Fifteen Poets of Modern Japan
UNIVERSITY OF WASHINGTON CHAPBOOKS
No. 1. A Short View of Menckenism—In Menckenese
No. 2. The Painter Looks at Nature
No. 3. Four and Twenty Block-Prints for Four and Twenty Rhymes
Old Nursery Rhymes Illustrated by Students at the University of Washington, under the Direction of
No. 4. Œdipus or Pollyanna, With a Note on Dramatic Censorship
No. 5. Sinclair Lewis: Our Own Diogenes
No. 6. D. H. Lawrence. An Indiscretion
By Richard AldingtonNo. 7. Lillian Gish. An Interpretation
By Edward WagenknechtNo. 8. England and Ireland: Twelve Woodcuts
By Richard Bennett With a Foreword by Zona Gale
No. 9. Three Women Poets of Modern Japan. A Book of Translations
No. 10. The Haunted Biographer. Dialogues of the Dead
No. 11. The Journal of Kenkō. Musings of a Japanese Qoheleth in the Fourteenth Century
By Herbert H. GowenNo. 12. Christopher Morley: Multi ex Uno
By Babette HughesNo. 13. Remy de Gourmont: A Modern Man of Letters
No. 14. Ta Hio: The Great Learning. Newly Rendered into the American Language
By Ezra PoundNo. 15. Hawaii: Twelve Woodcuts
No. 16. Bovarysm: The Art-Philosophy of Jules de Gaultier
No. 17. Fifteen Poets of Modern Japan. A Book of Translations
IN PREPARATION
No. 18. New England: Twelve Woodcuts
Number Seventeen
University of Washington Chapbooks
Edited by Glenn Hughes
Fifteen Poets of
Modern Japan
A Book of Translations
Fifteen Poets
of Modern Japan
A Book of Translations
By
Glenn Hughes
and
Yozan T. Iwasaki
1928
University of Washington Book Store
Seattle
Copyright, 1928, by Glenn Hughes
Printed in the United States of America
- Foreword
- Haru Asao
- Beniji Fukiya—Pink Lanterns
- Takuboku Ishikawa
- Ryuko Kawaji—Dusk
- Ryuko„ Kawaji„—A Chair
- Hatsuo Kitamura—Rough Sea
- Tokoku Kitamura—The Parting of the Butterflies
- Takeko Kujo
- Doppo Kunikita—The Island in the Offing
- Saneatsu Mushakoji—One Woman and Three Men
- Soseki Natsume
- Yaso Saijo—By the Sea
- Nobutsuna Sasaki
- Akiko Yanagiwara
- Akiko Yosano
- Isamu Yoshii
- Other Publications
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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