Motion Pictures, 1912-1939/Main/AF

• AN AFFAIR FOR THE POLICE. 1914. 2 reels.
  • Credits: Director, William Humphrey.
  • © Vitagraph Co. of America (Jane Lennox, author); 11Dec14; LP3950.

• THE AFFAIR OF SUSAN. Presented by Carl Laemmle. 1935. 7 reels, sd.
  • Credits: Producer, David Diamond; director, Kurt Neumann; story, Mann Page; screenplay, Clarence Marks, Andrew Bennison, H. M. Walker; film editor, Phil Cahn; music direction, Bakaleinikoff.
  • © Universal Pictures Corp.; 4Oct35; LP5833.

• AN AFFAIR OF THE FOLLIES. 1927. 7 reels. From the story "Here Y'Are Brother" by Dixie Willson.
  • Credits: Producer, Al Rockett; director, Millard Webb; scenario, Carey Wilson.
  • © First National Pictures, Inc.; 27Jan27; LP23598.

• AN AFFAIR OF THREE NATIONS; an Exploit in the Career of Ashton-Kirk, Investigator. © 1915.
  • © Pathé Frères; title, descr. & 146 prints, 25Oct15; LU6764.

• AFFAIRS OF A GENTLEMAN. 1934. 7 reels. From a play by Edith and Edward Ellis.
  • Credits: Director, Edward L. Marin; screenplay, Cyril Hume, Peter Ruric, Milton Krims.
  • © Universal Pictures Corp.; 12May34; LP4683.

• THE AFFAIRS OF ANATOL. 1921. 9 reels. Suggested by the play by Arthur Schnitzler.
  • Credits: Jeanie McPherson; producer, Cecil B. DeMille.
  • © Famous Players-Lasky Corp.; 11Sep21; LP16961.

• THE AFFAIRS OF ANNABEL. 1938. 68 min., sd.
  • Credits: Producer, Lou Lusty; director, Ben Stoloff; story, Charles Hoffman; screenplay, Bert Granet, Paul Yawitz; editor, Jack Hively; music director, Roy Webb.
  • © RKO Radio Pictures, Inc.; 9Sep38; LP8336.

• AFFAIRS OF CAPPY RICKS. 1937. 7 reels, sd.
  • Credits: Associate producer, Burt Kelly; director, Ralph Staub; story, Peter B. Kyne; original screenplay, Lester Cole.
  • © Republic Pictures Corp.; 24May37; LP7230.

• THE AFFAIRS OF CELLINI. 1934. 9 reels, sd. From the play by Edwin Justus Mayer.
  • Credits: Associate producers, William Goetz, Raymond Griffith; director, Gregory La Cava; screenplay, Bess Meredyth.
  • © 20th Century Pictures, Inc.; 18May34; LP4696.

• THE AFFAIRS OF HANNERL. SEE Love Me and the World Is Mine.

• THE AFFAIRS OF PIERRE. Presented by E. W. Hammons. 1937. 1,754 ft., sd.
  • Credits: Producer, Al Christie; story, Parke Levy, Marcy Klauber, Arthur Jarrett.
  • © Educational Films Corp. of America; 6Aug37; LP7333.

• AFFINITIES. 1915. 2 reels. From the story by Mary Roberts Rinehart.
  • Credits: Director, E. H. Calvert.
  • © Essanay Film Mfg. Co.; 10Sep15; LP6335.

• AFLAME IN THE SKY. Released by F. B. O. 1927. 6 reels.
  • Credits: Director, J. P. McGowan; story, Mary Roberts Rinehart; screenplay and continuity, Ewart Adamson.
  • © R-C Pictures Corp.; 28Nov27; LP24688.

• AFRAID TO FIGHT. 1922. 5 reels.
  • Credits: Director, William Worthington; story, Leete Renick Brown; scenario, Charles Sarver.
  • © Universal Film Mfg. Co., Inc.; 5Jul22; LP18030.

• AFRAID TO LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels. Based on the play "The Marriage of Kitty" by Fred de Grésac and F. de Croisset.
  • Credits: Director, E. H. Griffith; adaptation, Doris Anderson; screenplay, Doris Anderson, Joseph Jackson.
  • © Famous Players-Lasky Corp.; 2Apr27; LP23860.

• AFRAID TO TALK. 1932. 8 reels. From the drama by George Sklar and Albert Maltz.
  • Credits: Director, Edward L. Cahn; screenplay, Tom Reed.
  • © Universal Pictures Corp.; 31Oct32; LP3380.

