or corner of ancient Jerusalem. It is not necessarily the extreme north (Eze 38:6; Eze 39:2), which is called ירכתי צפון; for ירכּתים are the two sides, then the angle in which the two side lines meet, and just such a northern angle was Mount Moriah by its position in relation to the city of David and the lower city.
Verse 3
Psa 48:3 (Hebrew_Bible_48:4) Psa 48:3, where the pointing is rightly נודע, not נודע, shows that the praise sung by the poet is based upon an event in contemporary history. Elohim has made Himself known by the loftily built parts[1] of Jerusalem (Psa 122:7) למשׂגּב (the ל that is customary with verbs of becoming and making), i.e., as an inaccessible fortress, making them secure against any hostile attack. The fact by which He has thus made Himself known now immediately follows. המּלכים points to a definite number of kings known to the poet; it therefore speaks in favour of the time of peril and war in the reign of Jehoshaphat and against that in the reign of Hezekiah. נועד is reciprocal: to appoint themselves a place of meeting, and meet together there. עבר, as in Jdg 11:29; 2Ki 8:21, of crossing the frontier and invasion (Hitzig), not of perishing and destruction, as in Psa 37:36, Nah 1:12 (De Wette); for נועדו requires further progress, and the declaration respecting their sudden downfall does not follow till later on. The allies encamped in the desert to Tekoa, about three hours distant from Jerusalem. The extensive view at that point extends even to Jerusalem: as soon as they saw it they were amazed, i.e., the seeing and astonishment, panic and confused flight, occurred all together; there went forth upon them from the Holy City, because Elohim dwells therein, a חרדּת אלהים (1Sa 14:15), or as we should say, a panic or a panic-striking terror. Concerning כּן as expressive of simultaneousness, vid., on Hab 3:10. כּאשׁר in the correlative protasis is omitted, as in Hos 11:2, and frequently; cf. on Isa 55:9. Trembling seized upon them there (שׁם, as in Psa 14:5), pangs as of a woman in travail. In Psa 48:8, the description passes over emotionally into the form of address. It moulds itself according to the remembrance of a recent event
- ↑ lxx: ἐν ταῖς βάρεσιν αὐτῆς, on which Gregory of Nyssa remarks (Opera, Ed. Paris, t. i. p. 333): βάρεις λέγει τάς τῶν οἰκοδομημάτων περιγραφεὶς ἐν τετραγώνῳ τῷ σχήματι.
