Page:A Culture of Copyright - A. Wallace.pdf/59

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Table 5. Breakdown of technical protection measures used
Technical Protection Measures # Institution
Pay-to-view 3
  • The National Archives
  • National Records Scotland
  • Parliamentary Archives
Watermarks 8
  • Bradford Museums & Galleries
  • Gallery Oldham
  • Laurence Sterne Trust
  • Liverpool Central Library
  • Mary Rose Trust
  • National Jazz Archive
  • Oxford University Museum of Natural History
  • Royal Botanic Gardens, Kew
Account required or personal information collected upon download 4
  • Jerwood Library of the Performing Arts
  • The National Archives (Discovery)
  • National Galleries of Scotland (for higher resolution images)
  • National Portrait Galleries (for CC BY-NC-ND 3.0 images)
Download disabled, e.g., via the image display interface or inability to right-click and download 20
  • Aberdeen Archives, Art Gallery and Museums
  • Atkinson Art Gallery
  • Bristol Archives
  • Bristol Museum & Gallery
  • British Library (IIIF)
  • Dulwich Picture Gallery
  • Dundee Art Galleries and Museums
  • Fleming Collection (can circumvent by clicking to enlarge)
  • Guernsey Museums and Galleries
  • Heritage Collections UK Parliament
  • Historic England (Historic Buildings and Monuments Commission for England)
  • Leeds Museums & Galleries
  • Llyfrgell Genedlaethol Cymru (National Library of Wales) (IIIF)
  • The National Collection (Discovery)
  • Newark Town Hall Museum and Art Gallery
  • Northern Ireland War Memorial
  • Stirling Smith Art Gallery & Museum
  • Tyne & Wear Archives & Museums
  • University of St Andrews (IIIF)
  • Watford Museum
Low resolution 4
  • Bowes Museum
  • Dundee Art Galleries and Museums (where download is enabled)
  • Historic Environment Scotland
  • National Galleries of Scotland (with canvas, artwork and rights information)

3.3.6. Commercial licensing

Commercial licensing services are standard among most GLAMs in the sample. Data was collected for GLAMs who advertise images through a self-maintained licensing interface (e.g., Tate Images Picture Library) and/or external licensing platform (e.g., Bridgeman Images).

At least 48 GLAMs operate their own commercial licensing service and/or online picture library.

A Culture of Copyright
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