spiritual language of importunate entreaty and earnest warning in reply to the friends. The friends would now have done well if they had been silent, and still better if they had recognised in the sufferer the tried and buffeted servant of God, and had withdrawn their charges, which his innermost nature repudiates. But Zophar is not disposed to allow the reproach of the correction which they received to rest upon him; in him we have an illustration of the fact that a man is never more eloquent than when he has to defend his injured honour, but that he is also never more in danger of regarding the extravagant images of natural excitement as a higher inspiration, or, however, as striking justifications coming from the fulness of a superior perception. It has been rightly remarked, that in Zophar the poet described to us one of those hot-heads who pretend to fight for religion that is imperilled, while they are zealous for their own wounded vanity. Instead of being warned by Job's threat of judgment, he thrusts back his attempt at producing dismay be a similar attempt. He has nothing new to bring forward in reply to Job; the poet has skilfully understood how to turn the heart of his readers step by step from the friends, and in the same degree to gain its sympathy for Job. For they are completely spent in their one dogma; and while in Job an endless multitude of thoughts and feelings surge up one after another, their heart is as hermetically closed against every new perception and emotion. All that is new in the speech of Zophar, and in those of the friends generally, in this second course of the controversy, is, that they no longer try to lure Job on to penitence by promises, but endeavour to bring him to a right state of mind, or rather to weaken his supposedly-mad assault upon themselves, by presenting to him only the most terrible images. It is not possible to illustrate the principle that the covetous, uncompassionate rich man is torn away from his prosperity by the punishment God decrees for him, more