• AFRICA. (A Walter Lantz Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.
  • Credits: Animation, Walter Lantz, Bill Nolan.
  • © Universal Pictures Corp.; 25Nov30; MP2077.

• AFRICA BEFORE DARK. (An Oswald Cartoon) Snappy. 1928. 1 reel.
  • Credits: Walt Disney.
  • © Universal Pictures Corp.; 3Feb28; LP24972.

• AFRICA, LAND OF CONTRAST. (M. G. M. Traveltalk) 1934. 1 reel, sd.
  • Credits: Compiled by James A. FitzPatrick.
  • © Metro Goldwyn Mayer Corp.; 9Jul34; MP4947.

• AFRICA SHRIEKS. 1931. 1 reel.
  • © The Vitaphone Corp.; 5Feb31; MP2281.

• AFRICA SPEAKS. 1930. For Colorado African Expedition, Inc. 8 reels, sd.
  • Credits: Produced and filmed by Paul A. Hoefler and Walter A. Futter.
  • © Columbia Pictures Corp.; 17Oct30; LP1651.

• AFRICA SPEAKS ENGLISH. 1933. 1 reel, sd.
  • Credits: Director, Roy Mack; story, Burnet Hershey.
  • © The Vitaphone Corp.; 6Feb33; LP3638.

• AFRICA SQUAWKS. 1931. 2 reels, sd.
  • Credits: Producer, Phil Goldstone.
  • © Tiffany Productions of California, Inc., Ltd.; 3Aug31; LP2372.

• AFRICA SQUAWKS. (A Terry-Toon) 1939. 1 reel, sd.
  • Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.
  • © Terrytoons, Inc.; 30Jun39; MP9508.

• AFRICA SQUEAKS. (Flip the Frog Cartoon) 1932. 1 reel.
  • © Metro-Goldwyn-Mayer Distributing Corp.; 19Feb32; MP3167.

• AN AFRICAN ADVENTURE. 1927. 1 reel.
  • © Metro Goldwyn Mayer Dist. Corp.; 14Sep27; MP4527.

• AN AFRICAN BOMA. (Adventures in Africa, no. 2) 1931. 2 reels.
  • © The Vitaphone Corp.; 13Apr31; MP2467.

• THE AFRICAN DIAMOND CONSPIRACY. Societa Italiana Cines, Italy. © 1914.
  • © George Kleine (Societa Italiana Cines, author); title, descr. & 81 prints, 14Janl4; LU1960.

• THE AFRICAN DODGER. 1931. 1 reel, sd.
  • Credits: Director, Mort Blumenstock; story, Tom Howard; dialogue staged by Max E. Hayes.
  • © Paramount Publix Corp.; 3Apr31; LP2126.

• AN AFRICAN HUNT. 1915. 400 ft. On same reel with "Susie's Suitors."
  • Credits: Drawn by Vincent Whitman.
  • © Lubin Mfg. Co. (Vincent Whitman, author); 15Jul15; MP374.

• AFRICAN HUNT. SEE Paul J. Rainey's African Hunt.

• AFRICAN HUNTSMEN. © 1924.
  • © Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20 prints, 11Dec24; MU2805.

• AFRICAN LIONS AND AMERICAN BEAUTIES. 1919. 2 reels.
  • Credits: Written and directed by Fred C. Fishback.
  • © Century Comedies; 25Oct19; LP14340.

• AFRICAN SEA BIRDS. 1913. 1 reel.
  • © Thomas A. Edison, Inc.; 20Dec13; MP114.

• AFTER A REPUTATION. Century. 1925. 2 reels.
  • Credits: Written and directed by William Watson.
  • © Universal Pictures Corp.; 19Mar25; LP21261.

• AFTER ALL. SEE New Morals for Old.

• AFTER BIG GAME OF THE SEA. Sterling. 1915. Split reel.
  • © Universal Film Mfg. Co., Inc.; 22Apr15; MP311.

• AFTER BUSINESS HOURS. 1925. 5,600 ft. Adapted from the story "Everything Money Can Buy" by Ethel Watts Mumford.
  • Credits: Director, Mal St. Clair; scenario, Douglas Doty; editor, Errol Taggard.
  • © Columbia Pictures Corp.; 22Apr25; LP21394.

• AFTER DARK. © 1915. Based on the play by Dion Boucicault.
  • © World Film Corp. (E. M. Ingleton, author); title, descr. & 147 prints, 3Sep15; LU6270.

• AFTER DARK. © 1924.
  • Credits: Screenplay, J. F. Natteford.
  • © Hurricane Film Corp. (J. F. Natteford, author); title, descr. & 273 prints, 1Nov24; LU20726.

