Page:04.BCOT.KD.PoeticalBooks.vol.4.Writings.djvu/137

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came from נחל it might according to the biblical use of this verb signify “inheritances,” or according to its use in the Talmud “swarms,” and in fact swarms of bees (Arab. naḥl); and נחילות ought then to be the beginning of a popular melody to which the Psalm is adapted. Hai Gaon understands it to denote a melody resembling the hum of bees; Reggio a song that sings of bees. Or is נחילות equivalent to נחלּות (excavatae) and this a special name for the flutes (חלילים)? The use of the flute in the service of the sanctuary is attested by Isa 30:29, cf. 1Sa 10:5; 1Ki 1:40.[1]
The praep. אל was, then, more appropriate than על; because, as Redslob has observed, the singer cannot play the flute at the same time, but can only sing to the playing of another.
The Psalm consists of four six line strophes. The lines of the strophes here and there approximate to the caesura-schema. They consist of a rising and a sudden lowering. The German language, which uses so many more words, is not adapted to this caesura-schema [and the same may be said of the English].

Verses 1-3

Psa 5:1-3 (Hebrew_Bible_5:2-4) The introit: Prayer to be heard. The thoughts are simple but the language is carefully chosen. אמרים is the plur. of אמר (אמר), one of the words peculiar to the poetic prophetical style. The denominative האזין (like audire = aus, οὖς dare) belongs more to poetry than prose. הגיג (like אביב) or מחיר (like מחיר) occurs only in two Psalms לדוד, viz., here and Psa 34:4. It is derived from הגג = הגה (vid., Psa 1:2) and signifies that which is spoken meditatively, here praying in rapt devotion. Beginning thus the prayer gradually rises to a vox clamoris. שׁועי from שׁוע, to be distinguished from שׁוּעי (inf. Pi.) Psa 28:2; Psa 31:23, is one word with the Aram. צוח, Aethiop. צוּע (to call). On הקשׁיב used of intent listening, vid., Psa 10:17. The invocation מלכּי ואלהי, when it is a king who utters it, is all the more significant. David, and in general the theocratic king, is only the representative of the Invisible One, whom he with all Israel adores as his

  1. On the use of the flute in the second Temple, vid., Introduction p. 19.