the royal academicians, excepting that of having a voice in the deliberations or any share in the government of the Academy.” Those exhibitors who wished to become candidates had to give in their names at the close of the exhibition. This condition no longer exists, candidates having since 1867 merely to be proposed and seconded by members of the Academy. On election, they attend at a council meeting to sign the Roll of Institution as an associate, and receive a diploma signed by the president and secretary. In 1867 also associates were admitted to vote at all elections of members; in 1868 they were made eligible to serve as visitors in the schools; and in 1886 to become candidates for the professorships of painting, sculpture, and architecture. At first the number of associates was limited to twenty; in 1866 the number was made indefinite with a minimum of twenty, and in 1876 the minimum was raised to thirty. Vacancies in the lists of academicians and associates caused by death or resignation can be filled up at any time within five weeks of the event, except in the months of August, September, and October, but a vacancy in the associate list caused by election only dates from the day on which the new academician receives his diploma. The mode of election is the same in both cases, first by marked lists and afterwards by ballot. All who at the first marking have four or more votes are marked for again, and the two highest then go to the ballot. Engravers have always constituted a separate class, and up to 1855 they were admitted to the associateship only, the number, six, being in addition to the other associates; now the maximum is four, of whom not more than two may be academicians. A class of honorary retired academicians was established in 1862, and of honorary retired associates in 1884. The first honorary foreign academicians were elected in 1869. The honorary members consist of a chaplain, an antiquary, a secretary for foreign correspondence, and professors of ancient history and ancient literature. These posts, which date from the foundation of the Academy, have always been held by distinguished men.
Schools.—One of the most important functions of the Royal Academy, and one which for nearly a century it discharged alone, was the instruction of students in art. The first act, as has been shown, of the newly-founded Academy was to establish schools—“an Antique Academy” and a “School for the Living Model ” for painters, sculptors, and architects. In the first year, 1769, no fewer than seventy-seven students entered. A school of painting was added in 1815, and special schools of sculpture and architecture in 1871. It would occupy too much space to follow the various changes that have been made in the schools since their establishment. In one important respect, however, they remain the same, viz., in the instruction being gratuitous—no fees have ever been charged. Up to the removal of the Academy to its present quarters the schools could not be kept permanently open, as the rooms occupied by them were wanted for the exhibition. They are now open all the year round with the exception of a fortnight at Christmas, and the months of August and September. They consist of an antique school, upper and lower schools of painting, a school of drawing from the life, a school of modelling from the life, and an architectural school. Admission is gained by submitting certain specimens of drawing or modelling, and the successful candidates, called probationers, have then to undergo a further test in the schools, on passing which they are admitted as students for three years. At the end of that time they are again examined, and if qualified admitted for a further term of two years. These examinations are held twice a year, in January and July. Female students were first admitted in 1860. There are many scholarships, money prizes, and medals to be gained by the various classes of students during the time of studentship, including travelling studentships of the value of £200 for one year, gold and silver medals, and prizes varying from £50 to £10. There are permanent curators and teachers in all the schools, but the principal teaching is done by the visitors, academicians, and associates, elected to serve in each school. The average cost of maintaining these schools, including salaries, fees, cost of models, prizes, books, maintenance of building, &c., has been for the last thirty years from £5000 to £6000 a year. This sum does not include the cost of certain scholarships and prizes derived from moneys given or bequeathed for this purpose, such as the Landseer scholarships, the Creswick prize, the Armitage prizes, and the Turner scholarship and gold medal.
Charities.—Another of the principal objects to which the profits of the Royal Academy have been devoted has been the relief of distressed artists and their families. From the commencement of the institution a fund was set apart for this purpose, and subsequently a further sum was allotted to provide pensions for necessitous members of the Academy and their widows. Both these funds were afterwards merged in the general fund, and various changes have from time to time been made in the conditions under which pensions and donations have been granted and in their amount. At the present time pensions not exceeding a certain fixed amount may be given to academicians and associates, sixty years of age, who have retired and wdiose circumstances show them to be in need, provided the sum given does not make their total annual income exceed a certain limit, and the same amounts can be given to their widows subject to the same conditions. No pensions are granted without very strict inquiry into the circumstances of the applicant, who is obliged to make a yearly declaration as to his or her income. The average annual amount of these pensions has been latterly about £2000. Pensions are also given according to the civil service scale to certain officers on retirement. It may be stated here that with the exception of these pensions and of salaries and fees for official services, no member of the Academy derives any pecuniary benefit from the funds of the institution. Donations to distressed artists who are or have been exhibitors at the Royal Academy, their widows and children under twenty-one years of age, are made twice a year in February and August. The maximum amount that can be granted to any one applicant in one donation is £100, and no one can receive a grant more than once a year. The average yearly amount thus expended is from £1200 to £1500. In addition to these charities from its general funds, the Academy administers for the benefit of artists, not members of the Academy, certain other funds which have been bequeathed to it for charitable purposes, viz., the Turner fund, the Cousins fund, the Cooke fund, the Newton bequest, and the Edwards fund (see below).
Exhibitions.—The source from which have been derived the funds for carrying on the varied work of the Royal Academy, its schools, its charities, and general cost of administration, and which has enabled it to spend large sums on building, and provided it with the means of maintaining the buildings, has been the annual exhibitions. With the exception of the money left by John Gibson, R.A., some of which was spent in building the gallery containing the statues and bas-reliefs bequeathed by him, these exhibitions have provided the sole source of revenue, all other moneys that have come to the Academy having been either left in trust, or been constituted trusts, for certain specific purposes. The first exhibition in 1769 contained 136 works, of which more than one half were contributed by members, and brought in £699:17 :6. In 1780, the first year in which the receipts exceeded the expenditure, the number of works was 489, of which nearly one-third were by members, and the sum received was £3069 : Is. This increase continued gradually with fluctuations, and in 1836, the last year at Somerset House, the number of works was 1154, and the receipts were £5179 :19s. No great addition to the number of works exhibited took place at Trafalgar Square, but the receipts steadily grew, and their careful management enabled the Academy, when the time came for moving, to erect its own buildings and become no longer dependent on the Government for a home. The greater space afforded by the galleries at Burlington House rendered it possible to increase the number of works exhibited, which of late years has reached a total of over 2000, while the receipts have also been such as to provide the means for further building, and for a largely increased expenditure of all kinds. It may be noted that the number of works sent for exhibition soon began to exceed the space available. In 1868, the last year at Trafalgar Square, the number sent was 3011. This has gone on increasing, with occasional fluctuations, at Burlington House, and the year 1900 saw the maximum, so far, of 13,462. The annual winter exhibition of works by old masters and deceased British artists was begun in 1870. It was never intended to be a source of revenue, but appreciation by the public has so far prevented it from being a cause of loss. The summer exhibition of works by living artists opens on the first Monday in May, and closes on the fiist Monday in August. The winter exhibition of works by deceased artists opens on the first Monday in January, and closes on the second Saturday in March. The galleries containing the diploma works, the Gibson statuary, and other works of art are open daily, free.
Presidents of the Royal Academy.—Sir Joshua Reynolds, 176892; Benjamin West (resigned) 1792-1805 ; James Wyatt (president-elect), 1805 ; Benjamin West (re-elected), 1806-20 ;