• AFTER DEATH. © 1913.
  • © George Kleine (Societa Italiana Cines, author); title, descr. & 100 prints, 6Dec13; LU1742.

• AFTER FIVE. © 1915. Based on the play by Cecil B. DeMille and William C. DeMille.
  • © Jesse L. Lasky Feature Play Co., Inc. (William C. DeMille and Cecil B. De Mille, authors); title, descr. & 19 prints, 25Jan15; LU4276.

• AFTER FIVE. SEE The Night Club.

• AFTER HENRY. Metro-Drew. 1918. 1 reel.
  • Credits: Written and directed by Mr. and Mrs. Sidney Drew.
  • © Metro Pictures Corp.; 12Feb18; LP12055.

• AFTER HIS OWN HEART. 1919. 5 reels. From the story by Ben Ames Williams.
  • Credits: Producer, Maxwell Karger; director, Harry L. Franklin; scenario, A. S. Le Vino.
  • © Metro Pictures Corp.; 2May19; LP13665.

• AFTER MANY YEARS. © 1913.
  • © Albert Blinkhorn (General Film Agency, Ltd., author); title, descr. & 78 prints, 8Dec13; LU1761.

• AFTER MARRIAGE. Presented by J. G. Mayer. 1923. 5 reels.
  • Credits: Written and directed by Norman Dawn.
  • © Mayer & Quinn; 28Dec23; LP19781.

• AFTER MIDNIGHT. 1921. 5 reels.
  • Credits: Producer, Ralph Ince; story, John Lynch.
  • © Selznick Pictures Corp.; 9Sep21; LP16978.

• AFTER MIDNIGHT. 1927. 7 reels, b&w.
  • Credits: Production, direction, and story, Monta Bell; scenario, Lorna Moon; titles, Joe Farnham; film editor, Blanche Sewell.
  • © Metro Goldwyn Mayer Distributing Corp.; 17Aug27; LP24413.

• AFTER OFFICE HOURS. A Robert Z. Leonard production. 1935. 7 reels, sd., b&w.
  • Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard; story, Laurence Stallings, Dale Van Every; screenplay, Herman J. Mankiewicz; film editor, Tom Held.
  • © Metro-Goldwyn-Mayer Corp.; 11Feb35; LP5349.

• AFTER SEBEN. 1929. 2 reels.
  • Credits: Director, S. Jay Kaufman; story, James Barton.
  • © Paramount Famous Lasky Corp.; 17May29; LP392.

• AFTER SIX DAYS. Presented by Weiss Brothers. 1922. 10 reels. From stories of the Old Testament.
  • Credits: Producers and directors, Armando Vay, Piero Antonio Gariazzo; edited and titled by Kathyrne Stuart.
  • © Artclass Pictures Corp.; 17Jun22; LP20253.

• AFTER THE BALL. © 1914. Taken from the song by Charles K. Harris.
  • Credits: Picturized and directed by Pierce Kingsley.
  • © Photo Drama Co. (Chas. K. Harris & Pierce Kingsley, authors); title, descr. & 160 prints, 8Jul14; LU2984.

• AFTER THE BALL. 1923. For Theatre Owners Distributing Corp. 7 reels. Adapted from the song by Charles K. Harris.
  • Credits: Director, Dallas M. Fitzgerald; story, Charles K. Harris; scenario, James Colwell.
  • © Renco Film Co., Inc.; 29Dec23; LP19780.

• AFTER THE BALL. 1929. 1 reel, sd.
  • Credits: Director, Dave Fleischer.
  • © Paramount Famous Lasky Corp.; 8Nov29; MP822.

• AFTER THE BALL. Gaumont-British, London. 1933. 6,454 ft., sd.
  • Credits: Director, Milton Rosmer; adaptation, H. M. Harwood.
  • © Fox Film Corp.; 6Mar33; LP3700.

• AFTER THE BALLED-UP BALL. 1917. 2 reels.
  • Credits: Director, J. A. Howe; supervision, J. G. Blystone.
  • © L-Ko Motion Picture Kompany, Inc.; 8Feb17; LP10151.

• AFTER THE BATTLE. Special Big U. 1916. 2 reels.
  • © Universal Film Mfg. Co., Inc.; 14Sep16; LP9114.

• AFTER THE CIRCUS. (Paramount-Briggs) 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.
  • Credits: Director, John William Kellette; scenario, Doty Hobart.
  • © Famous Players-Lasky Corp.; 15Nov19; LP14501.

