Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1840/The Portrait of Lord Byron, at Newstead Abbey

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Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1840 (1839)
by Letitia Elizabeth Landon
The Portrait of Lord Byron, at Newstead Abbey
2394720Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1840 — The Portrait of Lord Byron, at Newstead Abbey1839Letitia Elizabeth Landon

12




GEORGE GORDON BYRON, LORD BYRON.



Artist: R. Westall - Engraved by: H. Robinson


THE PORTRAIT OF LORD BYRON,

AT NEWSTEAD ABBEY.


INSCRIBED TO LORD BYRON'S SISTER, MRS. GEORGE LEIGH.


It is the face of youth—and yet not young;
    The purple lights, the ready smiles have vanished;
The shadows by the weary forehead flung,
    The gayer influences of life have banished.

'Tis sad, and fixed—yet we can fancy gleams
    Of feverish spirits, suddenly awaking.
Flinging aside doubts, fancies, fears, and dreams,
    Like some red fire on startled midnight breaking.

'Tis an uncertain thing—a mind so framed,
    Glorious the birthright which its powers inherit,
Mingling the loved—the feared—the praised—the blamed-
    The constant struggle of the clay and spirit.




His name is on the haunted shade,
    His name is on the air;
We walk the forest's twilight glade,
    And only he is there.
The ivy wandering o'er the wall,
The fountain falling musical,
    Proclaim him everywhere,
The heart is full of him, and flings
Itself on all surrounding things.


The youthful poet! here his mind
    Was in its boyhood nurst;
All that impatient soul enshrined
    Was here developed first.
What feelings and what thoughts have grown
Amid those cloisters, deep and lone!
    Life’s best, and yet its worst:
For fiery elements are they,
That mould and make such dangerous clay.

A thousand gifts the poet hath
    Of beauty and delight;
He flingeth round a common path,
    A glory never common sight
Would find in common hours.
And yet such visionary powers
    Are kin to strife and wrath.
The very light with which they glow
But telleth of the fire below.

Such minds are like the heated earth
    Of southern soils and skies;
Care calls not to laborious birth
    The lavish wealth that lies
Close to the surface; some bright hour
Upsprings the fruit, unfolds the flower,
    And inward wonders rise:
A thousand colours glitter round,
The golden harvest lights the ground.

But not the less there lurks below
    The lava’s burning wave;
The red rose and the myrtle grow
    Above a hidden grave.
The life within earth’s panting veins
Is fire, which silently remains
    In each volcanic cave.
Fire that gives loveliness and breath,
But giveth, in one moment, death!


So framed is such a mind, it works
    With dangerous thoughts and things;
Beneath, the fiery lava lurks,
    But on the surface springs
A prodigality of bloom,
A thousand hues that might illume
    Even an angel’s wings!
Thrice beautiful the outward show,
Still the volcano is below.

It is the curse of such a mind
    That it can never rest,
Ever its wings upon the wind
    In some pursuit are prest;
And either the pursuit is vain,
Or, if its object it attain,
    It was not worth the quest,
Yet from the search it cannot cease,
And fold its plumes, and be at peace.

And what were that boy-poet’s dreams,
    As here he wont to stray,
When evening cast her pensive gleams
    Around his forest way?
Came there "thick fancies" ’mid the gloom,
Of war-horse, trumpet, pennant, plume,
    And all the proud array,
When mailed barons, stern and old,
Kept state in Newstead’s ancient hold?

Or more—was the boy's fancy won
    By penance and by vow,
When hooded monk and veiled nun,
    The beating heart and brow,
Alike concealed from common eyes,
Revealed, perhaps, to midnight skies,
    Dreams that possessed him now?
Dreams of a world, whose influence still
Prevaileth over human will.


Or was it some wild dream of love
    That filled the summer noon,
And saw but one sweet face above,
    What time the maiden moon
Looked on a fairy world beneath,
And waked the hawthorn's sweetest breath,
    The fountain's softest tune?
For young love, living on a smile,
Makes its own Eden for a while.

The ancient hall, when winter came,
    Gave fantasies to night,
Light by some old lamp's flickering flame,
    Or the red embers' light.
The shadows, that have little power
Upon the sunshine's cheerful hour,
    Then master mind and sight;
The visionary world appears
Girt with fantastic shapes and fears.

Such was his childhood, suited well
    To fashion such a mind;
The feudal sword—the gothic cell,
    Their influence combined.
The old oak-wood—the forest stream,
And love soon wakened from the dream
    It never quite resigned.
His life contained no after hour
O'er which his boyhood had no power.

Be after scenes with after years—
    Here only we recall
Whatever soothes, subdues, endears,
    In his ancestral hall.
The deep enchantment we have felt,
When every thought and feeling dwelt
    Beneath his spirit's thrall.
Sad, softened, are the hearts that come
To gaze around his boyish home.L. E. L.