On the Bright Shore/Chapter 8
CHAPTER VIII
But next morning, he received Pani Cervi and Panna Maria with a gladder heart. At sight of the fair, fresh face of the girl even delight seized him.
Everything had been prepared in the studio; the easel was in its place; the sofa for the model pushed forward and covered properly. Pani Lageat had received the strictest command not to admit any one, not even "Queen Victoria herself," should she come. Svirski now opened and now closed the curtains which hid the window of the skylight; but while drawing the cords he looked unceasingly at his charming model.
Meanwhile the ladies removed their hats, and Panna Maria inquired,—
"What must I do now?"
"First of all, it is necessary to let down your hair," said Svirski.
He approached her, and she raised both hands to her head. It was clear that this confused her somewhat, and seemed strange, but also nice. Svirski gazed at her confused face, at her drooping eyelashes, at her form bent backward, at her exquisite outline of hips, and said to himself that, in that great dust-heap of Nice, he had discovered a genuine double pearl.
The hair fell, after a moment, on her shoulders. Panna Maria shook her head, wishing to spread her hair, which then covered her completely.
"Corpo Dio!" exclaimed Svirski.
Then came the turn for a more difficult task,—placing the model.
Svirski saw plainly that her heart was beating with more life in the maiden, that her breast was moving more quickly, that her cheeks were flushed, that she had to conquer herself and overcome an instinctive resistance, which she herself could not define, and at the same time she was yielding with a certain alarm which resembled an unknown delight.
"No! this is no common model," said Svirski to himself; "this is something else; and I am not looking on her merely as an artist." In fact, he also felt troubled, and his fingers trembled a little while he was placing her head on the pillow; but, wishing to save her and himself from embarrassment, he spoke to her jestingly, feigning temper.
"Lie quietly, in that way! Besides, we must do something for art. Oh, the position is perfect now! In this way the profile comes out beautifully on the red background. If you could see it! But that cannot be. You must not laugh! You must sleep. Now I will paint."
And he began to paint; but while painting he chatted, as his custom was, told stories, and asked Pani Cervi of past times. He learned from her that "Maria" had held a good position the year before as reader for a Polish countess, the daughter of a great manufacturer of Lodz, Atrament by name; but the position lasted only till the countess learned that Maria's father and grandfather had served in the Italian army. This was a great disappointment, for the dream of mother and daughter had been that Maria should hold such a place with some lady who passed every winter in Nice; for in that case they would have no need to separate.
The artist was roused in Svirski meanwhile. He wrinkled his brows, concentrated his mind, looked across the handle of the brush, and painted persistently. From time to time he laid down the pallet, approached the model, and, taking her lightly by the temples, corrected the position of her head. At such movements he bent toward her more nearly perhaps than was required by the interest of art; and, when the warmth from her youthful body struck him, when he looked at her long eyelashes and her lips slightly parted, a quiver went through his bones, his fingers began to tremble nervously, and in spirit he called to himself —
"Hold up, old man! What the deuce is this? hold up!"
She simply pleased him with his whole soul. Her confusion, her blushes, her timid glances, which still were not devoid of maiden coquettishness, made him happy beyond expression. All this proved to Svirski that she did not look on him as too old. He felt that he pleased her also. The grandfather in his time must have told her wonderful things about his countrymen; he had roused her imagination, perhaps; and now at last one of them had come in her way—not some common man, but one honorable and famous, who, besides, had appeared as in a fairy tale, at the moment of direst need, with assistance and an honest heart. How could she help feeling sympathy for him, and looking at him with interest and gratitude?
All this caused the time to pass for Svirski till midday in such a manner that he did not even notice it. But at midday Panna Maria was the first to declare that she must return, for her grandfather was alone, and it was time to think of lunch for him. Svirski then begged the ladies to come in the afternoon. If they could not leave the old man alone, perhaps they had an acquaintance who would consent to stay with him for two hours. Maybe the gatekeeper, or her husband, or some one else of the family would do so? It was a question of the picture. Two sittings a day would be an excellent thing! After that there might be some new work; meanwhile, two sittings a day would be useful for both sides. If there should be expense in finding some one to care for the old man, he, Svirski, would consider it a favor if he were permitted to bear it, for first of all he was anxious about the picture.
Two sittings were really too profitable to be refused by Pani Cervi in view of poverty at home. It was agreed, therefore, that they would come at two in the afternoon. Meanwhile the fortunate Svirski resolved to conduct them home. At the gate they were met by his hostess, who gave Svirski a bunch of moss roses, saying that they were brought by two handsome boys attended by a wonderfully dressed servant. The boys wanted absolutely to enter the studio; but she, remembering his command, did not permit them.
Svirski answered that she had done well, then, taking the roses, he gave them all to Panna Maria. After a while they were on the "Promenade des Anglais." To Svirski, Nice seemed beautiful and animated in a way that he had never seen before. The variety and bustle on the "Promenade," which had angered him at other times, began now to amuse him. On the way he saw Vyadrovski and De Sinten, who halted at sight of him. Svirski bowed and went on, but in passing he noted how De Sinten put a monocle to his eye to look at Panna Cervi, and heard his "Prristi!"[1] full of astonishment. Both even followed them awhile, but opposite the "Jetée Promenade" Svirski called a carriage and took the ladies home.
On the way, he was seized by a desire to invite the whole family to lunch; but he thought that there would be trouble with the old man, and that, in view of their short acquaintance, Pani Cervi might be surprised at such a sudden invitation. But he promised himself that when the grandfather had some person to care for him he would, under pretext of saving time, arrange a lunch in the studio. Taking leave of the mother and daughter at the gate, he hurried into the first hotel he found and ordered lunch. He swallowed a few kinds of food, without knowing himself what he was eating. Pani Elzen, Romulus, and Remus, with the moss roses, shot through his mind repeatedly, but in a way which was really ghostlike. A few days before the beautiful widow and their relations were questions of prime importance for him, over which he had tortured his head not a little. He recalled also that internal struggle through which he had passed on the sea while returning to Villa Franca. Now he said to himself, "This has ceased to exist for me, and I will not think again of it." So he felt not the least alarm, not the least compunction. On the contrary, it seemed to him that a kind of oppressive burden had dropped from his shoulders, and all his thoughts ran to Panna Cervi. His eyes and his head were full of her; by the power of imagination he saw her again, with dishevelled hair and closed eyelids; and when he thought that in an hour he would touch her temples with his fingers, that he would bend over her again and feel the warmth radiating from her, he felt elated, as if by wine, and for the second time asked himself,—
"Hei, old man, what is happening thee?"
When he reached home, he found a telegram from Pani Elzen, "I expect you to dinner at six." Svirski crushed the paper and put it in his pocket; when Pani Cervi and her daughter arrived, he had forgotten it altogether, so that when his work was done at five he began to think where to dine, and was angry that he had nothing to do with himself that evening.
Footnotes[edit]
- ↑ For the French Sapristi.