• AFTER THE DANCE. 1935. 7 reels, sd.
  • Credits: Director, Leo Bulgakov; story, Harrison Jacobs; screenplay, Harold Shumate; additional dialogue, Bruce Manning; film editor, Otto Meyer; music, Harry Akst.
  • © Columbia Pictures Corp.; 30Jul35: LP5690.

• AFTER THE HONEYMOON. © 1912.
  • © Biograph Co. (V. Fulton, author); title, descr. & 86 prints, 27Nov12; LU135.

• AFTER THE ORDER—THEN WHAT? 1928. 1 reel.
  • © Willys-Overland, Inc. (Raymond J. Faller, author); 20Jul28; MP5301.

• AFTER THE PLAY. Victor. 1916. 1 reel.
  • Credits: Producer, William Worthington; story, Robert McGowan; scenario, Ben Cohn.
  • © Universal Film Mfg. Co., Inc.; 18Feb16; LP7670.

• AFTER THE RAIN. SEE The Painted Woman.

• AFTER THE SHOW. 1921. 7 reels.
  • Credits: Director, William De Mille; story, Rita Weiman.
  • © Famous Players-Lasky Corp.; 30Oct21; LP17172.

• AFTER THE SHOW. (Melody Comedy) 1929. 2 reels, sd.
  • Credits: Production, direction and story, Harry Delmar; supervision, Philip Tannura; film editor, E. Pfitzenmeier.
  • © Pathe Exchange, Inc.; 14Oct29; LP776.

• AFTER THE SQUALL IS OVER. 1928. 2 reels.
  • Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.
  • © F. B. O. Productions, Inc. (Larry Darmour Productions, author); 17Apr28; LP25243.

• AFTER THE STORM. © 1915.
  • © American Film Mfg. Co.; title & descr., 5Aug15; 81 prints, 4Aug15; LU6017.

• AFTER THE STORM. 1915. 2 reels.
  • © Biograph Co.; 9Mar15; LP4661.

• AFTER THE STORM. 1928. 6 reels.
  • Credits: Producer, Harry Cohn; director, George B. Seitz; story, Harold Shumate; continuity, Will M. Ritchey.
  • © Columbia Pictures Corp.; 19May28; LP25271.

• AFTER THE THIN MAN. 1936. 12 reels, sd., b&w. From a story by Dashiell Hammett.
  • Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Frances Goodrich, Albert Hackett; film editor, Robert J. Kern; music score, Herbert Stothart, Edward Ward.
  • © Metro-Goldwyn-Mayer Corp.; 21Dec36; LP6821.

• AFTER THE WAR. 1919. 5 reels.
  • Credits: Director, Joseph DeGrasse; story, Kingsley Benedict; scenario, Harvey Gates.
  • © Universal Film Mfg. Co., Inc.; 2Jan19; LP13223.

• AFTER THE WELSH RAREBIT. 1913. 1 reel.
  • Credits: William W. Hansom.
  • © Thomas A. Edison, Inc.; 31Jan13; LP359.

• AFTER TOMORROW. 1932. 7,100 ft., sd. Based on the stage play by John Golden and Hugh S. Stange.
  • Credits: Director, Frank Borzage; screenplay, Sonya Levien; editor, Margaret Clancy.
  • © Fox Film Corp.; 12Feb32; LP2881.

• AFTER TONIGHT. 1933. 8 reels, sd.
  • Credits: Associate producer, H. N. Swanson; story, Jane Murfin; screenplay, Jane Murfin, Albert Shelby LeVino, Worthington Miner; editor, William Hamilton; music director, Max Steiner.
  • © RKO Radio Pictures, Inc.; 2Nov33; LP4284.

• AFTER VACATION THERE IS A JOB TO BE DONE. 1930. 1 reel.
  • © Willys-Overland, Inc. (Raymond J. Faller, author); 1Sep30; MP1903.

• AFTER YOUR OWN HEART. 1921. 5 reels.
  • Credits: Director, George Marshall; story, William Wallace Cook; adaptation, Tom Mix; edited and titled by Ralph Spence.
  • © William Fox (Fox Film Corp., author); 7Aug21; LP16853.

• THE AFTERMATH. © 1914.
  • © American Film Mfg. Co. (G. A. Posner, author); title & descr., 28Aug14; 102 prints, 26Aug14; LU3275.

• AN AFTERNOON MIRACLE. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].
  • Credits: Director, David Smith; scenario, Robert A. Sanborn.
  • © The Vitagraph Co. of America; 6May20; LP15092.

• AFTERNOON OF A FAUN. SEE L'Après-Midi d'un Faune.

• AFTERWARDS. SEE Their Big Moment.