else I have some of matchless excellence. Here is a letter addressed to Sheridan, a witty writer of comedies, in the eighteenth century, which has never been opened,—and here is a tailor's bill of the immortal Byron, which may possibly never have been looked at. But here is the most inestimable of my relics. Look, at least, at this. This piece of paper, covered carelessly with irregular strokes and lines, was once in the possession of that enchanting, that inimitable novelist of the nineteenth century, generally distinguished in the works of contemporary writers by the mysterious title of "The Great Unknown!" See, here is half the word 'Waverley,' written upon it, and doubtless all these other irregular marks and scratches proceeded directly from his pen. I confess, Edric, I never contemplate this relic of genius without a feeling of reverence, and almost of awe. 'Perhaps,' say I to myself, when I look at it, 'when these letters were formed, the first idea had but just arisen in the mind of the author of those immortal works, which were afterwards destined to improve and delight mankind. Per-
