signifies gemma, favours (so far as it may be compared) corals rather than pearls. And the fact that ראמות, Eze 27:16, appears as an Aramaean article of commerce in the market of Tyre, is more favourable to the signification pearls than corals; for the Babylonians sailed far into the Indian Ocean, and brought pearls from the fisheries of Bahrein, perhaps even from Ceylon, into the home markets (vid., Layard, New Discoveries, 536). The name is perhaps, from the Western Asiatic name of the pearl,[1] mutilated and Hebraized.[2]
The name of the פּטדּה of Ethiopia appears to be derived from to'paz by transposition; Pliny says of the topaz, xxxvii. 8, 32, among other passages; Juba Topazum insulam in rubro mari a continenti stadiis CCC abesse dicit, nebulosam et ideo quaesitam saepius navigantibus; ex ea causa nomen accepisse:
- ↑ Vid., Zeitschr. für d. Kunde des Morgenlandes, iv. 40f. The recently attempted explanation of κοράλλιον from גּורל (to which κλῆρος the rather belongs), in the primary signification lappillus (Arab. ‛garal), is without support.
- ↑ Two reasons for פנינים = pearls (in favour of which Bochart compares the name of the pearl-oyster, πίννα) and ראמות = corals, which are maintained by Carey, are worthy of remark. (1.) That פנינים does not signify corals, he infers from Lam 4:7, for the redness of corals cannot be a mark of bodily beauty; “but when I find that there are some pearls of a slightly reddish tinge, then I can understand and appreciate the comparison.” (2.) That ראמות signifies corals, is shown by the origin of the word, which properly signifies reêm-(wild oxen) horns, which is favoured by a mention of Pliny, h. n. xiii. 51: (Tradidere) juncos quoque lapideos perquam similes veris per litora, et in alto quasdam arbusculas colore bubuli cornus ramosas et cacuminibus rubentes. Although Pliny there speaks of marine petrified plants of the Indian Ocean (not, at least in his sense, of corals), this hint of a possible derivation of ראמות is certainly surprising. But as to Lam 4:7, this passage is to be understood according to Sol 5:10 (my friend is צח ואדום). The white and red are intended to be conceived of as mixed and overlapping one another, as our Germ. popular poetry speaks of cheeks which “shine with milk and purple;” and as in Homer, Il. iv. 141-146, the colour of the beautifully formed limbs of Menelaus is represented by the figure (which appears hideous to us): ὡς δ ̓ ὅτε τίς τ ̓ ἐλέφαντα γυνὴ φοίνικι μιήνͅ (ebony stained with purple).
