against His confessors. In the Epistle to the Hebrews, Psa 110:1-7 and Psa 2:1-12 stand side by side, the former as a witness of the eternal priesthood of Jesus after the order of Melchisedek, the latter as a witness of His sonship, which is superior to that of the angels. Paul teaches us in Act 13:33, comp. Rom 1:4, how the “to-day” is to be understood. The “to-day” according to its proper fulfilment, is the day of Jesus' resurrection. Born from the dead to the life at the right hand of God, He entered on this day, which the church therefore calls dies regalis, upon His eternal kingship.
The New Testament echo of this Psalm however goes still deeper and further. The two names of the future One in use in the time of Jesus, ὁ Χριστὸς and ὁ υἱὸς τοῦ θεοῦ, Joh 1:50; Mat 26:63 (in the mouth of Nathanael and of the High Priest) refer back to this Ps. and Dan 9:25, just as ὁ υἱὸς τοῦ ἀνθρώπου incontrovertibly refers to Psa 8:5 and Dan 7:13. The view maintained by De Wette and Hupfeld, that the Psalm is not applicable to the Christian conceptions of the Messiah, seems almost as though these were to be gauged according to the authoritative utterances of the professorial chair and not according to the language of the Apostles. Even in the Apocalypse, Ps 19:15; Psa 12:5, Jesus appears exactly as this Psalm represents Him, as ποιμαίνων τὰ ἔθνη ἐν ῥάβδῳ σιδηρᾷ. The office of the Messiah is not only that of Saviour but also of Judge. Redemption is the beginning and the judgment the end of His work. It is to this end that the Psalm refers. The Lord himself frequently refers in the Gospels to the fact of His bearing side by side with the sceptre of peace and the shepherd's staff, the sceptre of iron also, Mat 24:50., Mat 21:44, Luk 19:27. The day of His coming is indeed a day of judgment-the great day of the ὀργὴ τοῦ ἀγνίου, Rev 6:17, before which the ultra-spiritual Messianic creations of enlightened exegetes will melt away, just as the carnal Messianic hopes of the Jews did before His first coming.
Verses 1-3
The Psalm begins with a seven line strophe, ruled by an interrogative Wherefore. The mischievous undertaking
