given, i.e., laid in, is not so exact as שׁם הנּיח אשׁר (1Ki 8:9), but may be justified by a reference to Exo 40:20.
Verse 11
2Ch 5:112Ch 5:11-13 describe the part which the priests and Levitical singers and musicians took in the solemn act of transferring the ark to the temple-a matter entirely passed over in the narrative in 1Ki 8:11, which confines itself to the main transaction. The mention of the priests gives occasion for the remark, 2Ch 5:11, “for all the priests present had sanctified themselves, but the courses were not to be observed,” i.e., the courses of the priests (1 Chron 24) could not be observed. The festival was so great, that not merely the course appointed to perform the service of that week, but also all the courses had sanctified themselves and co-operated in the celebration. In reference to the construction לשׁמור אין, cf. Ew. §321, b.
Verse 12
All the Levitic singers and musicians were also engaged in it, to make the festival glorious by song and instrumental music: “and the Levites, the singers, all of them, Asaph, Heman, and Jeduthun, and their sons and brethren, clad in byssus, with cymbals, psalteries, and harps, stood eastward from the altar, and with them priests to 120, blowing trumpets.” The ל before כּלּם and the following noun is the introductory ל: “as regards.” On the form מחצררים, see on 1Ch 15:24; on these singers and musicians, their clothing, and their instruments, see on 1Ch 15:17-28 and 2Ch 25:1-8.
Verse 13
2Ch 5:132Ch 5:13 runs thus literally: “And it came to pass, as one, regarding the trumpeters and the singers, that they sang with one voice to praise and thank Jahve.” The meaning is: and the trumpeters and singers, together as one man, sang with one voice to praise. כּאחד is placed first for emphasis; stress is laid upon the subject, the trumpeters and singers, by the introductory ל; and היה is construed with the following infinitive (להשׁמיע): it was to sound, to cause to hear, for they were causing to hear, where ל c. infin. is connected with היה, as the participle is elsewhere, to describe the circumstances; cf. Ew. §237. But in order to express very strongly the idea of the unisono of the trumpet-sound, and the singing accompanied by the harp-playing, which lies in כּאחד, אחד קול is added to להשׁמיע. By וגו קול וּכהרים all that was to be said of the song and music is drawn together in the form of a protasis, to which is joined מלא והבּית, the apodosis both of this latter and also of the protasis which was interrupted by the parenthesis in 2Ch 5:11 : “When the priests went forth from the holy place, for...(2Ch 5:11), and
