In a Glass Darkly/The Room in the Dragon Volant/Chapter 20

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CHAPTER XX.

HIGH-CAULD CAP.

I WAS now upon the road, within two or three hundred yards of the Dragon Volant. I had undertaken an adventure with a vengeance! And by way of prelude, there not improbably awaited me, at my inn, another encounter, perhaps, this time, not so lucky, with the grotesque sabreur.

I was glad I had my pistols. I certainly was bound by no law to allow a ruffian to cut me down, unresisting.

Stooping boughs from the old park, gigantic poplars on the other side, and the moonlight over all, made the narrow road to the inn-door picturesque.

I could not think very clearly just now; events were succeeding one another so rapidly, and I, involved in the action of a drama so extravagant and guilty, hardly knew myself or believed my own story, as I slowly paced towards the still open door of the Flying Dragon.

No sign of the Colonel, visible or audible, was there. In the hall I inquired. No gentleman had arrived at the inn for the last half hour. I looked into the public room. It was deserted. The clock struck twelve, and I heard the servant barring the great door. I took my candle. The lights in this rural hostelry were by this time out, and the house had the air of one that had settled to slumber for many hours. The cold moonlight streamed in at the window on the landing, as I ascended the broad staircase; and I paused for a moment to look oyer the wooded grounds to the turreted château, to me, so full of interest. I bethought me, however, that prying eyes might read a meaning in this midnight gazing, and possibly the Count himself might, in his jealous mood, surmise a signal in this unwonted light in the stair-window of the Dragon Volant.

On opening my room door, with a little start, I met an extremely old woman with the longest face I ever saw; she had what used to be termed, a high-cauld-cap, on, the white border of which contrasted with her brown and yellow skin, and made her wrinkled face more ugly. She raised her curved shoulders, and looked up in my face, with eyes unnaturally black and bright.

"I have lighted a little wood, Monsieur, because the night is chill."

I thanked her, but she did not go. She stood with her candle in her tremulous fingers.

"Excuse an old woman, Monsieur," she said; "but what on earth can a young English milord, with all Paris at his feet, find to amuse him in the Dragon Volant?"

Had I been at the age of fairy tales, and in daily intercourse with the delightful Countess d'Aulnois, I should have seen in this withered apparition, the genius loci, the malignant fairy, at the stamp of whose foot, the ill-fated tenants of this very room had, from time to time, vanished. I was past that, however; but the old woman's dark eyes were fixed on mine, with a steady meaning that plainly told me that my secret was known. I was embarrassed and alarmed; I never thought of asking her what business that was of hers.

"These old eyes saw you in the park of the château to-night."

"I!" I began, with all the scornful surprise I could affect.

"It avails nothing, Monsieur; I know why you stay here; and I tell you to begone. Leave this house to-morrow morning, and never come again."

She lifted her disengaged hand, as she looked at me with intense horror in her eyes.

"There is nothing on earth—I don't know what you mean," I answered; "and why should you care about me?"

"I don't care about you, Monsieur—I care about the honour of an ancient family, whom I served in their happier days, when to be noble, was to be honoured. But my words are thrown away, Monsieur; you are insolent. I will keep my secret, and you, yours; that is all. You will soon find it hard enough to divulge it."

The old woman went slowly from the room and shut the door, before I had made up my mind to say anything. I was standing where she had left me, nearly five minutes later. The jealousy of Monsieur the Count, I assumed, appears to this old creature about the most terrible thing in creation. Whatever contempt I might entertain for the dangers which this old lady so darkly intimated, it was by no means pleasant, you may suppose, that a secret so dangerous should be so much as suspected by a stranger, and that stranger a partisan of the Count de St. Alyre.

Ought I not, at all risks, to apprize the Countess, who had trusted me so generously, or, as she said herself, so madly, of the fact that our secret was, at least, suspected by another? But was there not greater danger in attempting to communicate? . What did the beldame mean by saying, "Keep your secret, and I'll keep mine?"

I had a thousand distracting questions before me. My progress seemed like a journey through the Spessart, where at every step some new goblin or monster starts from the ground or steps from behind a tree.

Peremptorily I dismissed these harassing and frightful doubts. I secured my door, sat myself down at my table, and with a candle at each side, placed before me the piece of vellum which contained the drawings and notes on which I was to rely for full instructions as to how to use the key.

When I had studied this for awhile, I made my investigation. The angle of the room at the right side of the window was cut off by an oblique turn in the wainscot. I examined this carefully, and, on pressure, a small bit of the frame of the woodwork slid aside, and disclosed a keyhole. On removing my finger, it shot back to its place again, with a spring. So far I had interpreted my instructions successfully. A similar search, next the door, and directly under this, was rewarded by a like discovery. The small end of the key fitted this, as it had the upper keyhole; and now, with two or three hard jerks at the key, a door in the panel opened, showing a strip of the bare wall, and a narrow, arched doorway, piercing the thickness of the wall; and within which I saw a screw-staircase of stone.

Candle in hand I stepped in. I do not know whether the quality of air, long undisturbed, is peculiar; to me it has always seemed so, and the damp smell of the old masonry hung in this atmosphere. My candle faintly lighted the bare stone wall that enclosed the stair, the foot of which I could not see. Down I went, and a few turns brought me to the stone floor. Here was another door, of the simple, old, oak kind, deep sunk in the thickness of the wall. The large end of the key fitted this. The lock was stiff; I set the candle down upon the stair, and applied both hands; it turned with difficulty, and as it revolved, uttered a shriek that alarmed me for my secret.

For some minutes I did not move. In a little time, however, I took courage, and opened the door. The night-air floating in, puffed out the candle. There was a thicket of holly and underwood, as dense as a jungle, close about the door. I should have been in pitch-darkness, were it not that through the topmost leaves, there twinkled, here and there, a glimmer of moonshine.

Softly, lest any one should have opened his window, at the sound of the rusty bolt, I struggled through this, till I gained a view of the open grounds. Here I found that the brushwood spread a good way up the park, uniting with the wood that approached the little temple I have described.

A general could not have chosen a more effectually-covered approach from the Dragon Volant to the trysting-place where hitherto I had conferred with the idol of my lawless adoration.

Looking back upon the old inn, I discovered that the stair I descended, was enclosed in one of those slender turrets that decorate such buildings. It was placed at that angle which corresponded with the part of the paneling of my room indicated in the plan I had been studying.

Thoroughly satisfied with my experiment, I made my way back to the door, with some little difficulty, re-mounted to my room, locked my secret door again; kissed the mysterious key that her hand had pressed that night, and placed it under my pillow, upon which, very soon after, my giddy head was laid, not, for some time, to sleep soundly.