Manifest I of The Style 1918

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Manifest I of „The Style”, 1918 (1918)
Theo van Doesburg and Piet Mondrian
192097Manifest I of „The Style”, 1918Theo van Doesburg and Piet Mondrian


1. There is an old and a new consciousness of time.
The old is connected with the individual.
The new is connected with the universal.
The struggle of the individual against the universal is revealing itself in the world-war as well as in the art of the present day.
2. The war is destroying the old world with its contents: individual domination in every state.
3. The new art has brought forward what the new consciousness of time contains: a balance between the universal and the individual.
4. The new consciousness is prepared to realise the internal life as well as the external life.
5. Traditions, dogmas and the domination of the individual are opposed to this realisation.
6. The founders of the new plastic art therefore call upon all, who believe in the reformation of art and culture, to annihilate these obstacles of development, as they have annihilated in the new plastic art (by abolishing natural form) that, which prevents the clear expression of art, the utmost consequence of all art notion.
7. The artists of to-day have been driven the whole world over by the same consciousness, and therefore have taken part from an intellectual point of view in this war against the domination of individual despotism. They therefore sympathize with all, who work for the formation of an international unity in Life, Art, Culture, either intellectually or materially.
8. The monthly editions of „The Style”, founded for that purpose, try to attain the new wisdom of life in an exact manner.
9. Co-operation is possible by:
I. Sending, with entire approval, name, address and profession to the editor of „The Style”.
II. Sending critical philosophical, architectural, scientific, litterary, musical articles or reproductions.
III. Translating articles in different languages or distributing thoughts published in „The Style”.

Sig­na­tures of the pre­sent col­lab­o­ra­tors:
ROBT. VAN ’T HOFF, Architect.
JAN WILS, Architect.

This work is in the public domain in the United States because it was published in 1918, before the cutoff of January 1, 1929.

The longest-living author of this work died in 1944, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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