the village mandai (common), with a pot of water on her shoulder. After each of the first two journeys, the barber makes a hole in the pot, and at the end of the third he hurls down the vessel, and cries out an adjuration to the departed spirit to leave the widow and children in peace." It is noted, in the Gazetteer of the Tanjore district, that "one of the funeral ceremonies is peculiar, though it is paralleled by practices among the Paraiyans and Karaiyāns. When the heir departs to the burning-ground on the second day, a mortar is placed near the outer door of his house, and a lamp is lit inside. On his return, he has to upset the mortar, and worship the light."