yet the phrase: this or that is לפני, wherever it has not merely a local or temporal, but an ethical signification, can mean nothing else than: it stands under my direction, Gen 13:9; Gen 20:15; Gen 47:6; 2Ch 14:6; Gen 24:51; 1Sa 16:16. Rightly Heiligst., after Ewald: in potestate mea est. Shulamith also has a vineyard, which she is as free to dispose of as Solomon of his at Baal-hamon. It is the totality of her personal and mental endowments. This vineyard has been given over with free and joyful cordiality into Solomon's possession. This vineyard also has keepers (one here sees with what intention the poet has chosen in Sol 8:11 just that word נארים) - to whom Shulamith herself and to whom Solomon also owes it that as a chaste and virtuous maiden she became his possession. These are her brothers, the true keepers and protectors of her innocence. Must these be unrewarded? The full thousands, she says, turning to the king, which like the annual produce of the vineyard of Baal-hamon will thus also be the fruit of my own personal worth, shall belong to none else, O Solomon, than to thee, and two hundred to the keepers of its fruit! If the keepers in Baal-hamon do not unrewarded watch the vineyard, so the king owes thanks to those who so faithfully guarded his Shulamith. The poetry would be reduced to prose if there were found in Shulamith's words a hint that the king should reward her brothers with a gratification of 200 shekels. She makes the case of the vineyard in Baal-hamon a parable of her relation to Solomon on the one hand, and of her relation to her brothers on the other. From מאתים, one may conclude that there were two brothers, thus that the rendering of thanks is thought of as מעשׂר (a tenth part); but so that the 200 are meant not as a tax on the thousand, but as a reward for the faithful rendering up of the thousand.
Verse 13
The king who seems to this point to have silently looked on in inmost sympathy, now, on being addressed by Shulamith, takes speech in hand; he does not expressly refer to her request, but one perceives from his words that he heard it with pleasure. He expresses to her the wish that she would gratify the companions of her youth who were assembled around her, as well as himself, with a song, such as in former times she was wont to sing in these mountains and valleys. 13 O thou (who art) at home in the gardens, Companions are listening for thy voice; Let me hear!
We observe that in the rural paradise with which she is surrounded, she finds herself in her element. It is a primary feature of her
