Page:1880. A Tramp Abroad.djvu/199

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RIDICULING KERAMIKERS.
187

There were Masters in those days, but alas, it is not so now. Of course the main preciousness of this piece lies in its color; it is that old sensuous, pervading, ramifying, interpolating, transboreal blue which is the despair of modern art. The little sketch which I have made of this gem cannot and does not do it justice, since I have been obliged to leave out the color. But I've got the expression though.

However, I must not be frittering away the reader's time with these details. I did not intend to go into any detail at all, at first, but it is the failing of the true keramiker, or the true devotee in any department of brick-a-brackery, that once he gets his tongue or his pen started on his darling theme, he cannot well stop until he drops from exhaustion. He has no more sense of the flight of time than has any other lover when talking of his sweetheart. The very "marks" on the bottom of a piece of rare crockery are able to throw me into a gibbering ecstasy; and I could forsake a drowning relative to help dispute about whether the stopple of a departed Buon Retiro scent-bottle was genuine or spurious.

Many people say that for a male person, bric-a-brac hunting is about as robust a business as making doll-clothes, or decorating Japanese pots with decalcomanie butterflies would be. And these people fling mud at that elegant Englishman, Byng, who wrote a book called "The Bric-a-Brac Hunter," and make fun of him for chasing around after what they choose to call "his despicable trifles;" and for "gushing" over these trifles; and for exhibiting his "deep infantile delight" in what they call his "tuppenny collection of beggarly trivialities;" and for beginning his book with a picture of himself, seated, in a "sappy, self-complacent attitude, in the midst of his poor little ridiculous bric-a-brac junk shop."

It is easy to say these things; it is easy to revile us, easy to despise us; therefore, let these people rail on; they cannot feel as Byng and I feel,—it is their loss, not ours. For my part I am content to be a brick-a-bracker and a keramiker,