s Triumphant Ascension
Whilst between Ps 45 and Psa 46:1-11 scarcely any other bond of relationship but the similar use of the significant על־כּן can be discovered, Psa 47:1-9 has, in common with Psa 46:1-11, not only the thought of the kingly exaltation of Jahve over the peoples of the earth, but also its historical occasion, viz., Jehoshaphat's victory over the allied neighbouring nations, - a victory without a conflict, and consequently all the more manifestly a victory of Jahve, who, after having fought for His people, ascended again amidst the music of their celebration of victory; an event that was outwardly represented in the conducting of the Ark back to the temple (2Ch 20:28). Psa 47:1-9 has grown out of this event. The strophe schema cannot be mistaken, viz., 8. 8. 4.
On account of the blowing of the trumpet[1] mentioned in Psa 47:6, this Psalm is the proper new year's Psalm in the synagogue (together with Ps 81, the Psalm of the second new year's feast day); and on account of the mention of the ascension of Jahve, it is the Psalm for Ascension day in the church. Luther styles it, the “Christ ascended to Heaven of the sons of Korah.” Paulus Burgensis quarrels with Lyra because he does not interpret it directly of the Ascension; and Bakius says: Lyranus a Judaeis seductus, in cortice haeret. The whole truth here, as is often the case, is not to be found on either side. The Psalm takes its occasion from an event in the reign of Jehoshaphat. But was the church of the ages succeeding required to celebrate, and shall more especially the New Testament church still celebrate, that defeat of the
- ↑ In connection with which, עלה then is intended to point to the fact that, when the sound of the trumpets of Israel begins, God rises from the throne of justice and takes His seat upon the throne of mercy: vid., Buxtorf, Lex. Talmud. col. 2505.
