is indeed a righteousness of conduct resting on righteousness by faith, and also this again is only to be considered as the righteousness of endeavour; that moreover their strong tone does not sound altogether becoming, according to our consciousness. We should expect each time, as it happens sometimes urgently (e.g., Psa 143:2), the other side, - that human infirmity which still clings to the righteous should be made prominent, and divine forgiveness for it implored, instead of the plea for deliverance being based on the incongruity of the affliction with the sufferer's consciousness of righteousness towards God. We cannot altogether adopt such psalms and passages of the Psalms as expressive of our Christian feeling; and we are scarcely able to read them in public without hesitation when we attempt it. Whence is this? Hengstenberg replied, “The Old Testament wanted the most effectual means for producing the knowledge of sin - the contemplation of the sufferings of Christ. The New Testament, moreover, possesses a more powerful agency of the Spirit, which does not search more into the depths of the divine nature than it lays open the depths of sin. Hence in Christian songs the sense of sin, as it is more independent of outward occasions than formerly, so it is also more openly disclosed and more delicate in itself; its ground is felt to lie deeper, and also the particular manifestations. It was good that under the Old Covenant the cords of sinful conviction were not strung too rightly, as the full consolation was still not to be found. The gulph closed up again when the sufferings were gone.”[1]
Such is the actual connection. And this development of the work of redemption in the history of mankind is repeated in the individual experience of every believer. As the individual, the further he progresses in the divine life, becomes the more deeply conscious of the natural
- ↑ Vid., Hengstenberg's Commentary on the Psalms, iii., Appendix. p. lxiii. Clark's Foreign Theological Library. 1654.
